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Relevance and Marginalisation in Scandinavian and European Performing Arts 1770–1860
Relevance and Marginalisation in Scandinavian and European Performing Arts 1770–1860: Questioning Canons reveals how various cultural processes have influenced what has been included, and what has been marginalised from canons of European music, dance, and theatre around the turn of the nineteenth century and the following decades. This collection of essays includes discussion of the piano repertory for young ladies in England; canonisation of the French minuet; marginalisation of the popular German dramatist Kotzebue from the dramatic canon; dance repertory and social life in Christiania (Oslo); informal cultural activities in Trondheim; repertory of Norwegian musical clocks; female itine...
The Nordic Minuet
This major new anthology of the minuet in the Nordic countries comprehensively explores the dance as a historical, social and cultural phenomenon. One of the most significant dances in Europe, with a strong symbolic significance in western dance culture and dance scholarship, the minuet has evolved a distinctive pathway in this region, which these rigorous and pioneering essays explore. As well as situating the minuet in different national and cultural contexts, this collection marshals a vast number of sources, including images and films, to analyze the changes in the dance across time and among different classes. Following the development of the minuet into dance revival and historical dance movements of the twentieth century, this rich compendium draws together a distinguished group of scholars to stimulate fresh evaluations and new perspectives on the minuet in history and practice. The Nordic Minuet: Royal Fashion and Peasant Tradition is essential reading for researchers, students and practitioners of dance; musicologists; and historical and folk dancers; it will be of interest to anybody who wants to learn more about this vibrant dance tradition.
Poetische Ökonomie im Drama
Der dramatische Kanon der Germanistik ist vor allem eine Sammlung, die Texte enthält, deren literarische Ästhetik bewertet wird. Die historische Theaterpraxis nimmt dabei nur eine marginale Rolle ein. Die populären und nicht-kanonischen Einakter des 18. und frühen 19. Jahrhunderts etwa wurden meist für die Aufführung konzipiert. Der Erfolg dieser Dramen liegt nicht nur in ihrer sprachlichen Innovativität, der Unerschöpflichkeit ihrer Interpretationen oder der Originalität ihrer Themen begründet. Vielmehr zeugen sie von einer tiefgehenden literarischen und dramatischen Kenntnis. Ohne das Kontextwissen über die Gattung werden deren Merkmale dem Trivialen, Seriellen oder Unbedeutende...
Händel-Jahrbuch / Händel-Jahrbuch 2022, 68. Jahrgang
Dieser Band versammelt Beiträge von Forscherinnen und Forschern aus Deutschland, Großbritannien, Österreich, Japan, Südafrika, Barbados und den USA zur Internationalen Wissenschaftlichen Konferenz 2021 in Halle (Saale). Präsentiert werden neue Forschungsergebnisse zum Thema "Erlösung und Moderne. Händels 'Messiah' zwischen dem späten 18. und dem 21. Jahrhundert". Einige freie Beiträge schließen sich an. Darüber hinaus enthält der Band den Festvortrag "Held und Erlöser. Christusbilder in Oratorien von Georg Friedrich Händel bis Friedrich Schneider" von Andreas Waczkat, gehalten im Rahmen der Händel-Festspiele 2021. Berichte und Informationen wie u. a. die Bibliographie und der Bericht des Präsidenten ergänzen das Jahrbuch. Das Händel-Jahrbuch 2021 veröffentlicht Beiträge von Forscherinnen und Forschern aus Deutschland, Großbritannien, Österreich und den USA, die ursprünglich zur Internationalen wissenschaftlichen Konferenz 2020 in Halle (Saale) gehalten werden sollten.
Performing Arts in Changing Societies
Performing Arts in Changing Societies is a detailed exploration of genre development within the fields of dance, theatre, and opera in selected European countries during the decades before and after 1800. An introductory chapter outlines the theoretical and ideological background of genre thinking in Europe, starting from antiquity. A further fourteen chapters cover the performing genres as they developed in England, France, Germany, and Austria, and follow the dissemination and adaptation of the corresponding genres in minor and major cities in the Nordic countries. With a strong emphasis on the role that pragmatic and contextual factors had in defining genres, the book examines such subjects as the dancing masters in Christiania (Oslo), circa 1800, the repertory and travels of an itinerant acrobat and his wife in Norway in the 1760s, and the influence of Enlightenment ideas on bourgeois drama in Denmark. Including detailed analyses in the light of material, political, and social factors, this is a valuable resource for scholars and researchers in the fields of musicology, opera studies, and theatre and performance studies.
Edda
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Nationaltheatrets historie, 1899-1999
Nationaltheatret feiret i 1999 sitt hundreårsjubileum. Nils Johan Ringdal forteller i dette jubileumsverket teaterets historie fra åpningen i 1899 og frem til jubileumssesongen. Her fortelles det underholdende og innsiktsfullt om teaterets indre og om det offentlige liv. Skuespillerne, teaterfamiliene og forestillingene står sentralt, med det handler også om teatersjefer, maktkamp og kulturpolitikk. Boken er en feiring av vår nasjonale hovedscene, rikt illustrert med fotografier og malerier, og samtidig en drøfting av teaterets stilling i samfunnet gjennom hundre år. Utgitt i samarbeid med Nationaltheatret. Ill., ib., 2000. (Forhåndsomtale)
Relevance and Marginalisation in Scandinavian and European Performing Arts 1770-1860
"Relevance and Marginalisation in Scandinavian and European Performing Arts 1780-1860: Questioning Canons reveals how various cultural processes have influenced what has been included, and what has been marginalised from canons of European music, dance and theatre around the turn of the nineteenth century and the following decades. This collection of essays includes discussion of the piano repertory for young ladies in England; canonisation of the French minuet; marginalisation of the popular German dramatist Kotzebue from the dramatic canon; dance repertory and social life in Christiania (Oslo); informal cultural activities in Trondheim; repertory of Norwegian musical clocks; female itinera...
Primary Documents
This text presents documents drawn from the artistic archives of Eastern and Central Europe during the second half of the 20th century.
