Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Arts & Crafts of Morocco
The spectacular arts and crafts of Morocco reflect a timeless mingling of influences from Moorish Spain, sub-Saharan Africa, and the Middle East - all the exotic worlds that once congregated at this crossroads of ancient trading routes. Striking in its versatility and diversity, Moroccan art has long influenced artists, architects, and designers. This volume, superbly illustrated with more than 150 original color photographs, brings the dazzling splendor of a thriving artisan tradition to a wider and increasingly appreciative international audience. Vibrantly colored textiles; exquisitely crafted jewelry: finely worked leather, wood, metal; and an enormous collection of pottery and ceramics ...
Zillij
A photographic record of Moroccan ceramics, this book studies the achievements of this ancient craft, and investigates how "zillij" designs are used for other ceramics. The authors were given unprecedented access to museums and Morocco's finest buildings in order to produce this title.
New Moroccan Style
A treasury of ideas, inspirations, and images, this book captures Morocco's colorful, multifarious design heritage and shows how to bring a touch of Morocco into the home. 250 full-color photos.
Arabesques
Provides keys to the understanding of Moroccan architecture and geometical arabesques.
Art in the Service of Colonialism
In the Moroccan French Protectorate (1912-1956), the French established vocational and fine art schools, imposed modern systems of industrial production and pedagogy and reinvented old traditions. Hamid Irbouh argues that the French used this systematic modernisation of local arts and crafts regulation to impose their control. He looks in particular at the role and place of women in the structures of art production and education created by the French- that transformed and dominated Moroccan society during the colonial period. French women infiltrated the Moroccan milieu, to buttress colonial ideology, yet at critical moments, Moroccan women rejected traditional roles and sabotaged colonial plans. Meanwhile, the contradictions between reformist goals and the old order added to social dislocations and led to rebellion against French hegemony. Irbouh examines and analyses these processes and demonstrates how Moroccan artists have struggled to exorcise French influences and rediscover an authentic visual culture since decolonisation. This book reveals that the weight of colonial history continues to weigh heavily on artistic practice and production.
MOROCCAN INTERIOR DESIGN
During the VIII century, many Arab families had been settled in Morocco after having been expelled from Spain (Andalusia). The Arabs brought with them their arts and the experience of their civilization, etc. Their knowledge of arts and geometry can be reflected in many architectural structures found all around the kingdom of Morocco. This fertile source of inspiration provide to Moroccan craftspeople and artists special talents and flair not found anywhere else in the world. One of the most important dreams in our life-time is to own beautiful house and decorated it with exclusive furniture, accessories and prestigious collection of art objects.
Amazigh Arts in Morocco
In southeastern Morocco, around the oasis of Tafilalet, the Ait Khabbash people weave brightly colored carpets, embroider indigo head coverings, paint their faces with saffron, and wear ornate jewelry. Their extraordinarily detailed arts are rich in cultural symbolism; they are always breathtakingly beautiful—and they are typically made by women. Like other Amazigh (Berber) groups (but in contrast to the Arab societies of North Africa), the Ait Khabbash have entrusted their artistic responsibilities to women. Cynthia Becker spent years in Morocco living among these women and, through family connections and female fellowship, achieved unprecedented access to the artistic rituals of the Ait ...
Art and the Jews of Morocco
For centuries, the artistry of the Jewish community in Morocco has flourished - as much in urban areas as in the countryside - in metalwork, manuscripts, silks, wool, leather, woodwork. Often, this creativity has given birth to exceptional works that showcase the talent and originality of artists and artisans who have nonetheless remained anonymous. Originally from Morocco, Andre Goldenberg is an ethnologist who has devoted a significant part of his life to collecting the art of the Jews of Morocco, artefacts that show a unique artistic perspective and an extremely fine artistic quality. The extraordinary collection of objects assembled in this volume reveals the multiple facets of the art of Moroccan Jews, while the meticulous research that accompanies the catalogue promises to preserve this culture for future generations. This richly illustrated book constitutes an imaginary museum, carefully detailing hundreds of masterpieces of Jewish Moroccan art gathered from public and private collections in Morocco and abroad."
Amazigh Arts in Morocco
In southeastern Morocco, around the oasis of Tafilalet, the Ait Khabbash people weave brightly colored carpets, embroider indigo head coverings, paint their faces with saffron, and wear ornate jewelry. Their extraordinarily detailed arts are rich in cultural symbolism; they are always breathtakingly beautiful—and they are typically made by women. Like other Amazigh (Berber) groups (but in contrast to the Arab societies of North Africa), the Ait Khabbash have entrusted their artistic responsibilities to women. Cynthia Becker spent years in Morocco living among these women and, through family connections and female fellowship, achieved unprecedented access to the artistic rituals of the Ait ...
