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If Ever You're in the Area
Fear of invasion forms the basis of firstsite's latest exhibition and a series of related offsite projects, If Ever You're in the Area, developed by Cambridge-based artist Bettina Furnee. Ongoing, site-specific works on the Suffolk Coast are complemented by gallery works that explore similarities between differing forms of invasion, militaristic and environmental. The encroachment of the sea eroding the cliffs stands alongside the threat of wartime landings. Ideas around fear of attack and rituals of commemoration are explored in small-scale, ephemeral arrangements of objects. Ambiguous titles invite contemplation: Beachhead, Lines of Defence, Plain Sailing, Beached, Lost on the beach and It's a free country. The works consider some of the customs and rites we have devised to endorse and protect ourselves and our morality at important moments of change."
Oral History in the Visual Arts
Interviews are becoming an increasingly dominant research method in art, craft, design, fashion and textile history. This groundbreaking text demonstrates how artists, writers and historians deploy interviews as creative practice, as 'history', and as a means to insights into the micro-practices of arts production and identity that contribute to questions of 'voice', authenticity, and authorship. Through a wide range of case studies from international scholars and practitioners across a variety of fields, the volume maps how oral history interviews contribute to a relational practice that is creative, rigorous and ethically grounded. Oral History in the Visual Arts is essential reading for students, researchers and practitioners across the visual arts.
Public Sculpture of Staffordshire and the Black Country
The "Black Country" is an area historically known as the cradle of the Industrial Revolution—a thriving regioin built around deep coal seams, conjuring up images of fiery red furnaces by night and black, sooty citadels by day. Yet today the resource-rich region also features many striking public sculptures. This volume provides a comprehensive catalog to all of the historic sculptures and public monuments in Staffordshire and the Black Country. George Noszlopy and Fiona Waterhouse catalog each individual sculpture in detail, including information about the sculptor, the sculpture's historical and artistic significance, the commissioning agent, and the date of installation. The volume also features 350 black-and-white photographs that document the diverse and rich beauty of the region's public monuments. The ninth volume in the widely acclaimed, award-winning Public Sculpture of Britain series, Public Sculpture of Staffordshire and the Black Country is an invaluable resource for British historians, art scholars, and travelers alike.
Urban Open Spaces
Brings together extensive research and practical experience to prove the opportunities and benefits of open spaces to society and individuals.
St Peter-On-The-Wall
The Chapel of St Peter-on-the-Wall, built on the ruins of a Roman fort, dates from the mid-seventh century and is one of the oldest largely intact churches in England. It stands in splendid isolation on the shoreline at the mouth of the Blackwater Estuary in Essex, where the land meets and interpenetrates with the sea and the sky. This book brings together contributors from across the arts, humanities and social sciences to uncover the pre-modern contexts and modern resonances of this medieval building and its landscape setting. The impetus for this collection was the recently published designs for a new nuclear power station at Bradwell on Sea, which, if built, would have a significant impa...
Lost Youth in the Global City
Exploration of the ways in which these groups of young people, marked by economic disadvantage and ethnic and religious diversity, have sought to navigate a new urban terrain and, in so doing, have come to see themselves in new ways."--Jacket
Imagine a Metropolis
Cities form an organic development of their own. Underground initiatives give also rise to gradual shifts on the surface. Portrait of Rotterdam and of its creative class, that launched a lot of fruitful initiatives. Cultural entrepreneurs founded theatre and dance groups to do something positive for the community. Artists choose Rotterdam because there is space to work. Survey of activities of the Rotterdam Council and of the permanent cultural battle between Amsterdam and Rotterdam. Rotterdam also is an attractive stage set for flashy television commercials, drama series and films. Review in: Boekman. 19(2007)71(zomer. 106-109).
Suffolk's Defended Shore
Suffolk's Defended Shore presents an illustrated history of the development of military defences on the Suffolk coast using data collected as part of the English Heritage national survey. The survey involved the examination of both modern and historic aerial photographs which led to the creation of a detailed map of the archaeological remains on the county's coast. The results of the survey are dominated by evidence for the military defence of the coast, reflecting the importance of the Suffolk coast in national defence strategies over many years. Extensively illustrated, this book highlights the particular importance of historic aerial photographs which provide a different and unique perspective on the coastal defences constructed in World War II. Photographs taken during and immediately after this war sometimes provide the only visual record of the rapidly evolving defences from this period.
Seeing Comics through Art History
This book explores what the methodologies of Art History might offer Comics Studies, in terms of addressing overlooked aspects of aesthetics, form, materiality, perception and visual style. As well as considering what Art History proposes of comic scholarship, including the questioning of some of its deep-rooted categories and procedures, it also appraises what comics and Comics Studies afford and ask of Art History. This book draws together the work of international scholars applying art-historical methodologies to the study of a range of comic strips, books, cartoons, graphic novels and manga, who, as well as being researchers, are also educators, artists, designers, curators, producers, librarians, editors, and writers, with some undertaking practice-based research. Many are trained art historians, but others come from, have migrated into, or straddle other disciplines, such as Comparative Literature, American Literature, Cultural Studies, Visual Studies, and a range of subjects within Art & Design practice.
Art History for Comics
This book looks at comics through the lens of Art History, examining the past influence of art-historical methodologies on comics scholarship to scope how they can be applied to Comics Studies in the present and future. It unearths how early comics scholars deployed art-historical approaches, including stylistic analysis, iconography, Cultural History and the social history of art, and proposes how such methodologies, updated in light of disciplinary developments within Art History, could be usefully adopted in the study of comics today. Through a series of indicative case studies of British and American comics like Eagle, The Mighty Thor, 2000AD, Escape and Heartbreak Hotel, it argues that art-historical methods better address overlooked aspects of visual and material form. Bringing Art History back into the interdisciplinary nexus of comics scholarship raises some fundamental questions about the categories, frameworks and values underlying contemporary Comics Studies.
