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Descubriendo a Caravaggio
  • Language: en
  • Pages: 51

Descubriendo a Caravaggio

  • Type: Book
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  • Published: 2018
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  • Publisher: Unknown

Book compiling the technical study and details of the restoration process of ; Saint Catherine of Alexandria' by Caravaggio. 0/0La Santa Catalina de Caravaggio es, no hace falta recordarlo, una de las obras maestras absolutas de la colección del Museo Thyssen-Bornemisza. Pintada, como atestigua Bellori, para el primer mecenasdel artista, el cardenal Francesco Maria del Monte, la obra encarna el tránsito de Caravaggio desde su lirismo temprano hacia una nueva monumentalidad. La figura aislada de la santa, cercana al tamaño natural, aparece fuera de cualquier contexto narrativo. La belleza carnal de la mujer, su mirada directa, su pose casual como entre bastidores ponen en cuestión las convenciones de la iconografía sacra. Como observó Bernard Berenson, que vio la pintura en Lugano, más que una santa Catalina parece el retrato de una modelo que posa para un cuadro de santa Catalina.00Exhibition: Thyssen-Bornemisza Collection, Madrid, Spain (17.12.2018 - 26.05.2019).

Caravaggism and Classicism in Italian Painting at the Thyssen-Bornemisza Museum
  • Language: en
  • Pages: 306
Georgia O'Keeffe
  • Language: en
  • Pages: 240

Georgia O'Keeffe

This beautiful two-volume catalog--which presents more than 2000 works by O'Keeffe in a variety of media--displays her innovative use of color and form and in the process sheds light on her distinctive contribution to American modernism. 2,150 illustrations.

Man, Myth, and Sensual Pleasures
  • Language: en
  • Pages: 498

Man, Myth, and Sensual Pleasures

Issued in connection with an exhibition held Oct. 5, 2010-Jan. 17, 2011, Metropolitan Museum of Art, New York, and Feb. 23-May 30, 2011, National Gallery, London (selected paintings only).

Deconstructing Olduvai: A Taphonomic Study of the Bed I Sites
  • Language: en
  • Pages: 342

Deconstructing Olduvai: A Taphonomic Study of the Bed I Sites

The Olduvai Bed I archaeological sites have been at the epicenter of the debate on how early humans behaved. This book presents a new analytical approach that has produced unexpected results: the association of stone tools and faunal remains at most Olduvai Bed I sites is accidental and not related to hominid behavior. This revolutionary analysis shows that current models of reconstruction of human behavior are wrong.

The Renaissance Portrait
  • Language: en
  • Pages: 434

The Renaissance Portrait

Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.

Portraits of the Archdukes Albert and Isabella
  • Language: en
  • Pages: 33

Portraits of the Archdukes Albert and Isabella

  • Type: Book
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  • Published: Unknown
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  • Publisher: Unknown

None

Conceptos espiritvales
  • Language: es
  • Pages: 516

Conceptos espiritvales

  • Type: Book
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  • Published: 1600
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  • Publisher: Unknown

None

Conservation of Modern Oil Paintings
  • Language: en
  • Pages: 611

Conservation of Modern Oil Paintings

Artists’ oil paints have become increasingly complex and diverse in the 20th Century, applied by artists in a variety of ways. This has led to a number of issues that pose increasing difficulties to conservators and collection keepers. A deeper knowledge of the artists’ intent as well as processes associated with material changes in paintings is important to conservation, which is almost always a compromise between material preservation and aesthetics. This volume represents 46 peer-reviewed papers presented at the Conference of Modern Oil Paints held in Amsterdam in 2018. The book contains a compilation of articles on oil paints and paintings in the 20th Century, partly presenting the o...

Conserving Canvas
  • Language: en
  • Pages: 516

Conserving Canvas

  • Categories: Art

The most authoritative publication in nearly fifty years on the subject of conserving paintings on canvas. In 2019, Yale University, with the support of the Getty Foundation, held an international conference, where nearly four hundred attendees from more than twenty countries gathered to discuss a vital topic: how best to conserve paintings on canvas. It was the first major symposium on the subject since 1974, when wax-resin and glue-paste lining reigned as the predominant conservation techniques. Over the past fifty years, such methods, which were often destructive to artworks, have become less widely used in favor of more minimalist approaches to intervention. More recent decades have witn...