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Gothic Modern
How medieval Gothic art inspired a generation. Gothic Modern illuminates the pivotal discovery of medieval Gothic art for Edvard Munch, Käthe Kollwitz, and their artist contemporaries. It explores their deep attraction to the Gothic art of Europe's north and German lands via paintings, prints, and other artistic media to imagine a new Gothic modernity, unlocking a different energy of modern art and creative experiment beyond nation-centric stories. Juliet Simpson and Anna-Maria von Bonsdorff recreate a distant and tantalizing Gothic age. They present a reimagining of Gothic art between the 1870s and 1920s to create new visions of the artist, belonging, modern society, sexuality, spirituality, and identity. Dark or radiant, enchanted or uncanny, these sites of Gothic modernity inspired Munch's and Kollwitz's generation with urgent imaginaries for creating worlds.
Helene Schjerfbeck
Though little known outside her native country, Helene Schjerfbeck (1862-1946) is one of Finland's best-loved artists. Her career, which stretched from the late 1870s to the end of the Second World War, encompassed both Impressionism and Modernism. This book records an exhibition that marks the first time her works have been seen in the UK since she exhibited in London herself in 1890. It presents the full range of her exceptional paintings and drawings, with 70 works in all genres, including portrait, landscape and still-life. Schjerfbeck's technique, her social and cultural context and her legacy are all examined in depth by the authors. Her influence on such artists as Francis Bacon, Luci...
Pekka Halonen
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Japanomania in the Nordic Countries, 1875-1918
This extensive publication, complete with hundreds of illustrations by such renowned artists as Carl Larsson, Edvard Munch, Vilhelm Hammershøi, Helene Schjerfbeck, Pekka Halonen, Akseli Gallen-Kallela, Gerhard Munthe, Pietro Krohn, and Frida Hansen, among others, offers an unprecedented study of Japanese influence on the visual arts in the Nordic countries. This unlikely diffusion of Japanese culture, known collectively as Japonisme, became increasingly apparent in England, France, and elsewhere in Europe during the 19th century, although nowhere was the influence seemingly as pervasive as it was throughout the Nordic countries. The book reveals how the widespread interest in Japanese aesth...
Amedeo Modigliani
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Art, Music, and Mysticism at the Fin de Siècle
This edited volume explores the dialogue between art and music with that of mystical currents at the turn of the twentieth century. The volume draws on the most current research from both art historians and musicologists to present an interdisciplinary approach to the study of mysticism’s historical importance. The chapters in this edited volume gauge the scope of different interpretations of mysticism and illuminate how an exchange between the sister arts unveil an underlying stream of metaphysical, supernatural, and spiritual ideas over the course of the century. Case studies include Charles Tournemire, Joseph Péladan, Erik Satie, Hilma af Klint, Jean Sibelius, František Kupka, and Wassily Kandinsky. The contributors’ unique theoretical perspectives and disciplinary methodologies offer expert insight on both the rewards and inevitable aesthetic complications that arise when one artform meets another. The book will be of interest to scholars working in art history, musicology, visual culture, and mysticism.
Nordic Art and Way of Life
An exploration of the development of the art scene, its socio-political context, and the role of the fine arts in nineteenth-century Nordic society This book captures for the first time the full story of Nordic art and its corresponding way of life from 1820 to 1920. Amply illustrated, this publication discusses a wide range of artists, regardless of gender, and how they related to the European art scene. The authors convey the essence of Nordic art by providing insight into the history of public and private collections, art education, artists' communities, the role of children's books illustrations, and the identity of emerging national states in Finland, Sweden, Norway, and Denmark. A selection of themes are reviewed, including living with nature, everyday life, artists' portraits, family life, cityscapes, and Nordic mythology. The publication is edited by two experienced museum professionals from Finland and Sweden, who have published widely on the subject and curated numerous international exhibitions. Contributors include leading experts from all Nordic countries, as well as the UK. Distributed for Mercatorfonds Exhibition Schedule: TBD
Helene Schjerfbeck
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Women Artists in Paris, 1850-1900
Paris was the epicenter of art during the latter half of the nineteenth century, luring artists from around the world with its academies, museums, salons, and galleries. Despite the city's cosmopolitanism and its cultural stature, Parisian society remained strikingly conservative, particularly with respect to gender. Nonetheless, many women painters chose to work and study in Paris at this time, overcoming immense obstacles to access the city's resources. 'Women Artists in Paris, 1850-1900' showcases the remarkable artistic production of women during this period of great cultural change, revealing the breadth and strength of their creative achievements. Guest Curator Laurence Madeline (Chief Curator at Musées d'art et d'histoire, Geneva) has selected close to seventy compelling paintings by women of varied nationalities, ranging from well-known artists such as Berthe Morisot, Mary Cassatt, and Rosa Bonheur, to lesser-known figures such as Kitty Kielland, Louise Breslau, and Anna Ancher.
