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Book Description: Publication Date: August 30, 2011. "Turkey, Islam, Nationalism, and Modernity" reveals the historical dynamics propelling two centuries of Ottoman and Turkish history. As mounting threats to imperial survival necessitated dynamic responses, ethnolinguistic and religious identities inspired alternative strategies for engaging with modernity. A radical, secularizing current of change competed with a conservative, Islamically committed current. Crises sharpened the differentiation of the two streams, forcing choices between them. The radical current began with the formation of reformist governmental elites and expanded with the advent of 'print capitalism', symbolized by the p...
"This volume evolved from "Zoom out: the making and the unmaking of the 'Orient' through photography," held at the Getty Research Institute, Los Angeles, May 6-7, 2010"--ECIP data view.
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In modern Syria, a contested territory at the intersection of differing regimes of political representation, artists ventured to develop strikingly new kinds of painting to link their images to life forces and agitated energies. Examining the works of artists Kahlil Gibran, Adham Ismail, and Fateh al-Moudarres, Beautiful Agitation explores how painters in Syria activated the mutability of form to rethink relationships of figure to ground, outward appearance to inner presence, and self to world. Drawing on archival materials in Syria and beyond, Anneka Lenssen reveals new trajectories of painterly practice in a twentieth century defined by shifting media technologies, moving populations, and the imposition of violently enforced nation-state borders. The result is a study of Arab modernism that foregrounds rather than occludes efforts to agitate against imposed identities and intersubjective relations.
Arter initiates a new publication series, Arter Background, to accompany group exhibitions drawn from its collection, which holds more than 1,300 works of art as of 2019. This first book of the series accompanies one of the opening exhibitions of Arter’s new building, a collection-based group exhibition entitled What Time Is It?. Curated by Emre Baykal and Eda Berkmen, the exhibition is conceived around the concepts of memory, space and time. In the book, excerpts of texts selected around the ideas active in the curatorial process are complemented by new essays written specifically for this context, in line with Arter’s mission of encouraging artistic and cultural production. It thus fea...
This book examines the process of secularization in the Middle East in the late 19th and early 20th century through an analysis of the transformation and abolition of Islamic Caliphate. Focusing on debates in both the center of the Caliphate and its periphery, the author argues that the relationship between Islam and secularism was one of accommodation, rather than simply conflict and confrontation, because Islam was the single most important source of legitimation in the modernization of the Middle East. Through detailed analysis of both official documents and the writings of the intellectuals who contributed to reforms in the Empire, the author first examines the general secularization pro...
By entering and critically re-activating the Zionist photographic archive established by the Division of Journalism and Propaganda of the Jewish National Fund, this research examines its rippling impact on civil landscapes prior to 1948 in Palestine, and its lasting impact on the region to date. This study argues that the Zionist movement makes particular use of the machinery of the photographic archive, aiming to constitute the boundaries of Palestine as a Jewish state, claiming ownership over the land and announcing internationally the success of its enterprise, thus substantiating the image it sought to embed as the “reality” of the land. This archive was not stand-alone, as it was fu...
Ottoman Brothers explores Ottoman collective identity, tracing how Muslims, Christians, and Jews became imperial citizens together in Palestine following the 1908 revolution.
"Expanding the canon of photographic history, Capturing Japan in Nineteenth Century New England Photography Collections focuses on six New Englanders, whose travel and photograph collecting influenced the flowering of Japonism in late nineteenth-century Boston. The book also explores the history of Japanese photography and its main themes. The first history of its kind, this study illuminates the ways photographs, seeming conveyors of fact, imprint mental images and suppositions on their viewers"--
The fascinating life and work of an artist who captured some of the first photographs of the Far East are presented in this gorgeous volume.