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After the global hit Ars Sacra, Rolf Toman and his team embark on a journey once more. The famous French cathedrals of Chartres, Reims and Laon are not the only highlights of this volume. Outstanding treasures of medieval imagery such as religious panel paintings, Madonna statues, illumination and goldsmith art; courtly culture also gets attention. With his passion and meticulousness, photographer Achim Bednorz succeeded to get details in front of his camera that cannot even be perceived on the original locally. The photographs that are exclusive for this volume are particularly well-presented in their large format. The author Bruno Klein wrote his take on Gothic history to fit, and swiftly takes the reader into a past medieval world almost forgotten. SELLING POINTS: Completely new breath-taking photographs by Achim Bednorz The composition will pull the reader into the book emotionally Completely new texts by the editor of bestseller Ars Sacra (Rolf Toman) Contains the most current scientific knowledge on the topic Lavish layout and high quality look like Ars Sacra 800 photographs
Gothic style and contemporary architecture worldwide Although largely overlooked in studies of architectural history, church architecture in a Gothic idiom outlived its 19th century momentum to persist worldwide throughout the 20th century and into the new millennium. Global Gothic presents a first systematic worldwide understanding of "Gothic" in contemporary architecture, both as a distinct variation and as a competitor to recognized modern styles. The book’s chapters critically discuss Gothic’s various manifestations over the past century, describing and illustrating approaches from Gothic Revival living traditions in the former British Empire and original Gothic appropriation in Lati...
In 1932, Benno Weiser was studying medicine in Vienna. During a brawl he rescued a fellow Jewish student by cracking the skull of a huge Nazi with two outsized metal keys, while some thirty Nazis watched. He considers this event his rite of passage — proving to himself that “Jews are no cowards.” Life would give him many an opportunity to prove it again. A Jewish Rambo? Not at all. Fellow Viennese remember him for making them laugh. He wrote, directed, and performed in literary cabarets. “All I could take along from Nazi Vienna,” writes Weiser Varon, “was my accent.” But he also exported his fighting spirit. As Ecuador’s first syndicated columnist, blending drama with satire,...
This volume engages with notions of lateness and modernity in medieval architecture, broadly conceived geographically, temporally, methodologically, and theoretically. It aims to (re)situate secular and religious buildings from the 14th through the 16th centuries that are indebted to medieval building practices and designs, within the more established narratives of art and architectural history.
If this doesn’t move you, I suggest you check your pulse.' –John Kay, frontman of Steppenwolf (born in East Prussia in 1944) Told by the children who survived, these stories could well be the last eyewitness report of the aftermath of the Second World War. As the land where they once lived was integrated into the Eastern Bloc, their accounts remained hushed until after the Iron Curtain fell. Now, in The Wolf Children of the Eastern Front, they break their silence. During the bitter winter months of 1944-45, hundreds of thousands of Germans fled East Prussia from an advancing Red Army. With sometimes only minutes’ notice, families escaped in horse-drawn carriages, or they simply ran on ...
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The twenty-four studies in this volume propose a new approach to framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women, moving beyond today’s standard division of artist from patron.
A new view on the various possibilities to experience and to perceive the Holy Roman Empire in the late medieval imperial cities Augsburg, Nürnberg und Lübeck. Einen neuen Blick auf die Möglichkeiten, das Reich in den spätmittelalterlichen Reichsstädten Augsburg, Nürnberg und Lübeck zu erfahren und wahrzunehmen.
Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.