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If we denounce the artist, then what becomes of the work that remains? The #MeToo movement is overturning a cliché that has forgiven bad behaviour for years: to be creative is to be prone to eccentricity, madness, addiction and excess. No longer can artists be excused from the standards of conduct that apply to us all
When he died in 1992 Brett Whiteley left behind decades of ceaseless activity—some works bound to a particular place or time, others that are masterpieces of light and line. Whiteley had arrived in Europe in 1960 determined to make an impression. Before long he was the youngest artist to have work acquired by the Tate. With his wife, Wendy, and daughter, Arkie, Whiteley then immersed himself in bohemian New York. But within two years he fled, having failed to break through. Back in Sydney, he soon became Australia’s most celebrated artist. He won the Archibald, Wynne and Sulman prizes in the same year—his prices soared, as did his fame. Among his friends were Francis Bacon and Patrick White, Billy Connolly and Dire Straits. Yet addiction was taking its toll: Whiteley struggled in vain to separate his talent from his disease, and an inglorious end approached. Written with unprecedented behind-the-scenes access, and handsomely illustrated with classic Whiteley artworks, rare notebook sketches and candid family photos, this dazzling biography reveals for the first time the full portrait of a mercurial artist.
The first book in the heart-stopping The Extinction Trialstrilogy, for fans of The Hunger Games and Jurassic Park. Betrayal. Sacrifice. Survival. Welcome to The Extinction Trials... In Stormchaser and Lincoln's ruined world, the only way to survive is to risk everything. To face a contest more dangerous than anyone can imagine. And they will do anything to win. But in a land full of monsters - human and reptilian - they can't afford to trust anyone. Perhaps not even each other... Shortlisted for the 2019 Scottish Teenage Book Prize
Observer's Best Art Book of the Year, 2018 In 2007, Bolton Crown Court sentenced Shaun Greenhalgh to four years and eight months in prison for the crime of producing artistic forgeries. Working out of a shed in his parents' garden, Greenhalgh had successfully fooled some of the world's greatest museums. During the court case, the breadth of his forgeries shocked the art world and tantalised the media. What no one realised was how much more of the story there was to tell. Written in prison, A Forger's Tale details Shaun's notorious career and the extraordinary circumstances that led to it. From Leonardo drawings to L.S. Lowry paintings, from busts of American presidents to Anglo-Saxon brooches, from cutting-edge Modernism to the ancient art of the Stone Age, Greenhalgh could - and did - copy it all. Told with great wit and charm, this is the definitive account of Britain's most successful and infamous forger, a man whose love for art saturates every page of this extraordinary memoir.
From one of this country' s leading Indigenous journalists comes a collection of fierce and powerful essays proving why the media needs to believe Black Witnesses. Amy McQuire has been writing on Indigenous affairs since she was 17 years old. Over the past two decades, she has reported on most of the key events involving Aboriginal and Torres Strait Islander peoples, including numerous deaths in custody, the Palm Island uprising, the Bowraville murders and the Northern Territory Intervention. She has also exposed the misrepresentations and violence of the mainstream media' s reports, as well as their omissions and silences altogether in regards to Indigenous matters. Black Witness showcases how journalism can be used to hold the powerful to account and make the world a more equitable place. This is the essential collection that we need right now &– and always have.
The only reason Dr. Ashleigh Wilson is back in her hometown is to help her pregnant sister--and maybe repair their relationship. She's certainly not here to see her ex-husband, Dr. Kyle Jennings, or mend any fences with him. Too bad he doesn't accept that. Worse, the more time they're together, the more the old attraction flares!
Ashleigh Wilson has been fighting for animal rights since she graduated from university with a degree in Environmental Science. Between rallies, protests, and dumpster diving, she's found a place for herself with The Green Criminals, a small but tight group of eco-warriors determined to put an end to environmental destruction and save many animals in the process. It also helps that the main leader of the group, a stunning and ever-so disciplined man named Ezra Monsoon, makes all her eco-efforts and flirtation over veggie burgers worthwhile. When Ezra is captured after a protest goes wrong, Ashleigh vows that she will get him out. What should be an easy process of bailing Ezra out of the loca...
An exquisitely photographed exploration of what it is to find purpose, joy and connection in the simple things. 'In a time of infinite choice and possibility, Jodi has provided a grounded road map to becoming a grateful, settled soul.' Alexx Stuart, author of Low Tox Life 'I'm not here to nag you and tell you that you need to live with less stuff. Nor will I tell you that owning less is a sure and certain path to happiness. But let me tell you what it's like to carry all you own with you ... to reduce your consumption and increase your free time and to realise that everything you need in life can fit in a caravan along with those you love most ...' It is natural to fear uncertainty. But what...
Brett Whiteley died in 1992 at the age of fifty-three, ending one of the most prodigious careers in the history of Australian art. He attended Julian Ashton's school in Sydney during the late 1950s while working at the advertising agency Lintas, and then made an impact on the Australian art world just as it was receiving unprecedented international attention. Whiteley achieved wide recognition, spending a long period abroad, exhibiting paintings, drawings and sculpture in Britain, Europe and the United States, before returning to Sydney permanently at the end of 1969. His years in London were particularly formative, when he came into contact with many of the art world's most influential figu...
Winner of the 2021 Prime Minister’s Literary Award for Non-fiction. Set amid the striking landscapes of the East Kimberley, The Stranger Artist is an evocative and enthralling account of a remarkable decade in Australia’s internationally acclaimed Aboriginal art movement. At the end of the twentieth century, one-time gallerist Tony Oliver finds himself deeply immersed within a group of senior Gija artists, among them the soon-to-be-renowned painters Paddy Bedford and Freddie Timms. Their unlikely bonds lead to the formation of the groundbreaking Jirrawun Arts, which quickly becomes one of Australia’s most celebrated and controversial art collectives. As Oliver comes to share not only the artists’ many successes but their tragedies too, his own life’s trajectory will forever be altered. Quentin Sprague’s The Stranger Artist is an extraordinary contribution to Australia’s cultural history – a sensitive yet unflinching portrait of creative work, of a life between cultures, of both darkness and light.