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Neo-Islamic Culture’s Influence on Recent Turkish Media
The volume looks at the relation between contemporary Turkish film and television discourses and religion, in relation to the traditions and rituals of Islam, the representation of Muslim women, and subsequent changes in narratives and characters. It employs differing approaches to the relationships between media and religion, concentrating on how religion has started to shape the politics of film in new cinema practices in Turkey. As such, the book represents a comprehensive resource on recent Turkish cinema and TV – a milestone at a time when numerous disciplines have shown an increasing interest in the emerging new Islamic popular culture. It will appeal to those who are interested in Turkey’s opinion about itself, scholars who work in film studies, media studies, religious studies, gender studies and the political sciences, as well as anyone with an interest in Middle Eastern studies and media.
ECSM 2018 5th European Conference on Social Media
These proceedings represent the work of researchers participating in the 5th European Conference on Social Media (ECSM 2018) which is being hosted this year by Limerick Institute of Technology, Ireland on 21-22 June 2018.
Sovereign Intimacy
"Sovereign Intimacy investigates the relationship between the settler-colonial state and its citizens through the intimating work of media and memory. Using Israel-Palestine as a case study, it tracks how personal family commemoration was channeled and shaped by an emerging private media complex--family videos, freelance filmmaking, grassroots campaigns, and privatized television--enabling a disavowal of the state project of colonial violence through mundane and affective kinship. To the sovereign constitutive rights--the right to life, the right to kill--the book adds another right: the right to love, a right for private life, in the name of which other lives are denied"--
Kurdish Documentary Cinema in Turkey
Without a doubt, this decade’s most discussed and developed documentary productions in Turkey come from Kurdistan, a name that provokes nationalist panic in Turkey, yet delineates distinct cultural, linguistic, and political boundaries nonetheless. Documentary film productions by Kurdish filmmakers from Turkey determine the major tendencies of this emergent genre, with such productions offering a unique opportunity for a nuanced understanding of national cinema. The larger body of films, fiction and non-fiction termed as Kurdish cinema complicates the category of national cinema, a concept discussed heatedly within the field of cinema studies. Documentary film is proving to be a particular...
Empowering Female Climate Change Activists in the Global South
The ebook edition of this title is Open Access, thanks to Knowledge Unlatched funding, and freely available to read online. Reimagining intersectional research, this book addresses the urgent need to develop gender-just solutions that empower those who are experiencing environmental degradation in their communities.
Cinema and Politics
This volume presents varied approaches concerning the relation between cinema and politics which focus on policies, eras, countries, mainstream and art cinema productions, transnational examples, changing narratives and identities. Both cinema and politics have actors and directors for their scenes, and in this sense their discourses intermingle. The performances of the “actors/actresses” in both arenas attract particular attention. The actors, directors, and producers with ‘hyphenated/creolised/hybrid identities’ such as German-Turks, directors of Balkan cinema, or Italian filmmakers of Turkish origin give a wide and refreshing perspective to the discussion of Europe in the media. What these ‘mediated identities’ represent goes beyond the limits of the old Europe, towards the different sensitivity of the New Europe. Scholars and advanced students of Film Studies, European Studies, Identity Politics, Migration / Emigration and Gender Studies will find this volume of integral importance to their work.
Zihin Koleksiyoncusu
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Turkey
This title is part of the 'Directory of World Cinema' series. It includes contributions from some of the leading academics in the field. It features film recommendations from a range of genres for those interested in watching more Turkish cinema. It includes full colour illustrations. It features comprehensive filmography as an index in the first English-language directory of Turkish films. Since the 1990s, filmmakers in Turkey have increasingly explored notions of gender, genre, cultural memory, and national and transnational identity. Taking these themes as its starting point, this book - the first English-language directory of Turkish films - provides an extensive historical overview of the country's cinema since the early 1920s. In chapters organized by genre - such as fantasy and science fiction, contemporary blockbusters, women's films, Istanbul films, and transnational or accented cinema - leading scholars of Turkish cinema offer reflections on the country's most important film movements and filmmakers.
Remediating Transcultural Memory
The impact of digital global media, geopolitical changes and migration demands new theorizations within memory studies. Despite the growing field of media memory studies, the impact from film and media studies has been scarce within memory studies. This unique study offers new theorizations of three crucial concepts for media memory studies: remediation, transculturality and the archive. This book takes a closer look at the media specificity of archival footage and how it is adapted, translated and appropriated. In its original approach this work reflects upon the role of documentary film images for the construction of memory. By merging film and media studies with memory studies the work offers multiple theoretical and methodological approaches for everyone interested in the heritage of audiovisual media: film and media scholars, memory scholars, historians, art historians, social scientists, librarians or archivists, curators and festival programmers alike.
