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Suite
  • Language: it
  • Pages: 62

Suite

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Carles Batlle (1995-2019).
  • Language: ca
  • Pages: 510

Carles Batlle (1995-2019).

  • Type: Book
  • -
  • Published: 2020
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  • Publisher: Unknown

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Nocturn : andante morat ; Silenci
  • Language: ca
  • Pages: 192

Nocturn : andante morat ; Silenci

  • Type: Book
  • -
  • Published: 2012
  • -
  • Publisher: Unknown

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Transit
  • Language: de
  • Pages: 133

Transit

  • Type: Book
  • -
  • Published: 2007
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  • Publisher: Unknown

None

In the Eye of the Storm
  • Language: en
  • Pages: 413

In the Eye of the Storm

"Barcelona, the cultural epicenter of Catalunya, is presently experiencing the most dynamic and polemical period in its modern theater history. It is the commanding hub of an energetic theater scene that in recent years has witnessed an exuberant outpouring of new dramatists, a steady crescendo in theater attendance, and a continual increase in the international presence of Catalan directors, playwrights, and companies. Barcelona's post-Olympian cultural landscape, moreover, comprises several architecturally striking theater projects. The diversity of opportunities to stage plays in Catalan at an assortment of city spaces is unprecedented, ranging in variety from commercial locales to public...

Zoom
  • Language: ca
  • Pages: 122

Zoom

  • Type: Book
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  • Published: 2010
  • -
  • Publisher: Unknown

None

Still life (Monroe-Lamarr)
  • Language: ca
  • Pages: 144

Still life (Monroe-Lamarr)

  • Type: Book
  • -
  • Published: 2020
  • -
  • Publisher: Unknown

None

Sergi Belbel and Catalan Theatre
  • Language: en
  • Pages: 232

Sergi Belbel and Catalan Theatre

A major contemporary playwright and director. By the late 1970s, internationally known performance groups such as Els Joglars, La Fura dels Baus or La Cubana had precipitated a decline in text-based Catalan theatre, reversed in the mid 1980s with the appearance of a younger generation of playwrights led by Sergi Belbel. Influenced by contemporary European rather than Spanish or Catalan drama, his work was very different from the realist idiom favoured by playwrights of the Franco generation. Butplaywriting is only one aspect of Belbel's work as a theatre practitioner. He also has a highly successful career as a director of Spanish, Catalan and foreign plays [a number of which he himself has translated], and, since 2006, he has held the position of Artistic Director of the National Theatre of Catalonia. This study examines these three key aspects of his career, as well as Ventura Pons's film adaptations of his plays. Finally, it considersthe reception of his plays in several countries, analysing his evolving relationship with critics at home and abroad. DAVID GEORGE is Professor of Hispanic Studies at Swansea University.

Modeling and Control of Complex Physical Systems
  • Language: en
  • Pages: 423

Modeling and Control of Complex Physical Systems

Energy exchange is a major foundation of the dynamics of physical systems, and, hence, in the study of complex multi-domain systems, methodologies that explicitly describe the topology of energy exchanges are instrumental in structuring the modeling and the computation of the system's dynamics and its control. This book is the outcome of the European Project "Geoplex" (FP5 IST-2001-34166) that studied and extended such system modeling and control methodologies. This unique book starts from the basic concept of port-based modeling, and extends it to port-Hamiltonian systems. This generic paradigm is applied to various physical domains, showing its power and unifying flexibility for real multi-domain systems.

The Aesthetics of the Ephemeral
  • Language: en
  • Pages: 296

The Aesthetics of the Ephemeral

In The Aesthetics of the Ephemeral, Jennifer Duprey examines five contemporary plays from Barcelona: Olors and Testament by Josep Maria Benet i Jornet, Antígona by Jordi Coca, Forasters by Sergi Belbel, and Temptació by Carles Batlle. She argues that in both the theatrical text and its performance an aesthetics of the ephemeral materializes that is related to specific manifestations of cultural and historical memory in Spain and Catalonia. These manifestations of memory include historical concerns such as the possibility of another form of justice in predicaments of violence after the Civil War, and they also include contemporary issues such as the production of ruins by the processes of gentrification in Barcelona, the complexity of immigration in Spain, and the destruction or preservation of Catalan cultural legacies. In her analysis of these topics, Duprey engages and expands on theories related to questions of subjectivity and identity in late modernity. This book will be of interest to those concerned with Iberian cultural studies and with how theater reflects on and contributes to contemporary political dialogue.