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The Multiverse
The Multiverse, Andrew Wynn Owen's first book of poems, sings of science, philosophy, and religion, testing the emotional valences of each. It sings in a variety of strictly observed metres and with rhyme. The poems find their way into memory as sense and sound. The Multiverse celebrates human curiosity. The poet is an enthusiast – for the visible world, for scientific and philosophical excursions.
Infinite in Finite
Infinite in Finite develops the inimitable style of The Multiverse, the author's first collection (2018), praised as showing 'some of the best technical skills of any living poet', the work of 'one who is not afraid of big subjects, whose enthusiastic gaze is directed outward with energy and gladness'. Then Auden and the Romantics lighted his way. To those influences are now added the challenges of a Modernist style, drawing on Marianne Moore, T.S. Eliot and Delmore Schwartz. In the long sequence 'Appearance and Reality' and throughout the collection's intricate polymetrical stanzas, readers experience more variation than most contemporary free verse provides. The poems challenge assumptions about the place of form in the modern artistic ecosystem.
Awol
In rural Wales, wandering the dunes west of Pwllheli, John Fuller has composed a letter on the subject of travel: warning against it, wondering about people's presences and absences, and serenely admiring 'the Wales of sheep and song'. His correspondent, young Andrew Wynn Owen, replies with friendly enthusiasm, matching John's poetic form while flouting his advice and hopping from gallery to garret via Luxembourg and Venice. Between them, they consider: is it better to risk seeming 'stay-at-home, A stick in mud' or 'to pass life scared Of stillnesses' AWOL is an infinitely charming collaboration between the eminent poet John Fuller, with a career spanning over 50 years, and bright young poet Andrew Wynn Owen, whose first pamphlet was published in 2014. Beautifully produced in a large square format, this book is illustrated throughout in full-colour with watercolours and line drawings by Emma Wright. The epistolary poems are composed in terza rima in tetrameter lines, reflecting both poets' love of metre and formal challenges.
Future Morality
The world is changing at such speed that it's hard to know how to think about the new kinds of dilemma that are springing up: Can robots be held responsible for their actions? Can science predict crime - and prevent it? Is the future gender-fluid? David Edmonds has put together a philosophical task force to get to grips with challenges like these.
Women of Ideas
Thirty leading women philosophers draw on and advance the rich heritage of the philosophical tradition to explore topics of pressing interest for today. Women of Ideas is edited by Suki Finn, based upon interviews by David Edmonds and Nigel Warburton, from Philosophy Bites, the world's foremost philosophy podcast. These conversations illuminate diverse aspects of being human: personal, social, ethical, and political. The contributors discuss the relations between humans and animals, between genders, between tastes, between cultures, and between nations. They look at some of the things that are wrong with our world, such as injustice, deprivation, and bias; they consider the role of civility, trust, and consent in our interactions. There are reflections on the history of philosophy from Plato to Beauvoir, comparisons between Western philosophy and Buddhist philosophy, and discussion of philosophy in Africa. The volume concludes by investigating how philosophy works, how it makes progress, and its role in public life. Anyone interested in philosophical reflection on themselves and our world will find much to stimulate them here.
Being a Beast
LONGLISTED FOR THE BAILLIE GIFFORD PRIZE 2016 Charles Foster wanted to know what it was like to be a beast: a badger, an otter, a deer, a fox, a swift. What it was really like. And through knowing what it was like he wanted to get down and grapple with the beast in us all. So he tried it out; he lived life as a badger for six weeks, sleeping in a dirt hole and eating earthworms, he came face to face with shrimps as he lived like an otter and he spent hours curled up in a back garden in East London and rooting in bins like an urban fox. A passionate naturalist, Foster realises that every creature creates a different world in its brain and lives in that world. As humans, we share sensory outpu...
Smellosophy
An NRC Handelsblad Book of the Year “Offers rich discussions of olfactory perception, the conscious and subconscious impacts of smell on behavior and emotion.” —Science Decades of cognition research have shown that external stimuli “spark” neural patterns in particular regions of the brain. We think of the brain as a space we can map: here it responds to faces, there it perceives a sensation. But the sense of smell—only recently attracting broader attention in neuroscience—doesn’t work this way. So what does the nose tell the brain, and how does the brain understand it? A. S. Barwich turned to experts in neuroscience, psychology, chemistry, and perfumery in an effort to under...
On Human Nature
A brief, radical defense of human uniqueness from acclaimed philosopher Roger Scruton In this short book, acclaimed writer and philosopher Roger Scruton presents an original and radical defense of human uniqueness. Confronting the views of evolutionary psychologists, utilitarian moralists, and philosophical materialists such as Richard Dawkins and Daniel Dennett, Scruton argues that human beings cannot be understood simply as biological objects. We are not only human animals; we are also persons, in essential relation with other persons, and bound to them by obligations and rights. Scruton develops and defends his account of human nature by ranging widely across intellectual history, from Pl...
Artful Truths
"From social media to the return of the personal essay to the rise of "autofiction," it seems we inhabit an era of unprecedented self-display. But self-display in its literary form, the memoir, has been around for ages, always freighted with formal and philosophical complexity from Augustine's Confessions on. In this book, philosopher Helena de Bres tackles the philosophy of memoir. What is memoir? Is all memoir really fiction? Should memoirists aim to tell the truth? What do memoirists owe the people they write about? And finally: Why write a memoir at all?"--
The Fountain
The Fountain opens on the Viennese U-Bahn, emerging into startling winter sunlight. This image of subterranean eruption is one of many in the book, which returns obsessively to real and figurative fountains. Isaac Nowell's fountain is a social and mythical locus, a place of memory and forgetting, the source to which history returns and is recycled. Roaming freely between classical and contemporary registers, Nowell's twelve-line poems feel less like narratives or speeches than fragments of scenes or sensations. The movement of a lover's hand in the dark, or the gradation of light at dawn, are points of momentary contact with that 'one big wonderful dangerous accident', life itself.
