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The Man Who Would Not Bow
In the eight stories comprising THE MAN WHO WOULD NOT BOW the cast of characters includes a journalist in a Middle Eastern war zone, an unemployed actor struggling with elder care, members of a commune planning to kidnap a priest, a torturer's mother and, finally, Nikolai Gogol wrestling with his angels and demons.
What Is Told
The turbulent lives of three generations of a Ukrainian family. The story takes the reader through several wars and ends in peaceful New World suburbia where the disintegration of the family begins.
Ambassador of the Dead
The mother of a childhood friend summons Nick Blud back to his old Ukranian-American New Jersey neighborhood, where something unspeakable has just happened, in this harrowing tale about friendship and love, America, and the immigrant's dream.
The House of Widows
After his father's suicide, James Pak takes three items from his dead father's house that he can't understand why his father owns--a military uniform, a glass jar, and a letter written in an language he can't read--and journeys from Europe to America and back again to discover the secrets of his family history and the meaning behind his father's mysterious belongings.
What We Live For, What We Die For
An introduction to an original poetic voice from eastern Ukraine with deep roots in the unique cultural landscape of post-Soviet devastation "Everyone can find something, if they only look carefully," reads one of the memorable lines from this first collection of poems in English by the world-renowned Ukrainian author Serhiy Zhadan. These robust and accessible narrative poems feature gutsy portraits of life on wartorn and poverty-ravaged streets, where children tally the number of local deaths, where mothers live with low expectations, and where romance lives like a remote memory. In the tradition of Tom Waits, Charles Bukowski, and William S. Burroughs, Zhadan creates a new poetics of loss, a daily crusade of testimonial, a final witness of abandoned lives in a claustrophobic universe where "every year there's less and less air." Yet despite the grimness of these portraits, Zhadan's poems are familiar and enchanting, lit by the magic of everyday detail, leaving readers with a sense of hope, knowing that the will of a people "will never let it be / like it was before."
Your Ad Could Go Here
Oksana Zabuzhko, author of "the most influential Ukrainian book in the fifteen years since independence," Fieldwork in Ukrainian Sex, returns with a gripping short story collection. Oksana Zabuzhko, Ukraine's leading public intellectual, is called upon to make sense of the unthinkable reality of our times. In this breathtaking short story collection, she turns the concept of truth over in her hands like a beautifully crafted pair of gloves. From the triumph of the Orange Revolution, which marked the start of the twenty-first century, to domestic victories in matchmaking, sibling rivalry, and even tennis, Zabuzhko manages to shock the reader by juxtaposing things as they are--inarguable, visible to the naked eye--with how things could be, weaving myth and fairy tale into pivotal moments just as we weave a satisfying narrative arc into our own personal mythologies. At once intimate and worldly, these stories resonate with Zabuzhko's irreverent and prescient voice, echoing long after reading.
Living on the Edge of the World
Mobsters. Big hair. The smelly Turnpike. The poor cousin of its glittering neighbor Manhattan. Could that really be all there is to New Jersey? In Living on the Edge of the World, the best and brightest young writers from the much maligned state answer back with edgy, irreverent pieces of nonfiction paying tribute to New Jersey's unique place in the cultural consciousness. Like a drive along the Garden State Parkway, their stories travel to just about every corner of the state, from Princeton and Hillside to Camden and Hoboken. In "Straight Outta Garwood," Tom Perrotta writes of the near inescapability of returning to his home state again and again in his novels; in "Exit 15W," Joshua Braff ...
Love Hotel
A novel about a mysterious love triangle and the almost mythological power—and potentially lethal danger—of eros. Working on behalf of a cunning and mysterious couple, a woman embarks on a haunting search for a stranger (a child? somebody’s lover? a ghost?) and undertakes a perplexing, dangerous, deeply layered, and apparently timeless journey originating on a secluded country estate and leading deep into the erotic center of a transient location in the city. Love Hotel explores a heartbreaking and nightmarish world of unrelenting excess, impossible convergences, undeniable urges, and inexorable loss. Jane Unrue’s writing, beautifully cunning and mysterious itself, twists and turns and lures the reader on with a heightened charged erotic magnetism of its own.
Lovers for a Day
This short story collection spanning the celebrated Czech author’s career is a “taxonomic survey of Eros . . . [by] a writer at the top of his form” (The Boston Globe). In these stories that span an acclaimed career from the 1960s to the present, Ivan Klima offers a vivid gallery of people searching for an escape in love: factory girls and assembly-line workers find respite from their daily grind in Walter Mitty-esque fantasies; a young woman finds herself on a honeymoon with a man she did not marry; a divorce-court judge loves the routines of his marriage in ways his mistress can’t understand; and a young wife falls into a passionate affair with an elderly bookbinder crippled by war. Lovers for a Day is a book stamped with Klima’s unique vision. With a personal history of a nation’s evolution, this moving examination of our attempts to find freedom in love will demonstrate why Klima is considered by so many to be “a Czech genius” (Los Angeles Times Book Review).
The Voices of Babyn Yar
With The Voices of Babyn Yar—a collection of stirring poems by Marianna Kiyanovska—the award-winning Ukrainian poet honors the victims of the Holocaust by writing their stories of horror, death, and survival by projecting their own imagined voices. Artful and carefully intoned, the poems convey the experiences of ordinary civilians going through unbearable events leading to the massacre at Kyiv’s Babyn Yar from a first-person perspective to an effect that is simultaneously immersive and estranging. While conceived as a tribute to the fallen, the book raises difficult questions about memory, responsibility, and commemoration of those who had witnessed an evil that verges on the unspeakable.
