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Basquiat
Unzählige Publikationen und Ausstellungen beschäftigen sich mit Jean-Michel Basquiats Leben und Werk, doch eine Episode blieb bisher weitgehend unberücksichtigt: Im Sommer 1982 reiste der New Yorker Künstler auf Einladung des Galeristen Emilio Mazzoli für eine seiner frühen Einzelausstellungen in Europa ins italienische Modena. Innerhalb weniger Tage malte er dort eine Gruppe großformatiger Gemälde, die sein vorheriges Schaffen nicht nur hinsichtlich ihres Maßstabes übertrafen. Jeweils mindestens zwei mal vier Meter groß, markieren sie den Übergang vom Graffiti-Sprayen in den Straßen Manhattans zum Malen auf Leinwand. Zugleich sind sie Ausdruck des Findens einer Identität als Künstler. Die Gemälde – darunter Meisterwerke, die heute als die Herausragendsten seines Œuvre gelten – wurden nie zusammen gezeigt. Dieser Katalog beleuchtet mit Basquiats Italienaufenthalt einen entscheidenden Moment in seiner Karriere und führt die acht Gemälde erstmals wieder zusammen.
Basquiat by Himself
Jean-Michel Basquiat's self-portraits are regarded as being among the most important of his radical creative works. In addition to some 50 specific portraits of himself, we can also see his series of likenesses of African-American men as concealed reproductions of the artist. Not least because Basquiat, who was affected himself by everyday racism, identified with his heroes, saints and martyrs as he portrayed them. Thus his major topics from identity, discrimination and prejudice to capitalism, the market and oppression are all to be found in these key works.
Keith Haring | Jean-Michel Basquiat
An exploration of the personal and artistic connections between two icons of twentieth-century art Keith Haring (1958–1990) and Jean-Michel Basquiat (1960–1988) changed the art world of the 1980s through their idiosyncratic imagery, radical ideas, and complex sociopolitical commentary. Each artist invented a distinct visual language, employing signs, symbols, and words to convey strong messages in unconventional ways, and each left an indelible legacy that remains a force in contemporary visual and popular culture. Offering fascinating new insights into the artists’ work, Keith Haring | Jean-Michel Basquiat reveals the many intersections among Haring and Basquiat’s lives, ideas, and ...
Nin Brudermann
Brooklyn-based artist Nin Brudermann (born 1970) explores absurdist aspects of scientific procedures. Twelve o' Clock in London documents her installation of more than 150 videos from around the world, all recording the synchronized release of weather balloons.
Introducing Aesthetics and Philosophy of Art
Aesthetics and the philosophy of art are about things in the world - things like a plastic pink flamingo, Francis Bacon's triptychs and the novel American Dirt. As much as the philosophers who ask them, these are the things that raise philosophical questions and challenge philosophical theories: is it art? Is it beautiful? Is it immoral? Here is everything you need to know about why these questions about art and aesthetics have bothered thinkers since antiquity, and continue to bother philosophers today. Darren Hudson Hick uses examples to raise, illustrate and - in some cases - complicate these issues. Each chapter opens with an extended case study that serves as a starting point, motivates...
Wassily Kandinsky
A revelatory collection of the artist’s sketches and preparatory drawings, featuring many that have never been published before The great Russian modernist painter and theorist Wassily Kandinsky was one of the pioneers of abstraction in Western art. Few documents provide more insight into his evolution from figural to abstract art—or into the development of abstraction in the early twentieth century—than the pages of his sketchbooks. Featuring previously unpublished drawings, Wassily Kandinsky: The Sketchbooks is a comprehensive selection of hundreds of sketches from twelve notebooks Kandinsky kept between 1889 and 1935. Beginning with early figure studies, architectural sketches, and ...
Goodbye Privacy
This is the catalogue for the 2007 Ars Electronic Festival, held in Linz, Austria. It presents theoretical reflections by participating artists and scholars, along with descriptions of exhibited art projects in a current survey of the fields of interaction between art, technology, and society.
Calder Now
- A beautifully illustrated catalog documenting an exhibition that explores Alexander Calder's impact on contemporary art - The show at the Kunsthal Rotterdam runs from November 21, 2021 - May 29 2022 - Includes works by Calder, Olafur Eliasson, Zilvinas Kempinas, Simone Leigh, Ernesto Neto, Carston Nicolai, Aki Sasamoto, Roman Signer, Monica Sosnowska, Sarah Sze, and Rirkrit Tiravanija - The exhibition was created in cooperation with the Calder Foundation Calder Now documents an exhibition at the Kunsthal Rotterdam which explores the enduring influence of the work of Alexander Calder (1898-1976) on contemporary art. Shown alongside pieces by Calder himself are works by 10 contemporary artists, including Olafur Eliasson, Simone Leigh, Ernesto Neto, Rirkrit Tiravanija, and Sarah Sze. The text explores the way their work resonates with Calder's main artistic interests, such as the reflection of light and movement. Three noted art historians elaborate on themes such as the participatory and progressive nature of Calder's art.
Culture^2
How to do cultural studies in the twenty-first century? This essay collection is not a handbook, encyclopedia, or a »state of the field« compendium. Instead, it is a reflexive exercise in cultural studies, featuring fifteen accessible essays on a selection of critical key works published since 2000. The contributors aim to provide readers with a fresh and engaging look at recent criticism, exploring the interdisciplinary traffic of theories, methods, and ideas within the field of cultural and literary studies. This book shows how the work of Lauren Berlant, Rita Felski, Fred Moten, Anna Tsing, and others can inspire new thinking and theorizing for the twenty-first century.
Artist Animal
Animals have always been compelling subjects for artists, but the rise of animal advocacy and posthumanist thought has prompted a reconsideration of the relationship between artist and animal. In this book, Steve Baker examines the work of contemporary artists who directly confront questions of animal life, treating animals not for their aesthetic qualities or as symbols of the human condition but rather as beings who actively share the world with humanity. The concerns of the artists presented in this book—Sue Coe, Eduardo Kac, Lucy Kimbell, Catherine Chalmers, Olly and Suzi, Angela Singer, Catherine Bell, and others—range widely, from the ecological to the philosophical and from those ...
