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In Exegesis of the Human Heart Andrew J. Summerson explores how Maximus the Confessor uses biblical interpretation to develop an account of human passibility, from fallen human passions to perfected human emotions among the divinized. This book features Maximus’s role as a creative interpreter of tradition. Maximus inherits Christian thinking on emotion, which revises Stoic and Platonic thought according to biblical categories. Through a close reading of Quaestiones ad Thalassium and a wide selection of Maximus’s works, Andrew J. Summerson shows that Maximus understands human emotion in an exegetical milieu and that Maximus places human emotion at the heart of his soteriology. Christ redeems passibility so the divinized can enjoy perfected emotional activity in the ever-moving repose of eternal life.
Manoscritti di età bizantina tramandano liste di autori greci di eccellenza o canoni nei diversi generi letterari e scientifico-filosofici, ma ne è mancata una ricerca su natura, cronologia, origine, formazione, uso. Il volume Παραδείγματα, termine con cui i testi retorici designano i canoni, dà una nuova edizione critica di queste liste come base degli argomenti trattati. Una delle liste, ritenuta finora unitaria, risulta composta da due liste in origine indipendenti e diacroniche, poi congiunte in una sola: una più antica, risalente almeno in parte alla filologia alessandrina, e un’altra forse del V-VI secolo d. C. con aggiunte fino al IX, formatasi tra Alessandria e Cost...
This book argues that the rediscovery of mystical theology in nineteenth-century Germany not only helped inspire idealism and romanticism, but also planted the seeds of their overcoming by way of critical materialism. Thanks in part to the Neoplatonic turn in the works of J. G. Fichte, as well as the enthusiasm of mining engineer Franz X. von Baader, mystical themes gained a critical currency, and mystical texts returned to circulation. This reawakening of the mystical tradition influenced romantic and idealist thinkers such as Novalis and Hegel, and also shaped later critical interventions by Marx, Benjamin, and Bataille. Rather than rehearsing well-known connections to Swedenborg or Böhme, this study goes back further to the works of Meister Eckhart, Nicholas of Cusa, Catherine of Siena, and Angela of Foligno. The book offers a new perspective on the reception of mystical self-interrogation in nineteenth-century German thought and will appeal to scholars of philosophy, history, theology, and religious studies.
Through a study of his second largest work, explores the role of Maximus (580-662) as an important philosopher-theologian in the Byzantine monastic tradition, and how that is related to his role as teacher and spiritual advisor. Excerpts of the Thalassius Annotation copyrighted by Book News, Inc., Portland, OR
Nicholas of Cusa (1401-1464) was active during the Renaissance, developing adventurous ideas even while serving as a churchman. The religious issues with which he engaged – spiritual, apocalyptic and institutional – were to play out in the Reformation. These essays reflect the interests of Cusanus but also those of Gerald Christianson, who has studied church history, the Renaissance and the Reformation. The book places Nicholas into his times but also looks at his later reception. The first part addresses institutional issues, including Schism, conciliarism, indulgences and the possibility of dialogue with Muslims. The second treats theological and philosophical themes, including nominalism, time, faith, religious metaphor, and prediction of the end times.
This new edition of Six Simple Twists: The Pleat Pattern Approach to Origami Tessellation Design introduces an innovative pleat pattern technique for origami designs that is easily accessible to anyone who enjoys the geometry of paper. The book begins with six basic forms meant to ease the reader into the style, and then systematically scaffolds the instructions to build a strong understanding of the techniques, leading to instructions on a limitless number of patterns. It then describes a process of designing additional building blocks. At the end, what emerges is a fascinating artform that will enrich folders for many years. Unlike standard, project-based origami books, Six Simple Twists f...
This handbook brings together forty chapters on the antecedents, the content, and the reception of the Dionysian corpus, a body of writings falsely ascribed to Dionysius the Areopagite, a convert of St. Paul, but actually written in around 500 A.D.