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William Kauffman Scarborough has produced a work of incomparable scope and depth, offering the challenge to see afresh one of the most powerful groups in American history—the wealthiest southern planters who owned 250 or more slaves in the census years of 1850 and 1860. The identification and tabulation in every slaveholding state of these lords of economic, social, and political influence reveals a highly learned class of men who set the tone for southern society while also involving themselves in the wider world of capitalism. Scarborough examines the demographics of elite families, the educational philosophy and religiosity of the nabobs, gender relations in the Big House, slave management methods, responses to secession, and adjustment to the travails of Reconstruction and an alien postwar world.
As the owner of more than 200 slaves and a profitable sugar plantation, Bishop Polk commanded a unique platform from which he articulated a vision of the Old South that merged Episcopalian values and traditions with the region's more dominant evangelical religious culture. Polk displayed virtually no interest in his denomination's theological squabbles. Instead, his genius rested in his attempts to cultivate a religious solidarity among white Southerners of all classes and to broaden the social and cultural appeal of Episcopalianism in the South. Polk's mission for the University of the South illustrated his dedication to denominational purity, but it also embodied the fundamental tenets of a religious and culturally based Southern nationalism.
Ronit Stahl traces the ways the U.S. military struggled with, encouraged, and regulated religious pluralism and scrambled to handle the nation’s deep religious, racial, and political complexity. Just as the state relied on religion to sanction combat missions and sanctify war deaths, so too did religious groups seek validation as American faiths.
Over the past two decades, historians have successfully disputed the notion that American women remained wholly outside the realm of politics until the early twentieth century. Still, a consensus has prevailed that, unlike their Northern counterparts, women of the antebellum South were largely excluded from public life. With this book, Elizabeth Varon effectively challenges such historical assumptions. Using a wide array of sources, she demonstrates that throughout the antebellum period, white Southern women of the slaveholding class were important actors in the public drama of politics. Through their voluntary associations, legislative petitions, presence at political meetings and rallies, ...
Together, and separately, black and white Baptists created different but intertwined cultures that profoundly shaped the South. Adopting a biracial and bicultural focus, Paul Harvey works to redefine southern religious history, and by extension southern culture, as the product of such interaction--the result of whites and blacks having drawn from and influenced each other even while remaining separate and distinct. Harvey explores the parallels and divergences of black and white religious institutions as manifested through differences in worship styles, sacred music, and political agendas. He examines the relationship of broad social phenomena like progressivism and modernization to the development of southern religion, focusing on the clash between rural southern folk religious expression and models of spirituality drawn from northern Victorian standards. In tracing the growth of Baptist churches from small outposts of radically democratic plain-folk religion in the mid-eighteenth century to conservative and culturally dominant institutions in the twentieth century, Harvey explores one of the most impressive evolutions of American religious and cultural history.
"A survey of Appalachian women poets includes the work of Maggie Anderson, Lisa Coffman, George Ella Lyon, Nikki Giovanni, Jo Carson, Lynn Powell, Barbara Smith, and other female poetic voices. (Poetry)" --
Essays discuss proslavery arguments in the churches, the urge toward compromise and unity, the coming of schisms in the various denominations, and the role of local conditions in determining policies
In this first-of-its-kind treatment, Heinz Tschachler offers an account of Edgar Allan Poe's relation to the world of banking and money in antebellum America. He contends that Poe gave the full force of his censure to the acrimonious debates about America's money, Andrew Jackson's bank war, the panic of 1837 and the ensuing depression, and the nation's inability to furnish a "sound and uniform currency." Poe's attitude is overt in his early satires, more subdued in "The Gold-Bug," and almost an undercurrent in writings that enter into and historicize the discovery of gold in California. In Poe's writings much is concealed, though his art also reveals while it conceals, in this instance, a de...