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Mummified
Mummified explores the curious, unsettling and controversial cases of mummies held in French and British museums. From powdered mummies eaten as medicine to mummies unrolled in public, dissected for race studies and DNA-tested in modern laboratories, there is a lot more to these ancient remains than first meets the eye. This book takes you on a journey from Paris to London, Leicester and Manchester, from the apothecaries of the Middle Ages to the dissecting tables of the eighteenth century, and finally behind the screen of today’s computers, to revisit the stories of these bodies that have fascinated Europeans for so long. Mummified investigates matters of life and death, of collecting and viewing, and of interactions – sometimes violent and sometimes emotional – that question the essence of what makes us human.
Postgenocide
This edited volume studies the after-effects of genocide, exploring the ways in which societies are shaped by a history of such extreme violence. Contributions from a variety of perspectives, including law, political science, sociology, and ethnography, explore previously overlooked themes and cases to reassess existing assumptions in the field.
Scattered Finds
Between the 1880s and 1980s, British excavations at locations across Egypt resulted in the discovery of hundreds of thousands of ancient objects that were subsequently sent to some 350 institutions worldwide. These finds included unique discoveries at iconic sites such as the tombs of ancient Egypt's first rulers at Abydos, Akhenaten and Nefertiti’s city of Tell el-Amarna and rich Roman Era burials in the Fayum. Scattered Finds explores the politics, personalities and social histories that linked fieldwork in Egypt with the varied organizations around the world that received finds. Case studies range from Victorian municipal museums and women’s suffrage campaigns in the UK, to the develo...
What Are Museums For?
Museums today are a cultural battleground. Jon Sleigh maintains that museums must be for all people and inclusion must be at the heart of everything they do. He uses museum objects from different museums to explore trust-building, representation, digital access, conflicting narratives, removal from display and restitution.
Rethinking Ancient Egypt
Throughout her career, Ann Macy Roth has regularly returned to well-known ancient Egyptian material and visual culture and shed new light on it by employing different approaches and methodologies. In this way, her research has led to new interpretations and readings of ancient Egyptian beliefs and practices while illustrating the importance of and need for continual questioning and re-examination within Egyptology. This volume brings together papers from around the world that follow her tradition of rethinking, reassessing, and innovating. It is intended to honour Roth’s significant career as a scholar, mentor, and teacher and to celebrate and continue her dedication to analyzing ancient Egypt from novel perspectives.
Teaching Ancient Egypt in Museums
Teaching Ancient Egypt in Museums: Pedagogies in Practice explores what best practices in museum pedagogy look like when working with ancient Egyptian material culture. The contributions within the volume reflect the breadth and collaborative nature of museum learning. They are written by Egyptologists, teachers, curators, museum educators, artists, and community partners working in a variety of institutions around the world—from public, children’s, and university museums, to classrooms and the virtual environment—who bring a broad scope of expertise to the conversation and offer inspiration for tackling a diverse range of challenges. Contributors foreground their first-hand experiences, pedagogical justifications, and reflective teaching practices, offering practical examples of ethical and equitable teaching with ancient Egyptian artifacts. Teaching Ancient Egypt in Museums serves as a resource for teaching with Egyptian collections at any museum, and at any level. It will also be of great interest to academics and students who are engaged in the study of museums, ancient Egypt, anthropology, and education.
Disability in Ancient Egypt and Egyptology
This book explores disability across time and space—from ‘ancient Egypt’ as a culture to Egyptology as a contemporary field—to go beyond simply identifying disability, encouraging readers to thoughtfully consider the history of disabled people in ancient Egypt and Egyptology. Through a critical investigation, this volume reshapes often-overlooked narratives of disability within the discipline of Egyptology and Egyptian Archaeology. Chapters explore evidence of disability, the historiographical ways in which disability has been approached, and how disability histories are (mis)represented in various contemporary spaces. Coverage stretches across Egypt and Nubia from the Predynastic to...
The Whole Picture
"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times 'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we ...
Yearning for Immortality
How our understanding of the ancient Egyptian afterlife was shaped by Christianity. Many of us are familiar with the ancient Egyptians’ obsession with immortality and the great efforts they made to secure the quality of their afterlife. But, as Rune Nyord shows, even today, our understanding of the Egyptian afterlife has been formulated to a striking extent in Christian terms. Nyord argues that this is no accident, but rather the result of a long history of Europeans systematically retelling the religion of ancient Egypt to fit the framework of Christianity. The idea of ancient Egyptians believing in postmortem judgment with rewards and punishments in the afterlife was developed during the...
Unburied
The macabre tale of an eighteenth-century woman immortalised in folklore as the ‘Manchester Mummy’. In 1835, the Manchester Natural History Society opened the doors of its museum. Taking pride of place in its collection were three mummies: one was Egyptian, one was Peruvian and one was a woman from Cheetham Hill. This is the first time the true story of Hannah Beswick, the so-called ‘Manchester Mummy’, has been told. Over the years, explanations for the Manchester Mummy have ranged from the chilling – Hannah’s fear of being buried alive – to the downright bizarre – the legend of her buried gold – but the truth is more complex. Exploring this fascinating episode from museum history, Unburied sheds light on the Victorian turn to the macabre and changing attitudes to the display of human remains. It debunks the legends and asks what Hannah Beswick can tell us about death and dying, mummies and museums.
