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Ancient Greek Comedy
This volume, in honour of Angus M. Bowie, collects seventeen original essays on Greek comedy. Its contributors treat questions of origin, genre and artistic expression, interpret individual plays from different angles (literary, historical, performative) and cover aspects of reception from antiquity to the 20th century. Topics that have not received much attention so far, such as the prehistory of Doric comedy or music in Old Comedy, receive a prominent place. The essays are arranged in three sections: (1) Genre, (2) Texts and Contexts, (3) Reception. Within each section the chapters are as far as possible arranged in chronological order, according to historical time or to the (putative) dat...
Aristophanes
This book places the plays of Aristophanes in their contemporary context, asking what aspects of Greek, and especially Athenian, culture these comedies brought into play for their original audiences. It makes particular use of the structural analysis of Greek rituals and myths to demonstrate how their meanings and functions can be used to interpret the plays. This information is then used to suggest ways in which twentieth-century audiences may read the plays in terms of contemporary literary theories and concerns. This is the first book to apply the techniques of structural anthropology systematically to all the comedies. It does not impose a single interpretative structure on the plays but argues that each play operates with a range of different structures, and that groups of plays use similar structures in different ways. All Greek is translated.
Narrators, Narratees, and Narratives in Ancient Greek Literature
This is the first in a series of volumes which together will provide an entirely new history of ancient Greek (narrative) literature. Its organization is formal rather than biographical. It traces the history of central narrative devices, such as the narrator and his narratees, time, focalization, characterization, description, speech, and plot. It offers not only analyses of the handling of such a device by individual authors, but also a larger historical perspective on the manner in which it changes over time and is put to different uses by different authors in different genres. The first volume lays the foundation for all volumes to come, discussing the definition and boundaries of narrative, and the roles of its producer, the narrator, and recipient, the narratees.
A Different God?
Within modern frameworks of knowledge and representation, Dionysos often appears to be atypical for ancient culture, an exception within the context of ancient polytheism, or even an instance of a difference that anticipates modernism. How can recent research contribute to a more precise understanding of the diverse transformations of the ancient god, from Greek antiquity to the Roman Empire? In this volume, which is the result of an international conference held in March 2009 at the Pergamon Museum Berlin, scholars from all branches of classical studies, including history of scholarship, consider this question. Consequently, this leads to a new look on vase paintings, sanctuaries, rituals and religious-political institutions like theatre, and includes new readings of the texts of ancient poets, historians and philosophers, as well as of papyri and inscriptions. It is the diversity of sources or methods and the challenge of former views that is the strength of this volume, providing a comprehensive, innovative and richly faceted account of the “different” god in an unprecedented way.
Gods and Mortals in Early Greek and Near Eastern Mythology
Explores the interaction between Greece and the Ancient Near East through stories about the gods and their relationships with humankind.
Handbook of Diachronic Narratology
This handbook brings together 42 contributions by leading narratologists devoted to the study of narrative devices in European literatures from antiquity to the present. Each entry examines the use of a specific narrative device in one or two national literatures across the ages, whether in successive or distant periods of time. Through the analysis of representative texts in a range of European languages, the authors compellingly trace the continuities and evolution of storytelling devices, as well as their culture-specific manifestations. In response to Monika Fludernik’s 2003 call for a "diachronization of narratology," this new handbook complements existing synchronic approaches that t...
Strategies of Persuasion in Herodotus’ Histories and Genesis–Kings
In Strategies of Persuasion in Herodotus’ Histories and Genesis–Kings, Eva Tyrell comparatively analyzes narrative means in two monumental ancient texts about the past. Combining a narratological approach with insights of modern historical theory and biblical scholarship, she investigates patterns of narrative persuasion as a trans-cultural phenomenon and their connection with ancient concepts of reality and truth. The study contrasts differences in fundamental narrative structures of both narratives, such as mediacy and discursive versus diegetic text portions. It explores the role of material remains mentioned in the accounts to evoke or even create the reality of a past.
What Shall We Do?
Since the 1960s, biblical scholars have noted a relationship between eschatology and ethics in Luke-Acts, but to date there has been no substantive study of the relationship between these themes. What Shall We Do? offers such a study. Lear observes and develops a logic that Luke--Acts presents that begins with eschatological expectation and ends with a particular pattern of life, especially with regard to possessions. He makes the bold claim that Luke has not given up on eschatological expectation. The healing of the cripple (Acts 3), Cornelius's conversion (Acts 10), and the shipwreck narrative (Acts 27-28) are figurative stories of coming eschatological salvation. In this context, Lear demonstrates that the sharing of possessions becomes the means by which a new eschatological people is formed. At the beginning of Luke's Gospel, John the Baptist says the true children of Abraham will escape the coming judgment because they share their possessions. The logic of this claim is worked out throughout Luke's two volumes, culminating in barbarian Maltans becoming children of Abraham because they hospitably receive the Apostle Paul.
Theatre and Autocracy in the Ancient World
Why did ancient autocrats patronise theatre? How could ancient theatre – rightly supposed to be an artform that developed and flourished under democracy – serve their needs? Plato claimed that poets of tragic drama "drag states into tyranny and democracy". The word order is very deliberate: he goes on to say that tragic poets are honoured "especially by the tyrants, and secondly by the democracies" (Republic 568c). For more than forty years scholars have explored the political, ideological, structural and economic links between democracy and theatre in ancient Greece. By contrast, the links between autocracy and theatre are virtually ignored, despite the fact that for the first 200 years...
