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Renewing Royal Imagery
In Renewing Royal Imagery: Akhenaten and Family in the Amarna Tombs, Arlette David offers a systematic analysis of the visual presentation of ancient Egyptian kingship during Akhenaten's reign (circa 1350 B.C.) in the elite tombs of his new capital.
Comment arrêter l'alcool ?
L’alcool a des conséquences négatives sur votre vie ; peu à peu, il est devenu un problème, voire une souffrance ; vous souhaitez arrêter ou réduire votre consommation. Voici, étape par étape, le programme de deux spécialistes. Avec eux, apprenez à :- évaluer votre degré de dépendance, - renforcer votre motivation et votre confiance en vous, - contrôler votre consommation d'alcool ou demeurer abstinent(e), - reconstruire une vie personnelle et familiale plus heureuse, - savoir comment vous faire aider par votre entourage, et quand recourir à une aide professionnelle. Si vous êtes un proche d’une personne ayant des problèmes avec l’alcool, cet ouvrage vous donnera les clés pour la comprendre, la motiver, l’aider. Un guide pour retrouver votre autonomie et votre liberté. Pierluigi Graziani est psychologue et maître de conférences à l’université de Provence. Daniela Eraldi-Gackiere est psychologue et psychothérapeute au sein d’une unité d’alcoologie clinique à Saint-Amand-les-Eaux (Lille).
Law and Religion in the Eastern Mediterranean
This volume addresses the similarities and differences in the role played by law and religion in various societies across the Eastern Mediterranean. Approaching these subjects in an all-encompassing manner, it also looks at the notion of law and religion in this region as a whole, in both the geographical as well as the historical space.
Jacques Louis David: Radical Draftsman
The first major exhibition catalogue to focus on Jacques Louis David's drawings and their pivotal role in the creation of his iconic history paintings The paintings of Jacques Louis David (1748–1825) are among the most iconic in the history of Western art, but comparatively little is known about his nearly two thousand drawings that formed the basis of beloved masterpieces such as The Oath of the Horatii and The Death of Socrates. Jacques Louis David: Radical Draftsman accompanies the first major exhibition to focus on the artist's often yearslong process of trial and experimentation, from initial idea to finished canvas. Including several recently discovered drawings published here for the first time, this volume provides a new perspective on the celebrated master. Essays by international experts explore what David's preparatory works on paper reveal about his creative process and how they bear witness to the tumultuous years before, during, and after the French Revolution. As both a participant and an observer, David helped establish the new French society while documenting the drama, violence, and triumphs of modern history in the making.
Schizoanalytic Cartographies
The first English translation of a crucial work of twentieth-century French philosophy, in which Felix Guattari presents the most detailed account of his theoretical position.
The Writing of Gods
This book outlines the development of the divine classifiers in the Egyptian script system from the beginning of writing to the end of the Old Kingdom. The first part discusses the falcon on the standard and the ways in which ancient Egyptian writing system expressed the idea of divine kingship. The seated bearded man is the focus of the second part, in which the author follows the sign from its first appearance as a classifier of foreign peoples to its identification with the god Osiris. The third part is dedicated to divine markers and the structure of the divine category in the Pyramid Texts. This part surveys the special orthographic constraints of the Pyramid Texts, as well as the evolution of the female divine classifiers. Although the book concentrates on orthographic processes, it takes into account the broader religious context of the Old Kingdom. Hence, the relations between the sun-god Re and the king, as well as the special role of the Great God in the private inscriptions and the appearance of Osiris as a foreigner are also discussed.
The S S E A Journal
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Orality and Literacy in the Demotic Tales
In Orality and Literacy in the Demotic Tales, Jacqueline E. Jay extrapolates from the surviving ancient Egyptian written record hints of the oral tradition that must have run alongside it. The monograph’s main focus is the intersection of orality and literacy in the extremely rich corpus of Demotic narrative literature surviving from the Greco-Roman Period. The many texts discussed include the tales of the Inaros and Setna Cycles, the Myth of the Sun’s Eye, and the Dream of Nectanebo. Jacqueline Jay examines these Demotic tales not only in conjunction with earlier Egyptian literature, but also with the worldwide tradition of orally composed and performed discourse.
Foreigners and Egyptians in the Late Egyptian Stories
In Foreigners and Egyptians in the Late Egyptian Stories Camilla Di Biase-Dyson applies systemic functional linguistics, literary theory and New Historicist approaches to four of the Late Egyptian Stories and shows how language was exploited to establish the narrative roles of literary protagonists. The analysis reveals the shifting power dynamics between the Doomed Prince and his foreign wife and the parody in the depiction of the Hyksos ruler Apophis and his Theban counterpart Seqenenre. It also sheds light on the weight of history in the sketch of the Rebel of Joppa and the general Djehuty and explains the interplay of social expectations in the encounters between the envoy Wenamun and the Levantine princes with whom he seeks to trade. "Overall, Di Biase-Dyson’s monograph is an original interdisciplinary examination of an exciting corpus of ancient literary texts." Nikolaos Lazaridis, Journal of Near Eastern Studies
Bilder für den Pharao
In Bilder für den Pharao Shih-Wei HSU offers a thorough study of figurative expressions in ancient Egyptian texts, placing particular emphasis on royal inscriptions. This book is divided into three chapters. Chapter one consists of an introduction to the study of figurative language, examining the definition of this construct and discussing the differences between similes and metaphors in ancient Egyptian. Chapter two provides an overview of usage, function and purpose of figurative language in the different text genres. Chapter three contains the research and analysis of the figurative language found in the royal inscriptions. It acts as linguistic “decoration” for the king’s attributes and actions, reinforcing and sustaining the notion of kingship in Egypt.
