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Digital Transformation and Global Society
This two volume set (CCIS 858 and CCIS 859) constitutes the refereed proceedings of the Third International Conference on Digital Transformation and Global Society, DTGS 2018, held in St. Petersburg, Russia, in May/June 2018. The 75 revised full papers and the one short paper presented in the two volumes were carefully reviewed and selected from 222 submissions. The papers are organized in topical sections on e-polity: smart governance and e-participation, politics and activism in the cyberspace, law and regulation; e-city: smart cities and urban planning; e-economy: IT and new markets; e-society: social informatics, digital divides; e-communication: discussions and perceptions on the social media; e-humanities: arts and culture; International Workshop on Internet Psychology; International Workshop on Computational Linguistics.
Art and Protest in Putin's Russia
The Pussy Riot protest, and the subsequent heavy handed treatment of the protestors, grabbed the headlines, but this was not an isolated instance of art being noticeably critical of the regime. As this book, based on extensive original research, shows, there has been gradually emerging over recent decades a significant counter-culture in the art world which satirises and ridicules the regime and the values it represents, at the same time putting forward, through art, alternative values. The book traces the development of art and protest in recent decades, discusses how art of this kind engages in political and social protest, and provides many illustrations as examples of art as protest. The book concludes by discussing how important art has been in facilitating new social values and in prompting political protests.
Russian Voices on Post-Crimea Russia
Russia has changed dramatically since the beginning of this decade. This volume presents a unique collection of articles by Russian scholars and experts, originally published in Russian in the journal Kontrapunkt (Counterpoint). The authors include Yulia Bederova, Andrey Desnitsky, Maria Eismont, Aleksandr Gorbachev, Tatiana Nefedova, Ella Paneyakh, Sergey Parkhomenko, Nikolay Petrov, Kirill Rogov, Sergey Sergeev, Ekaterina Sokiryanskaya, Andrew Soldatov, Svetlana Solodovnik, Anna Tolstova, Aleksandr Verkhovsky, and Natalia Zubarevich. Their essays cover a broad range of subjects from the Russian political scene and state-society relations to the politics of culture and the realm of ideas and symbols. These contributions offer fascinating insights into Russia's multifaceted and complex development after the annexation of Crimea in 2014.
Russia - Art Resistance and the Conservative-Authoritarian Zeitgeist
This book explores how artistic strategies of resistance have survived under the conservative-authoritarian regime which has been in place in Russia since 2012. It discusses the conditions under which artists work as the state spells out a new state cultural policy, aesthetics change and the state attempts to define what constitutes good taste. It examines the approaches artists are adopting to resist state oppression and to question the present system and attitudes to art. The book addresses a wide range of issues related to these themes, considers the work of individual artists and includes besides its focus on the visual arts also some discussion of contemporary theatre. The book is interdisciplinary: its authors include artists, art historians, theatre critics, historians, linguists, sociologists and political scientists from Russia, Europe and the United States.
Russian Voices on Post-Crimea Russia
Russia has changed dramatically since the beginning of this decade. This volume presents a unique collection of articles by Russian scholars and experts, originally published in Russian in the journal Kontrapunkt (Counterpoint). The authors include Yulia Bederova, Andrey Desnitsky, Maria Eismont, Aleksandr Gorbachev, Tatiana Nefedova, Ella Paneyakh, Sergey Parkhomenko, Nikolay Petrov, Kirill Rogov, Sergey Sergeev, Ekaterina Sokiryanskaya, Andrey Soldatov, Svetlana Solodovnik, Anna Tolstova, Aleksandr Verkhovsky, and Natalia Zubarevich. Their essays cover a broad range of subjects from the Russian political scene and state-society relations to the politics of culture and the realm of ideas and symbols. These contributions offer fascinating insights into Russia’s multifaceted and complex development after the annexation of Crimea in 2014.
Art and Commerce in Late Imperial Russia
Andrey Shabanov's seminal reinterpretation of the Peredvizhniki is a comprehensive study that examines in-depth for the first time the organizational structure, self-representation, exhibitions, and critical reception of this 19th-century artistic partnership. Shabanov advances a more pragmatic reading of the Peredvizhniki, artists seeking professional and creative freedom in authoritarian Tsarist Russia. He likewise demonstrates and challenges how and why the group eventually came to be defined as a critically-minded Realist art movement. Unprecedentedly rich in new primary visual and textual sources, the book also connects afresh the Russian and Western art worlds of the period. A must-read for anyone interested in Russian art and culture, 19th-century European art, and also the history of art exhibitions, art movements, and the art market.
Anna Bochkova
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Preserving Petersburg
“Goscilo and Norris’ innovative anthology provides Slavic scholars with a panoramic view of the city’s literary, pictorial and social manifestations.” —Europe-Asia Studies For more than three centuries, St. Petersburg, founded in 1703 by Peter the Great as Russia’s westward-oriented capital and as a visually stunning showcase of Russia’s imperial ambitions, has been the country’s most mythologized city. Like a museum piece, it has functioned as a site for preservation, a literal and imaginative place where Russians can commune with idealized pasts. Preserving Petersburg represents a significant departure from traditional representations. By moving beyond the “Petersburg tex...
