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Milkyways is a collection of essays by artist Camille Henrot, exploring the ambivalence of motherhood and the process of creation in both art-making and life. Each chapter delivers a cosmos of references in literature, cartoons, art history, psychoanalysis, and more—from ancient maternity myths to modern maternity wards; from Marcel Proust to Maggie Nelson to Hélène Cixous. Alongside illustrations of the artist's work in painting, drawing, and sculpture, Henrot's perspectives in writing oscillate freely between the personal and the societal, the obvious and the more complex, the visceral and the utterly mundane. Milkyways was originally conceived for Republik magazine on invitation by An...
Historian Michael H. Kater chronicles the rise and fall of one of Germany’s most iconic cities in this fascinating and surprisingly provocative history of Weimar. Weimar was a center of the arts during the Enlightenment and hence the cradle of German culture in modern times. Goethe and Schiller made their reputations here, as did Franz Liszt and the young Richard Strauss. In the early twentieth century, the Bauhaus school was founded in Weimar. But from the 1880s on, the city also nurtured a powerful right-wing reactionary movement, and fifty years later, a repressive National Socialist regime dimmed Weimar’s creative lights, transforming the onetime artists’ utopia into the capital of its first Nazified province and constructing the Buchenwald death camp on its doorstep. Kater’s richly detailed volume offers the first complete history of Weimar in any language, from its meteoric eighteenth-century rise up from obscurity through its glory days of unbridled creative expression to its dark descent back into artistic insignificance under Nazi rule and, later, Soviet occupation and beyond.
The phrase "midlife crisis" today conjures up images of male indulgence and irresponsibility--an affluent, middle-aged man speeding off in a red sports car with a woman half his age--but before it became a gendered cliché, it gained traction as a feminist concept. In the 1970s, journalist Gail Sheehy used the term to describe a midlife period when both men and women might reassess their choices and seek a change in life. Sheehy's definition challenged the double standard of middle age--where aging is advantageous to men and detrimental to women--by viewing midlife as an opportunity rather than a crisis. Widely popular in the United States and internationally, the term was quickly appropriat...
When we look at the artworks on display in museums, there is always a real possibility that some of these objects once belonged to victims of the Nazis – a possibility that has remained unacknowledged for far too long. Countless artworks were seized or forcibly sold, with many ending up in museum collections around the world, even in countries which actively fought to defeat Nazi Germany. Nazi-Era Provenance of Museum Collections equips readers with the knowledge and strategies essential for confronting the shadow of the Nazi past in museum collections. Jacques Schuhmacher provides the vital historical orientation required to understand the Nazis’ complex campaign of systematic disposses...
During the Rwandan genocide in 1994 up to one million Tutsi were murdered by members of the Hutu tribe. Eighty percent of the women who survived were raped. Today, victims and perpetrators live side by side. Although women have gained social status since then, the rape victims and their children exist on the bottom rungs of the social hierarchy. Many young women, however, have managed to rescue their traumatized mothers and free them from the stigma. Their courage and optimism in a society under authoritarian rule and marred by trauma are unparalleled. Rwandan Daughters depicts these strong women who have overcome traumatic experiences. German photographer Olaf Heine (born 1968) has captured this turning point and the reconciliation in these impressive photographs, portraying mothers and daughters shoulder-to-shoulder at sites where the crimes occurred. Along with the photographs, the volume features brief statements from the women describing how they have dealt with their experiences.
American-born, Cologne-based artist Peter Miller (born 1978) experiments with the camera, the negative and the projector to produce photograms, luminograms, Polaroids and photo-collages. This monograph, published on the occasion of Miller's participation at the 2017 Venice Biennale, surveys his career to date.
Notebook 089 is a result of the immense changes that have taken place in the world since 1989. With the end of the Cold War, the utopian neoliberal fantasy of a global capitalist expansion, unfettered by the limits of any borders (psychic, physical, ethical, national, or ecological) and governed through an extension of credit/debt coupled with correlated "structural adjustments," assumed a new function for nation-states around the world, as a privatizer of gains, and a socializer of costs. In a span of twenty years the insolvency of this paradigm has become evident; not only has an entire world been gripped by conflict, depression, extreme inequalities, and irreversible ecological damage, bu...
Refresh the Book discusses the changing perceptions, functions, forms, as well as literary and artistic potential of the book in the digital age.