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Lectura Dantis Americana
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Divina Commedia
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Dante's Fearful Art of Justice
Dante's Fearful Art of Justice deals primarily with the symbolic significance of 'the state of souls after death' in various episodes of the Inferno, the first canticle of Dante's Divina Commedia. The fruitlessness of the Auerbach-Singleton approach to the poem is demonstrated by Professor Cassell's investigations, which are based on the belief that Dante used both the theological system of fourfold allegory and the preconfiguration-fulfilment pattern of history found in the Old and New Testaments. The author first deals with the history of contrapassum, 'just retribution,' as it appeared in philosophy and theology, and describes Dante's use of historical and artistic figuration, both classi...
The Monarchia Controversy
While earlier scholars have viewed Dante's treatise as peacefully divorced from its times, Cassell shows that Dante's pose of calm authority above the fray was at once traditional, forensic, courageous, and hard-won." "Cassell examines in close detail Dante's relations to his patron Can Grande della Scala, Pope John XXII's atempts to strip Can Grande of his privileges, the pertinent traditions of canon law, the culture of contemporary political and ecclesiastical publicists, the work of formal logicians, and the motives of Dante's first post-mortem opponent, Friar Guido Vernani. The author traces the treatise's reception through and beyond the first censorship and public burning that it suffered in Bologna at the hands of Cardinal Bertrand du Poujet in 1328."
Diana's Hunt (Caccia di Diana)
Giovanni Boccaccio is one of the most influential writers in the Western tradition, yet his first literary work, "Diana's Hunt," has never been translated into English, and the Italian text has long been out of print. Anthony Cassell and Victoria Kirkham redeem Boccaccio's early effort in this dual-language edition, with an extensive introduction and commentary, that goes far beyond assuring its accessibility. The plot of "Diana's Hunt" is simple enough: the narrator observes the goddess Diana convening a band of Neapolitan court ladies to hunt in a wood. After slaying an impressive number of beasts, the huntresses are incited to rebellion against Diana by the fairest of their number. They i...
Inferno
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Agriculture in the Middle Ages
Explores the cultural framework within which changes in agricultural technology and economic organization occur and the ways in which changes in the social fabric influence attitudes toward rural work and the peasantry.
Women & Laughter in Medieval Comic Literature
Portrays a range of medieval heroines to ascertain how humor might have been used and enjoyed by medieval women
Ordines Coronationis Franciae, Volume 1
The ordines coronationis are essentially the scripts for the coronation of Frankish and French sovereigns. Combining detailed religious, ceremonial, and political material, they are an extraordinarily important source for the study of individual rulers or dynasties, as well as for the study of kingship, queenship, and the evolution of political institutions. Complete in two volumes, Richard A. Jackson's is the first full edition of these texts, including all the ordines from the early thirteenth century through the end of the fifteenth century, a period during which the texts shift from Latin to the vernacular, and the institutions of kingship become distinctively French.
