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With the wit of Marina Lewycka, the piercing observation of Jane Gardam, and the bittersweet charm of Mary Wesley, this will appeal to all who loved Major Pettigrew's Last Stand or The Guernsey Literary and Potato Peel Pie Society. Cecilia Banks has a great deal on her plate. But when her son Ian turns up on her doostep with the unexpected consequence of a brief fling, she feels she has no choice but to take the baby into her life. Cephas's arrival is the latest of many challenges Cecilia has to face. There is the matter of her cancer, for a start, an illness shared with her novelist friend Helen. Then there is Helen herself, whose observations of Cecilia's family life reveal a somewhat ambi...
'Outdoes Muriel Spark and Evelyn Waugh' Margaret Drabble, Observer Accused of child abuse, Father Roger Tree confesses at once; it masks a darker secret. Meanwhile his sister Romola faces a future without their beloved brother, the novelist Hereward Tree. Can she live with the ending of his last book? And then there is Hereward's much younger lover, Carina, who takes fate into her own hands. But it is Betty Winterborne, forced to re-examine the death of her son Mark twenty years before, who has the courage to face the truth. There are the lies we tell others, and the lies we tell ourselves. This is a story about the difference.
There's more going on in The Street than its inhabitants realise . . . In the course of this delightful, quirky and perceptive novel an elderly soldier with incipient Alzheimer's saves the life of a remarkable child, a resting actor finds real purpose, a woman starved of love discovers it in an unexpected place and a beloved cat achieves immortality.
Rex, a husband and father, makes an unintentional error. Will Rex get away with his terrible, taboo-busting mistake? This opening premise is the starting gun to a rollicking ride through London of the late 1980s and early 1990s, in a literary novel that focuses on human frailty, love, marriage, family bonds, gay sex, betrayal, alcoholism, illness and death. Although aspects of the novel are richly ironic and even comedic, it also deals with challenging themes, not least HIV/AIDS. Matt Bishop wrote The Boy Made the Difference because very few (if any) literary novels are set against the narrative backdrop of the HIV/AIDS crisis of the late 1980s and early 1990s, which had a profound and lasting impact on the gay community. All of the proceeds from the book sales will be donated to his late mother’s charity – the Bernardine Bishop Appeal (part of CLIC Sargent – a charity that helps children, young people and their families who are suffering the effects of cancer).
The first title in the Practice of Psychotherapy Series that explores the limits of psychoanalytic psychotherapy. Each of the five chapters in this book takes up an aspect of this challenge. In an open and enquiring manner, the authors invite readers to share in their thinking as they describe how they use their psychoanalytic skills to understand the nature of particular challenges. The Practice of Psychotherapy Series is intended to address a wide variety of important and challenging issues confronting those working in diverse contexts as psychoanalytic psychotherapists. Written by members of the respected London Centre for Psychotherapy, this volume offers an honest and stimulating first contribution.
Comprising the second volume in the series The Practice of Psychotherapy, this volume brings together six contributors, all members of the London Centre for Psychotherapy, presenting psychoanalytic ideas lucidly illustrated by clinical observatioins taken from the consulting room. Focusing upon such issues as sibling attachment and the impact of maternal absence, this collection of essays offers uniquely personal insights and new idrom psychotherapeutic encounters. The author believes that in each of these papers there is the spark of an original idea...grounded indeed in psychoanalytic theory, but influenced by individual experience and observation in the consulting room.
SOMETHING HAS FALLEN AWAY. We have lost a part of ourselves, our history, what we once were. That something, when we encounter it again, look it straight in the eyes, disgusts us, makes us retch. This is the horror of the abject. Following the success of Comma’s award-winning New Uncanny anthology, The New Abject invites leading authors to respond to two parallel theories of the abject – Julia Kristeva’s theory of the psychoanalytic, intimate abject, and Georges Bataille’s societal equivalent – with visceral stories of modern unease. As we become ever-more isolated by social media bubbles, or the demands for social distancing, our moral gag-reflex is increasingly sensitised, and our ability to tolerate difference, or ‘the other’, atrophies. Like all good horror writing, these stories remind us that exposure to what unsettles us, even in small doses, is always better than pretending it doesn’t exist. After all, we can never be wholly free of that which belongs to us.
With the wit of Marina Lewycka, the piercing observation of Jane Gardam, and the bittersweet charm of Mary Wesley, this will appeal to all who loved Major Pettigrew's Last Stand or The Guernsey Literary and Potato Peel Pie Society. Cecilia Banks has a great deal on her plate. But when her son Ian turns up on her doostep with the unexpected consequence of a brief fling, she feels she has no choice but to take the baby into her life. Cephas's arrival is the latest of many challenges Cecilia has to face. There is the matter of her cancer, for a start, an illness shared with her novelist friend Helen. Then there is Helen herself, whose observations of Cecilia's family life reveal a somewhat ambi...
When Tom is sent to stay at his aunt and uncle's house for the summer, he resigns himself to endless weeks of boredom. As he lies awake in his bed he hears the grandfather clock downstairs strike . . .eleven . . . twelve . . . thirteen . . . Thirteen! Tom races down the stairs and out the back door, into a garden everyone told him wasn't there. In this enchanted thirteenth hour, the garden comes alive - but Tom is never sure whether the children he meets there are real or ghosts . . . This entrancing and magical story is one of the best-loved children's books ever written.
“[Evaristo’s] chef d’oeuvre; a masterful dissection of the life of a 74 year-old, British-Caribbean gay man.” —The Huffington Post * Winner of the Ferro-Grumley Award for LGBT Fiction * A Top Ten Favorite of the American Library Association’s Gay, Lesbian, Bisexual, and Transgender Round Table’s 2015 Over the Rainbow List Barrington Jedidiah Walker is seventy-four and leads a double life. Born and bred in Antigua, he’s lived in Hackney, London, for years. A flamboyant, wisecracking character with a dapper taste in retro suits, and a fondness for Shakespeare, Barrington is a husband, father, grandfather—and also secretly gay lovers with his childhood friend, Morris. His deep...