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Pantheon Magazine
  • Language: en
  • Pages: 122

Pantheon Magazine

Fiction and poetry by: Sandra Odell, Jen Finelli, Charles Kell, Britny C. Doane, Lorraine Schein, G.D. Watry, Tim Major, Michael Paul Gonzalez, D. Morgan Ballmer, Sarah Lyn Eaton, Amelia Searight, Repo Kempt, Victorya Chase

Descendants of William Cromartie and Ruhamah Doane
  • Language: en
  • Pages: 797

Descendants of William Cromartie and Ruhamah Doane

This ambitious work chronicles 250 years of the Cromartie family genealogical history. Included in the index of nearly fifty thousand names are the current generations, and all of those preceding, which trace ancestry to our family patriarch, William Cromartie, who was born in 1731 in Orkney, Scotland, and his second wife, Ruhamah Doane, who was born in 1745. Arriving in America in 1758, William Cromartie settled and developed a plantation on South River, a tributary of the Cape Fear near Wilmington, North Carolina. On April 2, 1766, William married Ruhamah Doane, a fifth-generation descendant of a Mayflower passenger to Plymouth, Stephen Hopkins. If Cromartie is your last name or that of on...

The Athenaeum
  • Language: en
  • Pages: 1376

The Athenaeum

  • Type: Book
  • -
  • Published: 1849
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  • Publisher: Unknown

None

Official Congressional Directory
  • Language: en
  • Pages: 1272

Official Congressional Directory

  • Type: Book
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  • Published: 2013
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  • Publisher: Unknown

None

Athenaeum and Literary Chronicle
  • Language: en
  • Pages: 1392

Athenaeum and Literary Chronicle

  • Type: Book
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  • Published: 1849
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  • Publisher: Unknown

None

Pure-bred Dogs, American Kennel Gazette
  • Language: en
  • Pages: 1210

Pure-bred Dogs, American Kennel Gazette

  • Type: Book
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  • Published: 1981
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  • Publisher: Unknown

None

Irish Names and Surnames
  • Language: en

Irish Names and Surnames

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Toward Sustainable Agricultural Systems in the 21st Century
  • Language: en
  • Pages: 598

Toward Sustainable Agricultural Systems in the 21st Century

In the last 20 years, there has been a remarkable emergence of innovations and technological advances that are generating promising changes and opportunities for sustainable agriculture, yet at the same time the agricultural sector worldwide faces numerous daunting challenges. Not only is the agricultural sector expected to produce adequate food, fiber, and feed, and contribute to biofuels to meet the needs of a rising global population, it is expected to do so under increasingly scarce natural resources and climate change. Growing awareness of the unintended impacts associated with some agricultural production practices has led to heightened societal expectations for improved environmental,...

Report of the Secretary of the Senate from ...
  • Language: en
  • Pages: 1514

Report of the Secretary of the Senate from ...

  • Type: Book
  • -
  • Published: 1992
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  • Publisher: Unknown

None

High-Tech Trash
  • Language: en
  • Pages: 252

High-Tech Trash

​A free ebook version of this title will be available through Luminos, University of California Press’ Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. High-Tech Trash analyzes creative strategies in glitch, noise, and error to chart the development of an aesthetic paradigm rooted in failure. Carolyn L. Kane explores how technologically influenced creative practices, primarily from the second half of the twentieth and first quarter of the twenty-first centuries, critically offset a broader culture of pervasive risk and discontent. In so doing, she questions how we continue onward, striving to do better and acquire more, despite inevitable disappointment. High-Tech Trash speaks to a paradox in contemporary society in which failure is disavowed yet necessary for technological innovation.