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Existence - appearance - non-existence
At first glance, German artist Anett Stuth's (born 1965) photographs appear to be "single" images, suggesting a unity of time, place and motif. Upon further examination, however, the viewer becomes aware of a wide diversity of multiple, overlaid pictures and worlds.
Anett Stuth, Ortlos
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Anett Stuth
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East
In autumn 1989 the wall dividing Germany into East and West came down, one political incident impacting the next and a new era began. It was a time of great hope, desire and fear. Beneath the world political historiography, countless stories can be told of the people involved and their personal concerns at the time. A lot of these private stories, conserved in snap-shots, are assembled in EAST ¿ For the Record.Numerous photographers, asked to look back, have contributed their iconographic pictures of that period. Theimages assembled in this book were taken between September and December 1989, each dated and with shortannotations. This book is a panopticon of personal experiences, and gives a sense of the spirit of the times. It isarguably even more insightful and informative than official annals of the period.
East - city, scape, East - Stadt, Land, Ost
Helen Parry Jones has been a professional spiritual healer and empathic medium for thirty years. She has filled theatres and auditoriums and appeared on radio and TV. But this is the first time she has told her incredible story. When she was four, Helen Parry Jones realised that she could see things that other people could not -- like the animals she played with and the silent man in army uniform who sat in her grandmother's sitting room. But it wasn't until she met her Guardian Guide Sam and had regular tutorials from him did she start to understand the significance of what she had been experiencing. Because Helen can see and communicate with spirit and angels, through them she has develope...
Everyday Subversion
This important book traces the evolution of grassroots social movement in the former German Democratic Republic (GDR) and reveals the democratically spirited, subversive forms of communication that were practiced behind the Wall before it fell on November 9, 1989. Kerry Kathleen Riley provides a new way of looking at the East German revolution in an English-language rhetorical history, as well as an analysis of GDR grassroots persuasion that draws on research (especially German language research) from several disciplines.
