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Tell Our Story
Focusing on three South African communities the authors dismiss the idea that some groups are voiceless, arguing that they are being deliberately ignored by dominant news media The dominant news media are often accused of reflecting an ‘elite bias’, privileging and foregrounding the interests of a small segment of society while ignoring the narratives of the majority. The authors of Tell Our Story investigate this problem and offer a hands-on demonstration of listening journalism and research in practice. In the process they dismiss the idea that some groups are voiceless, arguing that what is often described in such terms is mostly a matter of those groups being deliberately ignored. Fo...
On Whiteness
The essays cover an astonishing range of subject matter, from mental health and plastic surgery to literature, music, political philosophy, performance, popular culture and history. They interrogate the dominance of whiteness, exposing the underpinnings of white privilege and considering its global consequences.
Diversity and Turbulence in Contemporary Global Migration
This volume was first published by Inter-Disciplinary Press in 2013. In this masterful and well constructed work, the authors have analysed and examined global migration through three continents, the Caribbean, the Middle East and North America. They have used their many skills as researcher, journalists, educators and Graduate students to synthesise the literature in broad sweeping and technical detail. This edition provides the framework for understanding migration in a global context encapsulating the diversity and turbulences that migrants face as they leave their homelands and venture abroad in search of a ‘better quality of life’. It also incorporates the troubling economies of the countries and regions discussed and they were able to capture in many instances economic theory and its accompanying challenges and show that the locals are just as afraid as the migrants, for the change that is so dynamic and has gone beyond the expectations of a people, of place and of nation, now continents. It is in every respect ahistorical, apolitical, sociological, and philosophical with prose that brings back memories of times past.
Artefacts of Writing
Explores the relationship between literature and international relations and considers how writing resists norms and puts any fixed or final idea of community in question. Part I examines the European context (1860 to 1945) and Part II analyses the traditions of disruptive writing that emerged out of sub-Saharan Africa and south Asia after 1945.
A Place That Matters Yet
A Place That Matters Yet unearths the little-known story of Johannesburg’s MuseumAfrica, a South African history museum that embodies one of the most dynamic and fraught stories of colonialism and postcolonialism, its life spanning the eras before, during, and after apartheid. Sara Byala, in examining this story, sheds new light not only on racism and its institutionalization in South Africa but also on the problems facing any museum that is charged with navigating colonial history from a postcolonial perspective. Drawing on thirty years of personal letters and public writings by museum founder John Gubbins, Byala paints a picture of a uniquely progressive colonist, focusing on his philoso...
Good Jew, Bad Jew
Political theorist Steven Friedman addresses how and why the current language around anti-Semitism in Israel has been distorted and weaponised to serve the political objectives of the Israeli state. Friedman's critique examines what this implies for the fight against racism in South Africa and India, and in other parts of the world.
Babel Unbound
In this timely, original and sophisticated collection, writers from the Global South demonstrate that forms of publicness are multiple, mobile and varied The notion that societies mediate issues through certain kinds of engagement is at the heart of imaginings of democracy and often centers on the ideal of the public sphere. But this imagined foundation of how we live collectively appears to have suffered a dramatic collapse across the world, with many democracies apparently unable to solve problems through talk – or even to agree on who speaks, in what ways and where. In the 10 essays in this timely, original and sophisticated collection, writers from southern Africa combine theoretical a...
One Virus, Two Countries
An overview of South African politics and economic system, through the lens of the response to COVID-19 Has South Africa ‘done well’ at limiting illness and deaths during the COVID-19 pandemic? Academic and political commentator, Steven Friedman, thinks not. While the country’s mainstream media believes it has, in his view the evidence tells another story. South Africa has experienced by far the most cases and deaths in Africa – at one point as many as the rest of the continent combined. One Virus, Two Countries: What Covid-19 tells us about South Africa offers a searing analysis of government and expert scientists’ responses to the pandemic. Friedman argues that South Africa is tw...
Discourse and Human Rights Violations
First published as a Special Issue of the Journal of Language and Politics 5:1 (2006), this collection of papers focuses, from a number of different disciplinary perspectives, on aspects of language and communication in official processes of dealing with traumatic pasts. It is a text that belongs to the genre of talking about pain, about state violence, about uncovering suppressed truths. Linguists and a number of other social scientists investigate discourses, mostly ones generated during hearings of the South African Truth and Reconciliation Commission (TRC), scrutinizing them for how trauma is articulated and sometimes overcome, for how confrontational discourses are publicly managed, for how, after gross human rights violations, reconciliation can be mediated. Language is viewed as an instrument of confronting a traumatic past, of negotiating conflict, and of initiating processes of healing for individuals as well as in communities.
South Africa's Renegade Reels
Despite incredible political upheavals and a minimal national history of film production, movies such as Come Back, Africa (1959), uDeliwe (1975), and Fools (1998) have taken on an iconic status within South African culture. In this much-needed study, author Litheko Modisane delves into the public critical engagements around old 'renegade' films and newer ones, revealing instructive details both in the production and the public lives of South African movies oriented around black social experiences. This illuminates the complex nature of cinema in modern public life, enriching established methodologies by expanding the cultural and conceptual boundaries of film as a phenomenon of textual circulation.
