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The Voices of Babyn Yar
With The Voices of Babyn Yar—a collection of stirring poems by Marianna Kiyanovska—the award-winning Ukrainian poet honors the victims of the Holocaust by writing their stories of horror, death, and survival by projecting their own imagined voices. Artful and carefully intoned, the poems convey the experiences of ordinary civilians going through unbearable events leading to the massacre at Kyiv’s Babyn Yar from a first-person perspective to an effect that is simultaneously immersive and estranging. While conceived as a tribute to the fallen, the book raises difficult questions about memory, responsibility, and commemoration of those who had witnessed an evil that verges on the unspeakable.
Babyn Yar
In 2021, the world commemorates the 80th anniversary of the massacres of Jews at Babyn Yar. The present collection brings together for the first time the responses to the tragic events of September 1941 by Ukrainian Jewish and non-Jewish poets of the Soviet and post-Soviet periods, presented here in the original and in English translation by Ostap Kin and John Hennessy. Written between 1941 and 2018 by over twenty poets, these poems belong to different literary canons, traditions, and time frames, while their authors come from several generations. Together, the poems in Babyn Yar: Ukrainian Poets Respond create a language capable of portraying the suffering and destruction of the Ukrainian Jewish population during the Holocaust as well as other peoples murdered at the site.
Бабин Яр. Голосами
With The Voices of Babyn Yar—a collection of stirring poems by Marianna Kiyanovska—the award-winning Ukrainian poet honors the victims of the Holocaust by writing their stories of horror, death, and survival by projecting their own imagined voices. Artful and carefully intoned, the poems convey the experiences of ordinary civilians going through unbearable events leading to the massacre at Kyiv’s Babyn Yar from a first-person perspective to an effect that is simultaneously immersive and estranging. While conceived as a tribute to the fallen, the book raises difficult questions about memory, responsibility, and commemoration of those who had witnessed an evil that verges on the unspeakable.
Ivan and Phoebe
Ivan and Phoebe chronicles the lives of several young people involved in the Ukrainian student protests of the 1990s—otherwise known as the Revolution on Granite or the First Maidan and investigates the difficulties and absurdities of a society swiftly shifting from subjugation to revolution to post-Soviet rule. Married couple Ivan and Phoebe grapple with questions about family, tragedy, and independence. Although protagonist Ivan tells the story, Phoebe's voice rings through the text. The two reflect on the harrowing aftermath of revolution: torture at the hands of the KGB and each other. Ivan refuses to talk about his pain, while Phoebe recounts her past wounds through poetic monologues....
Voices of Freedom: Contemporary Writing From Ukraine
Award-winning Ukrainian Writers featured in this riveting and evocative collection of prose, poetry, essays, and photos. Voices of Freedom: Contemporary Writing From Ukraine is a collection of Ukrainian writing that aims to introduce the English-speaking world to some of the most iconic living writers whose work is shaping contemporary Ukraine. These are leading intellectuals and moral authorities for the Ukrainian people, whose voices and opinions have helped to synchronize the internal compasses of Ukrainian society in the struggle for the freedom of their country. Through poetry, short stories, and essays, this collection demonstrates that the desire for freedom and the struggle to achiev...
The Length of Days
The Length of Days: An Urban Ballad is set mostly in the composite Donbas city of Z—an uncanny foretelling of what this letter has come to symbolize since February 24, 2022, when Russia launched a full-scale invasion of Ukraine. Several embedded narratives attributed to an alcoholic chemist-turned-massage therapist give insight into the funny, ironic, or tragic lives of people who remained in the occupied Donbas after Russia’s initial aggression in 2014. With elements of magical realism, Volodymyr Rafeyenko’s novel combines a wicked sense of humor with political analysis, philosophy, poetry, and moral interrogation. Witty references to popular culture—Ukrainian and European—underline the international and transnational aspects of Ukrainian literature. The novel ends on the hopeful note that even death cannot have the final word: the resilient inhabitants of Z grow in power through reincarnation.
The Torture Camp on Paradise Street
In The Torture Camp on Paradise Street, Ukrainian journalist and writer Stanislav Aseyev details his experience as a prisoner from 2015 to 2017 in a modern-day concentration camp overseen by the Federal Security Bureau of the Russian Federation (FSB) in the Russian-controlled city of Donetsk. This memoir recounts an endless ordeal of psychological and physical abuse, including torture and rape, inflicted upon the author and his fellow inmates over the course of nearly three years of illegal incarceration spent largely in the prison called Izoliatsiia (Isolation). Aseyev also reflects on how a human can survive such atrocities and reenter the world to share his story. Since February 2022, num...
Cassandra
Cassandra, the daughter of King Priam of Troy, is cursed with the gift of true prophecies that are not believed by anyone. She foretells the city’s fall should Paris bring Helen as his wife, as well as the death of several of Troy’s heroes and her family. The classic myth turns into much more in Lesia Ukrainka’s rendering: Cassandra’s prophecies are uttered in highly poetic language—fitting for the genre of the work—and are not believed for that reason, rather than because of Apollo’s curse. Cassandra as poet and as woman are the focal points of the drama. Cassandra: A Dramatic Poem encapsulates the complexities of Ukrainka’s late works: use of classical mythology and her int...
Words for War
The armed conflict in the east of Ukraine brought about an emergence of a distinctive trend in contemporary Ukrainian poetry: the poetry of war. Directly and indirectly, the poems collected in this volume engage with the events and experiences of war, reflecting on the themes of alienation, loss, dislocation, and disability; as well as justice, heroism, courage, resilience, generosity, and forgiveness. In addressing these themes, the poems also raise questions about art, politics, citizenship, and moral responsibility. The anthology brings together some of the most compelling poetic voices from different regions of Ukraine. Young and old, female and male, somber and ironic, tragic and playful, filled with extraordinary terror and ordinary human delights, the voices recreate the human sounds of war in its tragic complexity.
Still City
Still City, Oksana Maksymchuk's debut in English, reflects life in the wake of extreme and unpredictable violence. Inevitably, there are dramatic shifts in perspective: this diary of an invasion recreates the mood and tone of the context within which a poet's imagination must make sense of the change. Drawing on various sources, including social media, the news, witness accounts, recorded oral histories, photographs, drone video footage, intercepted communication, and official documents, Maksymchuk tells the shared experience. The book began 'as a poetic journal I started keeping in my hometown of Lviv, Ukraine in 2021–22. In the months leading up to the full-scale invasion, my writing has been registering how ways of living, thinking, and feeling have been changing due to the anticipation of a catastrophe, imbuing the everyday rituals with the sense of finality and precarity. While we, as a family and a community, made preparations for air strikes, as well as nuclear, chemical, and biological warfare, our relationships transformed, as did our sense of time, fate, and personhood.'
