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The Undivine Comedy
Accepting Dante's prophetic truth claims on their own terms, Teodolinda Barolini proposes a "detheologized" reading as a global new approach to the Divine Comedy. Not aimed at excising theological concerns from Dante, this approach instead attempts to break out of the hermeneutic guidelines that Dante structured into his poem and that have resulted in theologized readings whose outcomes have been overdetermined by the poet. By detheologizing, the reader can emerge from this poet's hall of mirrors and discover the narrative techniques that enabled Dante to forge a true fiction. Foregrounding the formal exigencies that Dante masked as ideology, Barolini moves from the problems of beginning to those of closure, focusing always on the narrative journey. Her investigation--which treats such topics as the visionary and the poet, the One and the many, narrative and time--reveals some of the transgressive paths trodden by a master of mimesis, some of the ways in which Dante's poetic adventuring is indeed, according to his own lights, Ulyssean.
Selected Philosophical and Scientific Writings
Though most historians remember her as the mistress of Voltaire, Emilie Du Châtelet (1706–49) was an accomplished writer in her own right, who published multiple editions of her scientific writings during her lifetime, as well as a translation of Newton’s Principia Mathematica that is still the standard edition of that work in French. Had she been a man, her reputation as a member of the eighteenth-century French intellectual elite would have been assured. In the 1970s, feminist historians of science began the slow work of recovering Du Châtelet’s writings and her contributions to history and philosophy. For this edition, Judith P. Zinsser has selected key sections from Du Châtelet’s published and unpublished works, as well as related correspondence, part of her little-known critique of the Old and New Testaments, and a treatise on happiness that is a refreshingly uncensored piece of autobiography—making all of them available for the first time in English. The resulting volume will recover Châtelet’s place in the pantheon of French letters and culture.
Ordines Coronationis Franciae, Volume 1
The ordines coronationis are essentially the scripts for the coronation of Frankish and French sovereigns. Combining detailed religious, ceremonial, and political material, they are an extraordinarily important source for the study of individual rulers or dynasties, as well as for the study of kingship, queenship, and the evolution of political institutions. Complete in two volumes, Richard A. Jackson's is the first full edition of these texts, including all the ordines from the early thirteenth century through the end of the fifteenth century, a period during which the texts shift from Latin to the vernacular, and the institutions of kingship become distinctively French.
Agriculture in the Middle Ages
Explores the cultural framework within which changes in agricultural technology and economic organization occur and the ways in which changes in the social fabric influence attitudes toward rural work and the peasantry.
Women & Laughter in Medieval Comic Literature
Portrays a range of medieval heroines to ascertain how humor might have been used and enjoyed by medieval women
Formulas of Repetition in Dante's Commedia
Howard (Hispanic and Italian studies, U. of Victoria) analyzes recurrent linguistic patterns or formulas found throughout Dante's Commedia. When a formula found in more than one place in the text, Howard analyzes the context surrounding these linguistic signposts thereby drawing conclusions about the poem's meaning. Howard's focus is on making connections between formulas which are not in close proximity to each other and have thus remained largely hidden. Distributed in the US by Cornell University Services. c. Book News Inc.
The English Boccaccio
The Italian author Giovanni Boccaccio has had a long and colourful history in English translation. This new interdisciplinary study presents the first exploration of the reception of Boccaccio’s writings in English literary culture, tracing his presence from the early fifteenth century to the 1930s. Guyda Armstrong tells this story through a wide-ranging journey through time and space – from the medieval reading communities of Naples and Avignon to the English court of Henry VIII, from the censorship of the Decameron to the Pre-Raphaelite Brotherhood, from the world of fine-press printing to the clandestine pornographers of 1920s New York, and much more. Drawing on the disciplines of book history, translation studies, comparative literature, and visual studies, the author focuses on the book as an object, examining how specific copies of manuscripts and printed books were presented to an English readership by a variety of translators. Armstrong is thereby able to reveal how the medieval text in translation is remade and re-authorized for every new generation of readers.
Myth, Montage, & Visuality in Late Medieval Manuscript Culture
A broad multidisciplinary study that uses the Epistre Othea to examine the visual presentation of knowledge
Count and Bishop in Medieval Germany
In this examination of the functions of lordship in a medieval society, Benjamin Arnold seeks answers to some of the most fundamental questions for the period of political and institutional history: How did the lords maintain control over the people, land, and resources? How was their rule sustained and justified? Arnold chooses to analyze the Eichstätt region, an area on the borders of three major German provinces: Bavaria, Franconia, and Swabia. The region was the geographical and political dimension within which succeeding bishops, with great tenacity and inventiveness, survived the threat of dominion by their secular neighbors, the counts. The bishops of Eichstätt were able to emerge w...
