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Looking for Mrs. Livingstone
This is the enthralling story of the extraordinarily courageous and stoical wife of the world-renowned explorer and missionary, David Livingstone. In the history books, Mary Livingstone is a shadow in the blaze of her husband's sun, a whisper in the thunderclap of his reputation. Yet she played an important role in Livingstone's success and her own feats as an early traveller in uncharted Africa are unique. She was the first white woman to cross the Kalahari, which she did twice - pregnant - giving birth in the bush on the second journey. She was much more rooted in southern Africa than her husband: he has a tomb in Westminster Abbey, London; she has an obscure and crumbling grave on the banks of the Zambezi in a destitute region of Mozambique. In the thrall of Africa, the author has travelled extensively over several years in the footsteps of Mary Livingstone, from her birthplace in a remote district of South Africa to her grave on the Zambezi. She explores the places the Livingstones knew as a couple and, above all, explores the detail of the life and family of this little-known figure in British - but not African - history.
Aeolian Geomorphology
A revised introduction to aeolian geomorphology written by noted experts in the field The new, revised and updated edition of Aeolian Geomorphology offers a concise and highly accessible introduction to the subject. The text covers the topics of deserts and coastlines, as well as periglacial and planetary landforms. The authors review the range of aeolian characteristics that include soil erosion and its consequences, continental scale dust storms, sand dunes and loess. Aeolian Geomorphology explores the importance of aeolian processes in the past, and the application of knowledge about aeolian geomorphology in environmental management. The new edition includes contributions from eighteen ex...
London from Punk to Blair
Based upon an exploration of essays, maps, journeys, pictures, narratives and signs the editors have compiled an overview of London from the mid-70s through to the days of the Blair administration.
The Ceramics Reader
The Ceramics Reader is an impressive editorial collection of essays and text extracts, covering every discipline within ceramics, past and present. Tackling such fundamental questions as "why are ceramics important?", the book also considers the field from a range of perspectives - as a cultural activity or metaphor, as a vehicle for propaganda, within industry and museums, and most recently as part of the 'expanded field' as a fine art medium and hub for ideas. Newly commissioned material features prominently alongside existing scholarship, to ensure an international and truly comprehensive look at ceramics.
Language and Emotion. Volume 3
The Handbook consists of four major sections. Each section is introduced by a main article: Theories of Emotion – General Aspects Perspectives in Communication Theory, Semiotics, and Linguistics Perspectives on Language and Emotion in Cultural Studies Interdisciplinary and Applied Perspectives The first section presents interdisciplinary emotion theories relevant for the field of language and communication research, including the history of emotion research. The second section focuses on the full range of emotion-related aspects in linguistics, semiotics, and communication theories. The next section focuses on cultural studies and language and emotion; emotions in arts and literature, as w...
Assembling the Marvel Cinematic Universe
The Marvel Cinematic Universe--comprised of films, broadcast television and streaming series and digital shorts--has generated considerable fan engagement with its emphasis on socially relevant characters and plots. Beyond considerable box office achievements, the success of Marvel's movie studios has opened up dialogue on social, economic and political concerns that challenge established values and beliefs. This collection of new essays examines those controversial themes and the ways they represent, construct and distort American culture.
Televisual Shared Universes
This book of empirical studies analyzes examples of televisual shared universes since the 1960s to understand how the nature of televised serial narratives and network corporate policies have long created shared storyworlds. While there has been much discussion about shared cinematic universes and comic book universes, the concept has had limited exploration in other media, such as those seen on the smaller screen. By applying convergence culture and other contemporary media studies concepts to television’s history, contributors demonstrate the common activities and practices in serial narratives that align older television with contemporary television, simultaneously bridging the gap between old media and new media studies. Scholars of film studies, media studies, and popular culture will find this book of particular interest.
