You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Greek and Roman stories of origin, or aetia, provide a fascinating window onto ancient conceptions of time. Aetia pervade ancient literature at all its stages, and connect the past with the present by telling us which aspects of the past survive "even now" or "ever since then". Yet, while the standard aetiological formulae remain surprisingly stable over time, the understanding of time that lies behind stories of origin undergoes profound changes. By studying a broad range of texts and by closely examining select stories of origin from archaic Greece, Hellenistic Greece, Augustan Rome, and early Christian literature, Time in Ancient Stories of Origin traces the changing forms of stories of o...
Ovid's Fasti comments on Augustan religion by means of ambivalent aetiologies, elegiac jokes and subtle allusions to the religious self-fashioning of the imperial family. Darja Sterbenc Erker carefully reconstructs Ovid's subtle unmasking of religious fundaments of Augustus' principate.
This volume illustrates the high potential of learner corpus investigations for research into the CAF triad by presenting eleven original learner corpus-based studies which are set within solid theoretical frameworks, examine learner corpora with state-of-the-art analytical techniques and yield highly interesting findings. The volume’s major strength lies in the range of issues it undertakes and in its interdisciplinary thematic novelty. The chapters collectively address all three dimensions of L2 performance related to different linguistic subsystems (i.e. lexical, phraseological and grammatical complexity and accuracy, along with fluency) as well as the interactions among these constructs. The studies are based on data drawn from carefully compiled learner corpora which are analysed with the help of diverse corpus-based methods. The theoretical discussions and the empirical results shall contribute to the advancement of the fields of SLA and writing and speech research and shall inspire further investigations in the area of the CAF triad.
The open access publication of this book has been published with the support of the Swiss National Science Foundation. Death, the ultimate change, is an unexpected Leitmotiv of Ovid’s career and reception. The eighteen contributions collected in this volume explore the theme of death and transfiguration in Ovid’s own career and his posthumous reception, revealing a unity in diversity that has not been appreciated in these terms before now.
This ground-breaking study aims to define Hesiod's place in Greek intellectual history by exploring his conception of language and the ways in which it represents reality, establishing his position in early Greek philosophy and shedding new light on a hitherto under-explored chapter in early Greek linguistic thought.
"In Earthquakes and Gardens, professor of religion Virginia Burrus pursues an earthquake from the deep past and tracks the fallen monuments and resurgent gardens of a distant city. The starting point is Hilarion, a Christian saint who saw the recorded intensity of a mighty quake in the toppled buildings of fourth-century Cyprus. In The Life of Saint Hilarion, written in 390, we see those buildings through Saint Hilarion's eyes in just a few lines. Building out from this fragment of text and the mental images that come with it, Burrus delivers a remarkable set of meditations on the human experience of place. Earthquakes and Gardens is a methodological experiment in close and promiscuous reading, an exercise in place-centered rumination, and a powerful set of observations on destruction and resilience. The scale ranges from the deeply personal to the massive and collective. In Burrus's capable hands, earthquakes and gardens anchor us in our textual fragments while also drawing us elsewhere, opening onto more-than-human worlds that are both concrete and metaphorical, close and distant"--
This book presents the first in-depth analysis of Mesopotamian healing goddesses and their relationship to asûs, “healers”. Through this, Sibbing-Plantholt provides unprecedented insight into the diverse Mesopotamian medical marketplace and how professional healers operating within it legitimized themselves.
The Homeric Centos, a poem that is Homeric in style and biblical in theme, is a dramatic illustration of the creative cultural and religious dialogue between Classical Antiquity and Christianity taking place in the Roman Empire during the fifth century CE. The text is attributed to Eudocia, empress and poet, who died in exile in the Holy Land ca. 460. With lines drawn verbatim from Homer's Iliad and Odyssey, the poem begins with the Creation and Fall and ends with Jesus' Resurrection and Ascension. In this blend of Homeric style and Christian themes, there are also echoes of Classical and classicising literature, stretching from Homer and drama to imperial literature. Equally prominent are e...
"Beginning with Cicero and Varro and ending with Statius and Pliny the Younger, this chapter offers a chronological investigation of the ways in which real and literary gardens developed from the first century BCE to the first century CE as a means of elite masculine self-representation and the reactions of elite Roman men to the increased social and cultural power of villa and horti estates and their grounds. Gardens served as powerful symbols of wealth and as creative displays of the cultural aspirations of their owners in ways that challenged traditional definitions of gardens and of Roman manliness. Since these large-scale 'gardens' are primarily associated with leisure (otium), authors are concerned with describing and justifying their activities in these sites as befitting Roman masculine ideals. We can trace a change in attitude towards leisure and the private display of wealth, and consequently gardens, largely attributed to changes in the socio-political circumstances of the Roman elite, in the works of Statius and his contemporary Pliny the Younger, who use laudatory descriptions of extensive villas and grounds as a means of expressing social and literary power"--
This book investigates Dionysius of Halicarnassus' description of Rome's 'founders' and situates Dionysius' historical work in the cultural and political contexts of Augustan Rome. Beatrice Poletti examines Dionysius' methods and engagement with his sources to illustrate the significance of his work in his contemporary intellectual milieu.