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La brique ordinaire
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Visual Methodology in Migration Studies
This open access book explores the use of visual methods in migration studies through a combination of theoretical analyses and empirical studies. The first section looks at how various visual methods, including photography, film, and mental maps, may be used to analyse the spatial presence of migrants. The second section addresses the processual building of narratives around migration, thereby using formats such as film and visual essay, and reflecting upon the ways they become carriers and mediators of both story and theory within the subject of migration. Section three focuses on vulnerable communities and discusses how visual methods can empower these communities, thereby also focusing o...
Andrea Heller
ndrea Heller schafft Werke auf Papier sowie Keramik- und Glasobjekte, in denen sich eine Welt aus fragilen Landschaften, assoziativen Spuren und anthropomorphen Mischwesen entfaltet. Die Bedingungen unserer Umwelt reflektierend, rückt die Bieler Künstlerin Aspekte wie Dekonstruktion, Instabilität und Unbeständigkeit ins Zentrum und realisiert raumfüllende Installationen, die mehrdeutig erfahrbar werden.
The Hour of Living
The screenplay of the feature film The Hour of Living, with an introduction by writer/director Sebastian Michael, a technical fact sheet and the full credits as they appear in the film.
Ariel Schlesinger
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Printed Physics
Edited by Ludger Hovestadt and Vera Bühlmann Applied Virtuality is a book series which is edited by Ludger Hovestadt, ITA Institute of Technology in Architecture, ETH Zürich, Switzerland and Vera Bühlmann, Technical University Vienna, Institute for Architectural Theory. Based on the thesis that technology changes character over time, the series aims and scopes are to reflect that change by describing and analyzing the most recent explorations and innovations in technology, as well as their implications for a more philosophically comprehensive understanding of technics in our contemporary symbolical, information saturated, climatic environments. The overall interest thereby is to (1) affir...
Thilo Westermann
In this artist's book Thilo Westermann's color pencil drawings and reverse plexi paintings are reproduced in their original size. The enlargements of details presented here correspond in terms of ratios and dot size to the large-format Diasec one-off prints that Westermann has produced after completing his reverse plexi paintings.In addition to theoretical art essays, these illustrations of his work are also supplemented by views of exhibitions as well as images from the photo series entitled Dispositive - these oscillate between presenting real hangings of the works and faked arrangements. It was the artist himself who developed the book concept and decided the sequences of images.Text in English and German.
Risk, Participation, and Performance Practice
This book explores a range of contemporary performance practices that engage spectators physically and emotionally through active engagement and critical involvement. It considers how risk has been re-configured, re-presented and re-packaged for new audiences with a thirst for performances that promote, encourage and embrace risky encounters in a variety of forms. The collection brings together established voices on performance and risk research and draws them into conversation with next generation academic-practitioners in a dynamic reappraisal of what it means to risk oneself through the act of making and participating in performance practice. It takes into account the work of other performance scholars for whom risk and precarity are central concerns, but seeks to move the debate forwards in response to a rapidly changing world where risk is higher on the political, economic and cultural agenda than ever before.
Melanie Smith
Eine Archäologie des Modernen Melanie Smith, 1965 in Poole, Großbritannien, geboren, lebt heute in Mexiko-Stadt. Sie bearbeitet mit ihren Installationen, Gemälden, Video-Arbeiten und Objekten ein breites Spektrum von Wahrnehmungsfragen insbesondere gesellschaftlich sowie philosophisch relevanter Themen. Stark beeindruckt hinterließ sie das Publikum mit ihrem Auftritt 2011 auf der Biennale in Venedig, den sie in ihrer ersten institutionellen Einzelpräsentation in Deutschland im Sommer 2012 in der Villa Merkel in Esslingen inhaltlich in deutlich ausgebauter Form nochmals aufgenommen hat. So zeigte sie etwa im eigens gediegen gestalteten Erdgeschoss der klassizistischen Villa die Video...
