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A fascinating, inspirational look at the relationships between some of our best-loved female authors and their little-known literary collaborators and friends
One of the twentieth century's most intriguing and complicated literary friendships was that between Zora Neale Hurston and Marjorie Kinnan Rawlings. In death, their reputations have reversed, but in the early 1940s Rawlings had already achieved wild success with her best-selling and Pulitzer Prize-winning novel, The Yearling, while Hurston had published Their Eyes Were Watching God to unfavorable critical reviews. When they met, both were at the height of their literary powers. Hurston appears to have sought out Rawlings as a writer who could understand her talent and as a potential patron and champion. Rawlings did become an advocate for Hurston, and by all accounts a warm friendship devel...
What is ‘creativity’? And what is ‘madness’? How far can we interpret an artist’s work through our knowledge of his or her mental state, and how far can we infer a mental state from a work of art? When does a work of art cease to be a personal statement by the artist and become a matter of public concern? The contributions to this book attempt to answer some of these questions. They come from a wide range of disciplines and experiences – a practising psychiatrist, a practising artist suffering from reactive depression, and critics working in literature, film, music and the visual arts. The essays include discussions of the ‘myth of creativity’, the music of Robert Schumann, t...
This volume contains a variety of essays about Florida literature and history by scholars from across the state representing every kind of institution of higher learning, from community colleges to small liberal arts institutions to large universities. The essays in the first section, Pedagogy, focus on the college classroom and the challenges facing institutions of higher learning in Florida. The essays in Old Florida explore a number of writers – including Zora Neale Hurston, Jack Kerouac, and Williams S. Burroughs – who, at various points in their careers, called Florida home. The final section, Contemporary Florida, continues to identify the state’s place within larger literary, cultural, and political traditions.
Heresy and Heterotopia in Works by Lawrence Durrell gathers new essays by international scholars who examine heretical concepts and heterotopian counter-spaces in Durrell's thought and writing. The volume includes studies of texts set in locations from the Mediterranean to Cambodia, with spatial focus ranging from the Egypt of The Alexandria Quartet (and of Anatole France's Thaïs) to the scattered locations of The Avignon Quintet, with stops along the way for the island books and other treatments of wandering and exile in poetry as well as prose. The contributors approach Durrell's texts from a variety of perspectives, philosophical and intertextual, architectural and historical, mystical and digital. In so doing, they expose the deeper echoes set off by his wide-ranging literary production and map out the metaphysical, literary, and aesthetic connections that account for Durrell's impact on our understanding of those twentieth-century social and cultural paradigms that foreshadow the disruptions of today's world.
This book examines 24 crime novelists who set their work in the Sunshine State. From James W. Hall's Under Cover of Daylight in the Florida Keys, to Barbara Parker's Suspicion of Betrayal in Miami to Tim Dorsey's Florida Roadkill at Cape Canaveral and Tampa, these writers and their works span all of Florida's 67 counties. A biographical sketch of each author precedes an interview by a critic who has immersed him- or herself in the novelist's works, producing interview-essays of noteworthy perception and insight.
Thirty-eight rare, out-of-print or previously unpublished essays and letters by Lawrence Durrell with scholarly introduction.
This book analyses colonial and postcolonial writing about Cyprus, before and after its independence from the British Empire in 1960. These works are understood as ‘transportal literatures’ in that they navigate the liminal and layered forms of colonialism which impede the freedom of the island, including the residues of British imperialism, the impact of Greek and Turkish nationalisms, and the ethnolinguistic border between north and south. This study puts pressure on the postcolonial discipline by evaluating the unique hegemonic relationship Cyprus has with three metropolitan centres, not one. The print languages associated with each centre (English, Greek, and Turkish) are complicit in neo-colonial activity. Contemporary Cypriot writers address this in order to resist sectarian division and grapple with their deferred postcoloniality.
Reconciling Nature maps the complex views of the environment that are evident in celebrated American novels written between the Centennial Celebration of 1876 and the end of the Second World War. During this period, which includes the Progressive era and the New Deal, Americans held three contradictory views of the natural world: a recognition of nature's vulnerability to the changes brought by industrialism; a fear of the power of nature to destroy human civilization; and a desire to make nature useful. Robert M. Myers argues they reconciled these conflicting views through nature nostalgia, policing of wilderness areas, and through strategies of control borrowed from the social sciences. My...
Florida Historical Society Rembert Patrick Award The rich friendship of two remarkable women talking to each other in letters Exploring the rich, enduring companionship shared by Marjorie Kinnan Rawlings and Julia Scribner Bigham through never-before-published letters, Marge and Julia provides a revelatory depiction of these two literary women’s experiences in mid-twentieth-century America. Pulitzer Prize–winning author Rawlings was first introduced to Julia Scribner (later Bigham), daughter of publishing magnate Charles Scribner III, shortly after the legendary Scribner House published The Yearling to runaway success. Though Julia’s New York City life was far removed from the rural wo...