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Debut collection by 2020 Seattle Youth Poet Laureate Bitaniya Giday. The sixth collection in the Seattle Youth Poet Laureate Series, Motherland is a breathtaking exploration of womanhood and blackness framed by family, immigration, and history. Giday blends lyric and experimentation to bring her experiences as a first-generation Ethiopian American to life and asks insightful, difficult questions about how we all experience the world. Her combination of traditional storytelling and contemporary influence infuses her poems with a conscious power wielded to invoke the reader's reflection, consideration, and awareness.
Poetry. LGBTQIA Studies. Ruth Dickey's MURA Award winning poems include many titles of poems in this collection that are lines from poems written by homeless and formerly homeless writers who participated in writing workshops Ruth Dickey founded and led at Miriam's Kitchen in Washington, DC. MUD BLOOMS goes well beyond the ordinary glance to revealing, true, humane, common bonds that may well bring us to the same place. Personal and wrenching, Ruth Dickey's first full length book of poems makes us want to read again.
“A literary experience unlike any I’ve had in recent memory . . . a blueprint for this moment and the next, for where Black folks have been and where they might be going.”—The New York Times Book Review (Editors’ Choice) What does it mean to be Black and alive right now? Kimberly Drew and Jenna Wortham have brought together this collection of work—images, photos, essays, memes, dialogues, recipes, tweets, poetry, and more—to tell the story of the radical, imaginative, provocative, and gorgeous world that Black creators are bringing forth today. The book presents a succession of startling and beautiful pieces that generate an entrancing rhythm: Readers will go from conversations with activists and academics to memes and Instagram posts, from powerful essays to dazzling paintings and insightful infographics. In answering the question of what it means to be Black and alive, Black Futures opens a prismatic vision of possibility for every reader.
This powerful book gives readers a chance to experience Ethiopia through the personal experience of a writer who is both Ethiopian and American. It takes readers beyond headlines and stereotypes to a deeper understanding of the country. This is an absorbing account of the author's return trip to Ethiopia as an adult, having left the country in exile with her family at age 11. She profiles relatives and friends who have remained in Ethiopia, and she writes movingly about Ethiopia's recent past and its ancient history. She offers a clear-eyed analysis of the state of the country today, and her keen observations and personal experience will resonate with readers. This is a unique glimpse into a fascinating African country by a talented writer.
In February 1937, Italy's Fascist occupying forces murdered 19,000 Ethiopians. In a brilliant piece of forensic historical reconstruction, Ian Campbell rescues from obscurity this episode of colonial mass extermination.
A groundbreaking book about the history and principles of Ethiopic (Ge'ez), an African writing system designed as a meaningful and graphic representation of a wide range of knowledge.
In this epic poetry collection Killing Marías, Claudia Castro Luna, both poetically and physically, settles spaces that were unclaimed by Latinas. Her inscription of the disappeared women of Juárez is a live cartographic image of struggle and spiritual survival. Castro Luna does not allow for these dead women to lack agency; they nourish us and the earth, and they speak with their bodies, literally, positioning themselves as recovered entities with agency, in the poet's skilled narrativizing hands.
A moving and riveting epic novel--a family saga, spanning three generations and dealing with their dark and mysterious past, set in an Ethiopian, magical mountainous countryside, in a world of monkeys, goats and spirits.Desta, a seven-year-old boy and Abraham, his middle-aged father, are on separate but parallel missions. The boy dreams of climbing one of the mountains that circle his home to touch the sky and run his fingers through the clouds. Abraham yearns to find his own long lost father. Each faces a series of obstacles and each ultimately realizes his dream, although not in the way he hoped.In the center of this sweeping novel is a 2,800-year old Solomonic gold coin, a family heirloom that went missing along with Desta's vanished grandfather forty years earlier. A symbol of the family's financial success and personal pride, this coin is one of the reasons why Abraham grew up fatherless and why his mother abandoned her farmland estate and came to settle in an isolated, mountainous valley, setting the family saga in motion
If modernism initially came to Africa through colonial contact, what does Ethiopia’s inimitable historical condition—its independence save for five years under Italian occupation—mean for its own modernist tradition? In Modernist Art in Ethiopia—the first book-length study of the topic—Elizabeth W. Giorgis recognizes that her home country’s supposed singularity, particularly as it pertains to its history from 1900 to the present, cannot be conceived outside the broader colonial legacy. She uses the evolution of modernist art in Ethiopia to open up the intellectual, cultural, and political histories of it in a pan-African context. Giorgis explores the varied precedents of the coun...
“Utterly unique . . . examines themes of love, intrusion, loss, community and trust against a backdrop of a Makah reservation in the Pacific Northwest.” —Ms. Magazine Selected as a Staff Pick by The Paris Review Silver Medal winner in the Independent Publisher Book Awards in Multicultural Fiction Fleeing the shattered remains of her marriage and treachery by her sister, a Latina anthropologist named Claudia takes refuge in Neah Bay, a Native whaling village on the jagged Pacific coast. Claudia yearns to lose herself to the songs of the tribe and the secrets of a spirited hoarder named Maggie. Instead, she stumbles into Maggie’s prodigal son Peter, who, spurred by his mother’s faili...