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A re-evaluation of the UK's law on cultural heritage through the lens of the ethics of care.
Representing the output of the research project "Performance: Conservation, Materiality, Knowledge," this volume brings together diverse voices, methods, and formats in the discussion and practice of performance conservation. Conservators, artists, curators and scholars explore the ontology of performance art through its creation and institutionalization into an astonishing range of methods and approaches for keeping performance alive and well, whether inside museum collections or through folk traditions. Anchored in the disciplines of contemporary art conservation, art history, and performance studies, the contributions range far beyond these to include perspectives from anthropology, music...
With contributions from academics and museum professionals, this edited volume explores the role of enthusiasm, creativity, and affection in the stewardship of "unloved" or under-appreciated museum collections and archives.
This volume is based on the recognition that heritage is popular and popular culture is now readily transformed into heritage whose meanings and myths reshape social life and political and economic realities as well as re-make “tradition.” The papers in this volume consider: What does popular heritage look like? To whom does it speak? Is it active in dissolving class and cultural boundaries or just in reproducing new ones? How do societies manage a heritage that is fluid, immediate and that straddles extremes of serious conflict and hedonistic frivolity? When/under what circumstances is the creation and expression of new cultural forms – popular culture – capable of being transformed into heritage?.
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations. The dead are everywhere in family life. From a great-grandmother's recipe made time and again, to a dog-eared black-and-white photo of a family on a beach, and from a carefully curated family bible to a much-told story of a family fleeing their home many decades ago, families are made by their pasts. This book examines the relationship between the living and the dead within family life, charting the way families create afterlives for their ancestors. It asks who and...
This book explores the ‘folk’ performance genre of Kobigaan, a dialogic song-theatre form in which performers verse-duel in contemporary West Bengal in India and Bangladesh. The book shows how the genre, thought to be a nearly extinct form, is still prevalent in the region. The author shows how, like many other ‘folk’ practices in South and South-East Asia, the content and format of this genre has undergone vital changes, thus raising questions of authenticity, patronage, and cultural politics. She captures live performances of Kobigaan through ethnographies spread across borders—from village rituals to urban festivals, and from Bengali cinema to television and new media. While und...
Across the twentieth century, the families of people who died in war and disaster were left to make sense of their sudden loss and navigate newfound grief. This book focuses the families of people who died in the First World War and in mining disasters in the early twentieth-century. These bereaved families were often denied access to bodies and choice over burial rights, all while dealing with the increased bureaucracy of death.Families created domestic memorials, which took on additional meaning because of this lack of memorial agency elsewhere. Although the ways that these families were bereaved each took place in different circumstances, the ways that families grieved were recognizable t...
HONORABLE MENTION, 2024 Conference on College Composition and Communication Outstanding Book Award in Edited Collection! A collection of accessible, interdisciplinary essays that explore archival practices to unsettle traditional archival theories and methodologies. What would it mean to unsettle the archives? How can we better see the wounded and wounding places and histories that produce absence and silence in the name of progress and knowledge? Unsettling Archival Research sets out to answer these urgent questions and more, with essays that chart a more just path for archival work. Unsettling Archival Research is one of the first publications in rhetoric and writing studies dedicated to s...
It has always been the case that the teaching of art has had to deal with social changes. We are currently facing historic challenges and phenomena which we could never have imagined – the global financial crisis, the massive migration flows, and the ubiquitous spread of new technologies in our everyday life. Creative competence is needed for overcoming the disciplinary boundaries and in order to make equal opportunities for education possible in a diverse society. This publication takes a critical look at the role of art and design education amidst these social changes – using theoretical reflection, practical experience, and empirical analysis.
From their quirky origins to their contemporary role as centers of advocacy, a look at the secret lives of science museums—past, present, and future. Science museums have paradoxes at their core. They must be accessible and fun while representing increasingly complex science. They must be both historic and contemporary. Their exhibits attract millions, but most of their objects remain in deep storage, seldom seen. This book delves into these conflicts, revealing the secret lives of science curators; where science objects come from and who uses them; and, ultimately, what science museums are for. With an insider’s eye, Samuel J. M. M. Alberti exposes the idiosyncratic past and intriguing current practices of these institutions—and sets out a map for their future.