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In 1929, the Museum of Modern Art opened its doors, showing the astonishing paintings of Picasso, Matisse, and other avant garde artists. Young American artists quickly responded by experimenting with impressionism, cubism, and abstraction. In Monumental Dreams, author Caroline Seebohm tells the riveting story of how Ann Norton (1905–1982)—a child of the South who had eschewed her Alabama roots to become a sculptor in New York City—joined this new guard. She studied with John Hovannes and Jose de Creeft and was studio assistant to Alexander Archipenko. Her work was well received, and by age 35, she had already participated in group shows at MOMA and the Whitney Museum of American Art. ...
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"Annie V., her brother, William, and their dog, Potsy, go on awesome adventures and discover the wonders of the world around them. Annie's aunts and Southern surroundings inspire her creative journey"--Title page verso.
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A visually rich survey of two hundred years of Alabama fine arts and artists