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The history of modern architecture as constructed by historians and key texts. Writing, according to Panayotis Tournikiotis, has always exerted a powerful influence on architecture. Indeed, the study of modern architecture cannot be separated from a fascination with the texts that have tried to explain the idea of a new architecture in a new society. During the last forty years, the question of the relationship of architecture to its history—of buildings to books—has been one of the most important themes in debates about the course of modern architecture. Tournikiotis argues that the history of modern architecture tends to be written from the present, projecting back onto the past our cu...
Art museums today face the challenge of opening themselves up as institutions to a changing society. This publication offers new perspectives on museological trends that are developing in various countries and cultures. Through increasingly flexible, inclusive and unexpected museum typologies, institutions aim to give their visitors greater access to art. The essays define the role of the museum as a medium of social change, as a protagonist in an education process and as a technologically innovative platform. Art historians, but also practitioners from the museum world – including curators, architects and psychologists – examine what is expected of art museums using case studies and against the background of the humanities and social sciences.
In December 1788, in the northern Peruvian city of Trujillo, fifty-one-year-old Spanish Bishop Baltasar Jaime Martínez Compañón stood surrounded by twenty-four large wooden crates, each numbered and marked with its final destination of Madrid. The crates contained carefully preserved zoological, botanical, and mineral specimens collected from Trujillo's steamy rainforests, agricultural valleys, rocky sierra, and coastal desert. To accompany this collection, the Bishop had also commissioned from Indian artisans nine volumes of hand-painted images portraying the people, plants, and animals of Trujillo. He imagined that the collection and the watercolors not only would contribute to his ques...
Santa never brings me a banjo And I can never understand why Every Christmas Eve I see it in my dreams But every Christmas morning I cry... The celebrated holiday song from multi-talented and multiple-award-winning Halifax-based roots musician David Myles is now available as a bright and fun children's picture book. Young David writes frantic letters to Santa every year, requesting a banjo, but to no avail: "How does he miss / the one thing on my list / in the letter that I sent to him?" Follow the ups and downs of the holiday season with David, his furry friends, and his family, as he pines for his most-wished-for holiday gift. Featuring illustrations from the animation studio that created the song's well-loved music video, a special holiday message from David Myles, and original sheet music for those who wish to play along, Santa Never Brings Me A Banjo is sure to inspire many a holiday singalong.
It has been polemically argued that the most important aesthetic productions of the twentieth century have not been objects, buildings, or spaces, but exhibitions. There is a curious imbalance, however, between the centrality claimed for exhibitions and their fugitive character--exhibitions collect artifacts, exist briefly, and are then dispersed. Documentary Remains explores what we know of exhibitions through questioning archives, records, documents, and other forms of remains. With exhibition research and curatorial practices gaining increasing prominence as a mode of conceptual and historical thought, this edited volume (based on a conference hosted by Columbia University's Graduate School of Architecture, Planning and Preservation) revisits the stakes of exhibitions as they have developed across the history of architectural modernism as well as their current position within the field.
"In this study of complex beliefs in which Aztec religion and Spanish Catholicism blend, Lafaye demonstrates the importance of religious beliefs in the formation of the Mexican nation. Far from being of only parochial interest, this volume is of great value to any historian of religions concerned with problems of nativism and syncretism."—Franke J. Neumann, Religious Studies Review
A lively survey of a critical period of Latin American art.
"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all. So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, The End of the History of Art?. "Known for his striking and original theories about the nature of art," according to the Economist, Belting here examines how art is made, viewed, and interpreted today. Arguing that contemporary art has burst out of the frame that art history had built for it, Belting calls for an...
It is really hard to find quality Christmas material for jazz ensemble that doesn't require a long time to prepare. Well, here it is! Carl Strommen has arranged a solid medley of all-time favorite Christmas carols in a variety of jazz styles and tempos. You will hear THE TWELVE DAYS OF CHRISTMAS, JINGLE BELLS, O COME, ALL YE FAITHFUL, and WE THREE KINGS. This is the only Christmas arrangement you will need this year! (5: 47)