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A bold new spatial perspective on modern sculpture, with 800 color images of work by artists including Henry Moore, Lygia Clark, Anish Kapoor, and Ana Mendieta. This monumental, richly illustrated volume from ZKM | Karlsruhe approaches modern sculpture from a spatial perspective, interpreting it though contour, emptiness, and levitation rather than the conventional categories of unbroken volume, mass, and gravity. It examines works by dozens of twentieth- and twenty-first-century artists, including Hans Arp, Marcel Duchamp, Henry Moore, Barbara Hepworth, Lygia Clark, Anish Kapoor, Olafur Eliasson, Ana Mendieta, Fujiko Nakaya, Tomás Saraceno, and Alicja Kwade. The large-scale book contains o...
For many the postcard may seem trivial, little more than a mundane souvenir or a way to keep in touch with friends and relatives while on vacation. But if we look carefully, postcards offer valuable insights into the time periods in which they were created and the mentalities of those who bought or sent them. Frank Marhefka, while serving in the U.S. Army Motor Transportation Corps during the First World War, amassed a collection of more than 150 postcards and photographs while in France, and bound them into a souvenir album. Marhefka's collection provides a diverse and vivid look into a period of history that - in many soldiers' accounts - is not usually visualized with all its cruelties. E...
By the end of the twentieth century certain new media had established themselves which have profoundly changed communication among lovers. SMS and email in particular have created new relational forms and forms of intimacy. From declarations of love on talk shows to televised dating games and marriage quiz shows, television offers a panoply of wildly popular theatrical communications of love. Does the neglecting of traditional communication media, such as love letters and the telephone, cause the intermingling of intimacy with the public sphere and hence the abrogation of it? From the disciplines of sociology, history, cultural and media studies and linguistics, this book offers answers to this question by analyzing and discussing new media from various perspectives. Contributions by Eva Illouz, Joachim R. Höflich, Friedrich Krotz, Helga Kotthoff, Karl Lenz, Sabine Maasen, and others.
Between animate and inanimate matter This book presents artistic and theoretical positions that deal with the dynamics of and points of transition between animate and inanimate matter. Following on from the exhibition Holobiont: Life Is Other (Bregenz/Vienna, 2021/2022), it explores how art, philosophy, and the technological sciences destabilize and expand the concept of living things. How do biological entities, machines, media, architectures, networks develop symbiotically in the context of biotechnological possibilities and ecological challenges? The Holobiont theory of biologist Lynn Margulis opens up new perspectives on life as a cooperative, holistic system: The "other" is not assimilated, integrated; instead it is preserved in its unavailability and peculiarity as new connections emerge. Selection of current artistic works on a/biotic processes Contextualization by contemporary theorists and artists Contributions by Bruno Clarke, Monika Bakke, Eduardo Kac, Dorion Sagan, Astrid Schrader, Paul Vanouse, and others.
As the portrait of a fringe group, this book invites the reader to engage with the phenomenon of outcasts; it orders the rich material – which has grown out of numerous projects of artistic research with female drug users in European prisons and therapy institutions – and sets it into context. In this way, the conditions which have become structurally embedded in social processes are laid open and made perceptible as a matter of public concern. The biographical and artistic work with the inmates, the correspondence, the interventions in the isolated, public, and cultural sphere, the minutes, reflections, and results of the interdisciplinary exchange with scientists are comprehensively documented and illustrated.
Artists and writers portray the disorientation of a world facing climate change. This monumental volume, drawn from a 2020 exhibition at the ZKM Center for Art and Media, portrays the disorientation of life in world facing climate change. It traces this disorientation to the disconnection between two different definitions of the land on which modernizing humans live: the sovereign nation from which they derive their rights, and another one, hidden, from which they gain their wealth—the land they live on, and the land they live from. Charting the land they will inhabit, they find not a globe, not the iconic “blue marble,” but a series of critical zones—patchy, heterogenous, discontinu...
From Xenakis's UPIC to Graphic Notation Today sheds light on the revolutionary UPIC system, developed by composer Iannis Xenakis in the late 1970s. This digital innovation enables the transformation of drawings into musical compositions and continues to shape the world of contemporary music notation. Freely available in open access, this book provides unrestricted access to the historical origins of UPIC and its evolution into modern notation techniques. Richly illustrated, it reveals the unique fusion of image and sound. Through QR codes, readers can experience the compositions interactively. IANNES XENAKIS (1922–2001) was not only a composer but also a visionary and a bridge-builder between music, mathematics, and architecture. Originally trained as an engineer in Athens, he developed innovative compositional techniques that integrate geometric and mathematical principles with music. His creation of the UPIC system established him as a pioneer of computer-assisted music, with an influence that extends into today's musical landscape. Often described as a "sound architect," Xenakis's unique approach and interdisciplinary works remain groundbreaking.
SOS-Signale auf hoher See, Klopfzeichen in Trümmerfeldern, Flaschenposten am Strand: Wenn Menschen in Not geraten, müssen sie mit allen Mitteln auf sich aufmerksam machen. Sie müssen Lebenszeichen senden, um am Leben zu bleiben. Dieses Buch erforscht das Phänomen des Lebenszeichens erstmals aus der Perspektive von Medienkulturwissenschaft, Zeichentheorie und Existenzphilosophie. Anhand zahlreicher Katastrophenszenarien wie Erdbeben, Lawinen und Bergwerkunglücken zeigt die Studie, warum Menschen in Not existenziell von Medien und Kommunikationsmitteln abhängen: Keine Lebenszeichen ohne Signalfackeln, Peilsender, Satelliten oder Infrarotsensoren. Medien in Notfällen sind mehr als nur Mi...
Für die Jahrzehnte um 1900 sind Bildpostkarten ein Schlüsselmedium zur Erforschung des populären visuellen Wissens von der Musik. Dieser Band erschließt erstmals in großer Breite und aus der Perspektive von Musik-, Kultur- und Kunstgeschichte das Medium Postkarte als Quelle zur Erforschung der Musik, ihrer Geschichte, Kultur und Soziologie. Als kommerzielles Massenmedium spiegeln historische Bildpostkarten die Ansichten ihrer Zeit. Darstellungen musikalischer Praxen belegen idealisiertes oder reales Musikmachen, sein Gendering und seine sozialen Funktionalisierungen, z. B. für politische Propaganda. Illustrationen dokumentieren mit erstaunlicher Übereinstimmung verbreitete visuelle As...