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Gustav Oppermann, who runs a chain of furniture stores, and the other members of his Jewish family face the terrifying rise of Nazism in Germany.
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This collection of High Modernism among Austrian and German writers includes:--Pogrom and a selection from The Case of Sergeant Grischa by Arnold Zweig--"The Murder of a Buttercup" and a selection from Berlin Alexanderplatz (recently cited as one of the 100 Most Meaningful Books of All Time in a survey that was reported in The Guardian, and made into a landmark multipart television series by Rainer Werner Fassbinder) by Alfred D÷blin--Selections from Jew Snss and The Oppermans by Lion Feuchtwanger--A selection from The Seventh Cross and "Excursion of the Dead Girls" by Anna Seghers>
This comprehensive, authoritative account of tragedy is the culmination of Hans-Thies Lehmann’s groundbreaking contributions to theatre and performance scholarship. It is a major milestone in our understanding of this core foundation of the dramatic arts. From the philosophical roots and theories of tragedy, through its inextricable relationship with drama, to its impact upon post-dramatic forms, this is the definitive work in its field. Lehmann plots a course through the history of dramatic thought, taking in Aristotle, Plato, Seneca, Nietzsche, Heidegger, Lacan, Shakespeare, Schiller, Holderlin, Wagner, Maeterlinck, Yeats, Brecht, Kantor, Heiner Müller and Sarah Kane.
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Embroiled in the political events surrounding World War I and the failed Hungarian revolutions of 1918-19, a number of intellectuals fled Hungary for Germany and Austria, where they essentially created Weimar culture. Among them were Georg Lukács, whose History and Class Consciousness recast Marxism and challenged even those who repudiated its politics; Bela Balázs, who pioneered film theory and collaborated with film-makers G. W. Pabst, Leni Riefenstahl, and Alexander Korda; László Moholy-Nagy, who codirected the Bauhaus during its heyday in the mid-1920s; and Karl Mannheim, whose Ideology and Utopia was the most widely discussed work of noncommunist social theory during the Weimar year...
Antifascist literature repurposed Nazi stereotypes to express opposition. These stereotypes became adaptable ideological signifiers during the political struggles in interwar Germany and Austria, and they remain integral elements in today’s cultural imagination.