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Modernist Art in Ethiopia
If modernism initially came to Africa through colonial contact, what does Ethiopia’s inimitable historical condition—its independence save for five years under Italian occupation—mean for its own modernist tradition? In Modernist Art in Ethiopia—the first book-length study of the topic—Elizabeth W. Giorgis recognizes that her home country’s supposed singularity, particularly as it pertains to its history from 1900 to the present, cannot be conceived outside the broader colonial legacy. She uses the evolution of modernist art in Ethiopia to open up the intellectual, cultural, and political histories of it in a pan-African context. Giorgis explores the varied precedents of the coun...
Black Land
The first book to explore how African American writing and art engaged with visions of Ethiopia during the late nineteenth and early twentieth centuries As the only African nation, with the exception of Liberia, to remain independent during the colonization of the continent, Ethiopia has long held significance for and captivated the imaginations of African Americans. In Black Land, Nadia Nurhussein delves into nineteenth- and twentieth-century African American artistic and journalistic depictions of Ethiopia, illuminating the increasing tensions and ironies behind cultural celebrations of an African country asserting itself as an imperial power. Nurhussein navigates texts by Walt Whitman, Pa...
The Wife's Tale
A Finalist for The Governor General’s Award for Nonfiction “The extraordinary memoir of a woman who lived through the cataclysmic events that shaped modern Ethiopian history. The narrative, which is lovingly and expertly put together by her granddaughter, is a window into a world that would otherwise be invisible to us.” — Abraham Verghese, author of Cutting for Stone In this indelible memoir that recalls the life of her remarkable ninety-five-year old grandmother, Guardian journalist Aida Edemariam tells the story of modern Ethiopia—a nation that would undergo a tumultuous transformation from feudalism to monarchy to Marxist revolution to democracy, over the course of one century....
Spaces of Commoning
The 18th volume in the Academy of Fine Arts Vienna series, Spaces of Commoning raises unsettling questions about research ethos, accountability, and the entanglement of power and knowledge embedded in Western sciences, arts and architecture. The well-designed, illustrated softcover book gathers over 20 case studies by an international collective of artists, architects and social theorists to investigate the question of commoning practices in Austria, Ethiopia, Greece and across the world. Organized into six sectionsNo Beginnings, Call to Order, Wage Labor and Reproductive Labor, Noise as Border, Bodies and Other Ghosts and Commoning as Horizon the essays explore how social movements are often caught between competing agendas and the gap between agendas and everyday life. It is the sites of these struggles that constitute the Spaces of Commoning. With contributions by artists Moira Hill and CASCO Office, scholar Lisa Lowe, spatial and urban theorists Stavros Stavrides and Stefan Grub, sociologist and art historian Pelin Tan, and architect Julia Wieger, among others.
Salt, Fat, Acid, Heat
Now a Netflix series New York Times Bestseller and Winner of the 2018 James Beard Award for Best General Cookbook and multiple IACP Cookbook Awards Named one of the Best Books of 2017 by: NPR, BuzzFeed, The Atlantic, The Washington Post, Chicago Tribune, Rachel Ray Every Day, San Francisco Chronicle, Vice Munchies, Elle.com, Glamour, Eater, Newsday, Minneapolis Star Tribune, The Seattle Times, Tampa Bay Times, Tasting Table, Modern Farmer, Publishers Weekly, and more. A visionary new master class in cooking that distills decades of professional experience into just four simple elements, from the woman declared "America's next great cooking teacher" by Alice Waters. In the tradition of The Jo...
Travelling Communiqué
The archive of the Photo Service of the President of the Socialist Federal Republic of Yugoslavia contains nearly 300,000 photographs documenting Josip Broz Tito's public and private activities from 1948 until his death in 1980. It is housed today in the Museum of Yugoslav History (MYH) in Belgrade. In 2012, the MYH curatorial staff initiated Travelling Communiqué, a title taken from the first conference of the Non-Aligned Movement in Belgrade in September 1961. It represents an ongoing collective project that opened this summer to the public with an exhibition, a summer school, and a film programme. The working journal is dedicated to the pioneering spirit of the Non-Aligned Movement and to Tito's photo archive.
The Art of Brutalism
While most famously associated with numerous mid-century architects, Brutalism was a style of visual art that was also adopted by painters, sculptors, printmakers, and photographers. Taking into account Brutalist work by eminent artists such as Richard Hamilton and Eduardo Paolozzi, as well as lesser-known practitioners like Nigel Henderson and Magda Cordell, this volume focuses on a ten-year period between 1952 and 1962 when artists refused a programmatic set of aesthetics and began experimenting with images that had no set focal point, using non-traditional materials like bombsite debris in their work, and producing objects that were characterized by wit and energy along with anxiety, trauma, and melancholia. This original study offers insights into how Brutalism enabled British artists of the mid-20th century to respond ethically and aesthetically to the challenges posed by the rise of consumer culture and unbridled technological progress. Published in association with the Paul Mellon Centre for Studies in British Art
Modern Art in Pakistan
Modern Art in Pakistan examines interaction of space, tradition, and history to analyse artistic production in Pakistan from the 1950s to recent times. It traces the evolution of modernism in Pakistan and frames it in a global context in the aftermath of Partition. A masterful insight into South Asian art, this book will interest researchers, scholars, and students of South Asian art and art history, and Pakistan in particular. Further, it will be useful to those engaged in the fields of Islamic studies, museum studies, and modern South Asian history.
The Man Who Killed Apartheid: The Life of Dimitri Tsafendas
On 6 September 1966, inside the House of Assembly in Cape Town, Dimitri Tsafendas stabbed to death Hendrik Verwoerd, South Africa’s Prime Minister and so-called “architect of apartheid”. Tsafendas was immediately arrested and before he had even been questioned by the authorities, they declared him a madman without any political motive for the killing. In the Cape Supreme Court, Tsafendas was found unfit to stand trial on the grounds that he suffered from schizophrenia and that he had no political motive for killing Verwoerd. Tsafendas spent the next 28 years in custody, making him the longest-serving detainee in South African history. For most of his incarnation he was subjected to cru...
Lorna Simpson Collages
"Black women's heads of hair are galaxies unto themselves, solar systems, moonscapes, volcanic interiors." —Elizabeth Alexander, from the Introduction Using advertising photographs of black women (and men) drawn from vintage issues of Ebony and Jet magazines, the exquisite and thought-provoking collages of world-renowned artist Lorna Simpson explore the richly nuanced language of hair. Surreal coiffures made from colorful ink washes, striking geological formations from old textbooks, and other unexpected forms and objects adorn the models to mesmerizingly beautiful effect. Featuring 160 artworks, an artist's statement, and an introduction by poet, author, and scholar Elizabeth Alexander, this volume celebrates the irresistible power of Simpson's visual vernacular.
