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This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages. Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geo...
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A comprehensive account of the concept of woman in Western thought, from ancient Greece, through the Middle Ages, to today In her sweeping, three-volume study, Sister Prudence Allen examined how women and men have been defined in relation to one another scientifically, philosophically, and theologically. Now synthesized for students, The Concept of Woman is the ideal textbook for classes on gender in Catholic thought. Allen surveys Greek philosophers, medieval saints, and modern thinkers to trace the development of integral gender complementarity. This doctrine—a living idea according to the criteria of John Henry Newman—affirms the equal dignity of men and women and the synergetic relationship between them. Allen pays special attention to John Paul II’s contributions to this holistic idea of gender. Readers will gain valuable context for current debates over womanhood and come to a greater appreciation of human personhood.
Accepting Dante's prophetic truth claims on their own terms, Teodolinda Barolini proposes a "detheologized" reading as a global new approach to the Divine Comedy. Not aimed at excising theological concerns from Dante, this approach instead attempts to break out of the hermeneutic guidelines that Dante structured into his poem and that have resulted in theologized readings whose outcomes have been overdetermined by the poet. By detheologizing, the reader can emerge from this poet's hall of mirrors and discover the narrative techniques that enabled Dante to forge a true fiction. Foregrounding the formal exigencies that Dante masked as ideology, Barolini moves from the problems of beginning to those of closure, focusing always on the narrative journey. Her investigation--which treats such topics as the visionary and the poet, the One and the many, narrative and time--reveals some of the transgressive paths trodden by a master of mimesis, some of the ways in which Dante's poetic adventuring is indeed, according to his own lights, Ulyssean.
The ordines coronationis are essentially the scripts for the coronation of Frankish and French sovereigns. Combining detailed religious, ceremonial, and political material, they are an extraordinarily important source for the study of individual rulers or dynasties, as well as for the study of kingship, queenship, and the evolution of political institutions. Complete in two volumes, Richard A. Jackson's is the first full edition of these texts, including all the ordines from the early thirteenth century through the end of the fifteenth century, a period during which the texts shift from Latin to the vernacular, and the institutions of kingship become distinctively French.
Explores the cultural framework within which changes in agricultural technology and economic organization occur and the ways in which changes in the social fabric influence attitudes toward rural work and the peasantry.
Portrays a range of medieval heroines to ascertain how humor might have been used and enjoyed by medieval women
The essays in this volume, all by leading scholars in the field, explore the concept of governance, both internal and external, in the work of Dante. The essays include an examination of Florence as an example of a city which disrupts all civilizing ideals, along with studies on the relationships between politics and theology, and citizenship and morality, as well as the role of the intellectual in the politics of Italy and Empire, popular sovereignty, Dante's attitude to the Popes, the French dimension in Dante's politics, and his imagery of Empire.