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�The woman poet...must sing, just as birds fly and rivers flow," wrote Carolina Coronado in 1846. In Spain of that time, a group of women had begun to publish poetry. Their verse�Romantic, predominantly lyric, and often linked to liberal reform�was novel and controversial, because few women had ventured into print. The poets collected in this anthology asserted in different ways their imagination and literary voice. Susan Kirkpatrick provides an overview of the period, and Anna-Marie Aldaz adds a discussion of Spanish versification as well as biographical sketches of the twenty-one poets whose works bring alive the first decades of women's emergence as a force in the Spanish literary world.
Translations (from both Galician and Spanish) of more than 100 poems by one of the outstanding poets of 19th-century Spain. De Castro's (1837-1885) poetry, often compared to that of Emily Dickinson, is characterized by an intimate lyricism, simple diction, and innovative prosody. Includes a critical introduction, notes to the translations, and two of the poet's own autobiographical prologues. Paper edition (unseen), $16.95. Annotation(c) 2003 Book News, Inc., Portland, OR (booknews.com)
An annotated bilingual edition of Antonio Machado's letters to Pilar de Valderrama. Their correspondence covers a range and reveals Machado's profound love for his secret muse.
This book is the second volume in Manuel Scorza's five-part novelistic cycle entitled La guerra silenciosa (The Silent War). In his saga, Scorza describes an Andean peasant uprising that he witnessed in the 1960's. Although many of the names, places, dates, and events are real, the author fictionalizes his testimonial by adding humor, myth, and fantasy. Garabombo, the novel's titular protagonist, is modeled on Fermín Espinoza, an Indian whom Scorza knew personally. Although the fictionalized portrait adheres rather closely to its model, Scorza endows the novelistic Garabombo with the attribute of a symbolic invisibility.
An annotated bilingual edition of Antonio Machado's letters to Pilar de Valderrama. Their correspondence covers a range of topics and reveals Machado's profound love for his secret muse.
Translations (from both Galician and Spanish) of more than 100 poems by one of the outstanding poets of 19th-century Spain. De Castro's (1837-1885) poetry, often compared to that of Emily Dickinson, is characterized by an intimate lyricism, simple diction, and innovative prosody. Includes a critical introduction, notes to the translations, and two of the poet's own autobiographical prologues. Paper edition (unseen), $16.95. Annotation(c) 2003 Book News, Inc., Portland, OR (booknews.com)
"The human dimension in the novel revolves around the romantic entanglements of three youthful women whose different personalities reflect their regional provenance in a somewhat stereotypical manner: Aurora is a sweet blond woman from Spain's northern highlands, Rosario is a professional newspaper reporter from Madrid, and Casilda is a dark-haired and passionate Andalusian beauty."--BOOK JACKET.
This book is dedicated to the notion of languaging, which has recently gained recognition across many disciplines. From philosophy to linguistics, the foundations of the concept rest on the assumption that language is a way of knowing, making personal sense of the world, becoming conscious of oneself, and a means of creating one's identity. The very notion of languaging is still a fresh and unexplored concept in applied linguistics and deserves careful scrutiny. For this reason, the volume is ...
Presents more than two hundred poems by sixteen Spanish and Latin American poets from the Renaissance and baroque periods and the nineteenth and twentieth centuries, in Spanish and in English translations by noted poets.
In 1842, a young Cuban woman living in Spain published a novel that was so passionate and boldly feminist in content, it did not appear in her homeland until more than seventy years later. Two Women tells the riveting tale of a tumultuous love triangle among three wealthy Spaniards: a brilliant, young, widowed countess named Catalina, her inexperienced lover Carlos, and his pure and virtuous wife Luisa. The two women start out as rivals, yet in an insightful twist, they ultimately find they are both victims of a patriarchal society that ruthlessly pits women against each other. As the story builds to its thrilling climax, they confront the stark truth that in nineteenth-century Spain, women have few paths to a happy ending. This first English translation of the novel captures the lyrical romanticism of its prose and includes a scholarly introduction to the work and its author, Gertrudis Gómez de Avellaneda, a pioneering feminist and anti-slavery activist who based the character of Catalina on her own experience. Two Women is a searing indictment of the stern laws and customs governing marriage in the Hispanic world, brought to life in a spellbinding, tragic love story.