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The Multiverse
The Multiverse, Andrew Wynn Owen's first book of poems, sings of science, philosophy, and religion, testing the emotional valences of each. It sings in a variety of strictly observed metres and with rhyme. The poems find their way into memory as sense and sound. The Multiverse celebrates human curiosity. The poet is an enthusiast – for the visible world, for scientific and philosophical excursions.
New Theoretical Perspectives on Dylan Thomas
1. The book is in keeping with contemporary developments in literary criticism and interpretation. 2. The book is the first to offer a comprehensive critical overview of Thomas’s entire output. 3. It provides exciting new commentaries on cultural appropriations and interpretations of Thomas in the media, letters, and popular culture. 4. It contains work by some of the leading voices in the fields of Thomas studies and Welsh Writing in English. 5. It offers key insights into the Welsh contexts of Thomas’s work and legacy.
The Dragon and the Bomb
In an island kingdom, Don Armando dreams of a dragon-slaying adventure like heroes used to perform. And in a laboratory in a gleaming city, scientist Haplo Nous tinkers towards an atom bomb. Past, present and future collide in Andrew Wynn Owen's rip-roaring tale, full of rhythmical fireworks and joyous anachronism. This is a clash between chivalric heroics and modern scientific enquiry, and a shaggy-dog story taking in farmers, fisherpeople, flying machines and general derring-do.
The Fountain
The Fountain opens on the Viennese U-Bahn, emerging into startling winter sunlight. This image of subterranean eruption is one of many in the book, which returns obsessively to real and figurative fountains. Isaac Nowell's fountain is a social and mythical locus, a place of memory and forgetting, the source to which history returns and is recycled. Roaming freely between classical and contemporary registers, Nowell's twelve-line poems feel less like narratives or speeches than fragments of scenes or sensations. The movement of a lover's hand in the dark, or the gradation of light at dawn, are points of momentary contact with that 'one big wonderful dangerous accident', life itself.
Apostasy from the Gospel (Volume 14)
Volume 14 of The Complete Works of John Owen explores the dangers of heresy and the importance of preserving the purity of Christian doctrine, holiness, and worship. It has been edited for modern readers by Joel R. Beeke.
Lady Baltimore (EasyRead Large Bold Edition)
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Great Circles
This volume explores the interaction of poetry and mathematics by looking at analogies that link them. The form that distinguishes poetry from prose has mathematical structure (lifting language above the flow of time), as do the thoughtful ways in which poets bring the infinite into relation with the finite. The history of mathematics exhibits a dramatic narrative inspired by a kind of troping, as metaphor opens, metonymy and synecdoche elaborate, and irony closes off or shifts the growth of mathematical knowledge. The first part of the book is autobiographical, following the author through her discovery of these analogies, revealed by music, architecture, science fiction, philosophy, and the study of mathematics and poetry. The second part focuses on geometry, the circle and square, launching us from Shakespeare to Housman, from Euclid to Leibniz. The third part explores the study of dynamics, inertial motion and transcendental functions, from Descartes to Newton, and in 20th c. poetry. The final part contemplates infinity, as it emerges in modern set theory and topology, and in contemporary poems, including narrative poems about modern cosmology.
The Canals of Mars
The opening poem in Patrick McGuinness's debut collection is a studied variation on Joyce's theme: "In the wings there is one who waits to go on / and another, his scene run, who waits to go." The poet imagines their two souls meeting "like crossed letters touching in the dark; // the blank page and the turned page, / the first and the last, shadows folding // over and across me, in whom they're bound." He recreates the beauty and strangeness of inner landscapes. He reveals the fractal patterns within familiar structures: the tree within the leaf, the recurrence that unfolds to create a fugue, how common experience is rediscovered within the newly learnt words of a foreign language. A Welsh drystone wall is built of live air, an extinct Martian world mirrors human suffering, an ultrasound scan images a human baby as a luminous constellation.
Jilted City
The poems in Jilted City inhabit in-between-places, when a border is being crossed, a word is slipping into another language, when memory is translating loss. 'From Stations where the train doesn't stop' in 'Blue Guide', following a train journey through Belgium, to 'City of Lost Walks', English versions of a dissident Romanian poet whose poetry fails to register except in the form of an omission, McGuinness explores transition and translation, the afterlife of absences. Wit and paradox are at the heart of a collection that finds unforeseen connections between place and displacement.
