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Bringing niqab wearers' voices to the fore, discussing their narratives on religious agency, identity, social interaction, community, and urban spaces, Anna Piela situates women's accounts firmly within UK and US socio-political contexts as well as within media discourses on Islam. The niqab has recently emerged as one of the most ubiquitous symbols of everything that is perceived to be wrong with Islam: barbarity, backwardness, exploitation of women, and political radicalization. Yet all these notions are assigned to women who wear the niqab without their consultation; “niqab debates” are held without their voices being heard, and, when they do speak, their views are dismissed. However, the picture painted by the stories told here demonstrates that, for these women, religious symbols such as the niqab are deeply personal, freely chosen, multilayered, and socially situated. Wearing the Niqab gives voice to these women and their stories, and sets the record straight, enhancing understanding of the complex picture around niqab and religious identity and agency.
While issues surrounding Muslim women are common in the international media, the voices of Muslim women themselves are largely absent from media coverage and despite the rapidly increasing presence of Muslim women in online groups and discussions, it is still a relatively unexplored topic.This book examines Muslim women in transnational online groups, and their views on education, culture, marriage, sexuality, work, dress-code, race, class and sisterhood. Looking at both egalitarian and traditionalist Muslim women's views, the author considers their interpretations of Islam and identifies a new category of holists who focus on developing the Islamic sisterhood. Drawing on detailed analysis o...
The first systematic study of conversion to Islam among Polish women in English, this book offers insights about lived realities of female Polish converts who create dynamic strategies of managing their spoiled identities in a variety of contexts including Poland and the UK.
Salafism, often called "Wahhabism," is widely seen as a fundamentalist interpretation of Islam that subjugates women, yet growing numbers of young British women, many of them converts or from less conservative Muslim backgrounds, are actively embracing it. With unprecedented access to Salafi women's groups in the UK, Anabel Inge provides the first in-depth account of their lives, probing the reasons for their conversion and their subsequent dilemmas and difficulties.
Media, Religion and Gender presents a selection of eminent current scholarship that explores the role gender plays when religion, media use and values in contemporary society interact. The book: surveys the development of research on media, religion and culture through the lens of key theoretical and methodological issues and debates within gender studies. includes case studies drawn from a variety of countries and contexts to illustrate the range of issues, theoretical perspectives and empirical material involved in current work outlines new areas and reflects on challenges for the future. Students of media, religion and gender at advanced level will find this a valuable resource, as will scholars and researchers working in this important and growing field.
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This book explores representations of the niqab in the UK and US as well as the wearing practices through which women find agency.
In Making is Connecting, David Gauntlett argues that, through making things, people engage with the world and create connections with each other. Both online and offline, we see that people want to make their mark on the world, and to make connections. During the previous century, the production of culture became dominated by professional elite producers. But today, a vast array of people are making and sharing their own ideas, videos and other creative material online, as well as engaging in real-world crafts, art projects and hands-on experiences. Gauntlett argues that we are seeing a shift from a ‘sit-back-and-be-told culture' to a ‘making-and-doing culture'. People are rejecting traditional teaching and television, and making their own learning and entertainment instead. Drawing on evidence from psychology, politics, philosophy and economics, he shows how this shift is necessary and essential for the happiness and survival of modern societies.
This book explores the intersectional feminist activism of young people within Islam and Evangelical Christianity. Deemed unruly souls due to their sexuality, gender, or race, these activists employ the creative tactics of digital media to seek justice and display their inherent value. The case studies demonstrate the overlaps between the hybrid identities of young Americans and the playful and interstitial aspects of digital media.