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Neopaganesimo
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Tod an der Lehmkuhle
Ein bizarrer Mord im Naturidyll Ein packendes Krimidebüt aus dem Tecklenburger Land Das Haus Cappeln, ein altes Gut im Ortskern von Westerkappeln, ist das geistige Zentrum der Büßer Gottes, einer Gemeinschaft von Menschen, die sich den Himmel verdienen wollen. Ist der Preis dafür das Leben einer jungen Frau, die mit den furchtbaren Spuren einer Geißelung tot am Ufer der Lehmkuhle, einem kleinen Waldsee in der Bauernschaft Seeste gefunden wird? Den ungewöhnlichen Fall nimmt Hauptkommissar Matthias Brockmann aus Münster zum Anlass, nach zwanzig Jahren erstmals wieder in seinen Heimatort zurückzukehren. Gemeinsam mit der temperamentvollen Kollegin Julia Degraf aus Ibbenbüren beginnt er...
Watching Pages, Reading Pictures
Italian cinema is internationally well-known for the ground-breaking experience of Neo-Realism, comedy Italian-Style, Spaghetti Westerns, and the horror movies of the seventies. However, what is rather unfamiliar to wider audiences is Italian cinema's crucial and enduring affair with literature. In fact, since the very beginning, literature has deeply influenced how Italian cinema has defined itself and grown. This book provides an empirical approach to this complex and fruitful relationship. The aim is to present discussions dealing with significant Italian film adaptations from literary materials which greatly exemplify the variety of styles, view-points, and attitudes produced by such an alliance, throughout the different periods. Among the adaptations discussed, are those that have followed trends and critical debates, making them, at times, rather problematic.
Focus
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Ho freddo
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