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This collection of critical essays explores how contemporary British authors engage with the theme of crisis in their fiction. Of interest to scholars and students of literary and cultural studies, this volume investigates crisis as a complex phenomenon: not only as a cultural concept involving sociopolitical systems but also as a mode of challenge to established power structures and modes of representation across narrative traditions. Through the examination of a variety of leading authors such as Kazuo Ishiguro, and award-winning texts like Julian Barnes’ The Sense of an Ending (2011), this collection foregrounds the theme of crisis as a critical commonality emerging among vastly different stylistic expressions of local and global concerns. Bringing together a variety of scholars from Germany, Italy, Greece, the UK and the US, this collection provides diverse disciplinary perspectives and highlights the significance of social and ethical concerns in contemporary British fiction through the investigation of the theme of crisis.
At a time when migration is mostly discussed in terms of “conflict” and “crisis”, it is decidedly important to acknowledge the discursive traditions, narrative patterns, and conceptual categories that continue to inform how migration is represented, analyzed and theorized in contemporary Europe. This volume focuses on the potential of artistic and critical practices to challenge hegemonic framings of migration and embrace the ambivalence inherent in migration as a conflictual, often violent, yet also liberating uprooting. By placing special emphasis on “peripheral” perspectives and subject positions, the volume provides new insights into topics such as belonging and exclusion, the “migrant crisis”, and memory. By bringing into dialogue creative practices and academic discourses, it explores how new modes of seeing and theorizing may emerge through experiences and representations of migration. Situated within the field of literary and cultural studies, it complements historical and social analyses in the emerging interdisciplinary field of migration studies.
In Crisis Cultures: Narratives of Western Modernity in the Digital Age, Nicholas Manganas argues that crisis should be understood not as a series of isolated events, but as a constitutive state intrinsic to modern Western societies. He explores how this perpetual state of crisis intensifies underlying societal tensions and reshapes cultural and political dynamics. Drawing on a diverse range of case studies, including the Capitol Hill riots in the United States, and analyses from countries such as Spain and Greece, Manganas explores how both digital and traditional media perpetuate crisis narratives that significantly influence contemporary cultural identities and shape political discourses. His analysis also engages with the emotional and temporal aspects of crises, particularly focusing on how digital environments, through their ambient influence, shape and sustain these states of crisis. By reinterpreting the concept of crisis through an interdisciplinary lens that includes historical, political and cultural analysis, the author offers a compelling analysis of its role in shaping the present and futures contours of Western societies.
The volume examines from a comparative perspective the phenomenon of aesthetic disruption within the various arts in contemporary culture. It assumes that the political potential of contemporary art is not solely derived from presenting its audiences with openly political content, but rather from creating a space of perception and interaction using formal means: a space that makes hegemonic structures of action and communication observable, thus problematizing their self-evidence. The contributions conceptualize historical and contemporary politics of form in the media, which aim to be more than mere shock strategies, which are concerned not just with the ‘narcissistic’ exhibition of art...
Thinking about the Enlightenment looks beyond the current parameters of studying the Enlightenment, to the issues that can be understood by reflecting on the period in a broader context. Each of the thirteen original chapters, by an international and interdisciplinary team of contributors, illustrates the problematic legacy of the Enlightenment and the continued ramifications of its thinking since the eighteenth century. Together, they consider whether modernity can see its roots in the intellectual revolution of the seventeenth and eighteenth centuries. The collection is divided into six sections, preceded by a comprehensive introduction to the field and the most recent scholarship on the p...
The Routledge Companion to Literatures and Crisis provides deep insight into a complex and multi-layered phenomenon. The third decade of the twenty-first century is being marked by a polycrisis caused by various world crises, such as the COVID-19 pandemic, armed conflicts and climate change leading to economic, geopolitical, environmental, health and security crises. Featuring 42 chapters, the collection examines crises through literary texts in relation to the environment, finance, migration and diaspora, war, human rights, values and identity, health, politics, terrorism and technology. It illuminates the many faces of the current permacrisis as well as the multifarious crises of the past ...
Destroying human habitat and taking human lives, disasters, be they natural, man-made, or a combination, threaten large populations, even entire nations and societies. They also disrupt the existing order and cause discontinuity in our sense of self and our perceptions of the world. To restore order, not only must human beings be rescued and affected areas rebuilt, but the reality of the catastrophe must also be transformed into narrative. The essays in this collection examine representations of disaster in literature, film, and mass media in German and international contexts, exploring the nexus between disruption and recovery through narrative from the eighteenth century to the present. To...
Contrary to what might be expected from a philosophical novel, Sterne and Diderot do not impose their own views upon the reader. The author’s voice is but one amongst many others. Margaux Whiskin’s argument hinges on Bakhtinian dialogism, which can be defined as the presence of interacting voices and views. In Tristram Shandy and Jacques le fataliste, dialogism occurs through the narrative structure allowing for the confrontation of the contradictory discourses in the philosophical debates, and enabling them to engage in dialogue, instead of establishing the authorial voice as the sole valid discourse in the text. Through those contradictions, the philosophical content takes on a differe...
The book presents Winfried Georg Sebald and Ian McEwan as paradigmatic post-imperial writers who enmeshed in the hierarchies of power inherited from their imperial times, strive to disentangle themselves from that burdensome legacy. To achieve this, they undertake a subtle detachment from the analogously implicated subject positions of their protagonists. In Sebald’s works, these positions are closer to the historical victims of the Third Reich who used to suppress their past experiences, whereas in McEwan’s works, they incline toward the systemic ‘beneficiaries’ of the British Empire who used to overlook their present privileges. However, in distinction to their protagonists’ denied involvements, both authors recognize their implication in their protagonists’ pasts and presents. Such a detachment from familiar protagonists requires the consent of unknown and scattered readers with whom they forge a long-distance solidarity, connective association or complicitous alliance. Thus, to exempt themselves from one complicity, they enter another one.
How German Jews used photographs to document their experiences in the face of National Socialism Still Lives is a systematic study of the ways Jews used photographs to document their experiences in the face of National Socialism. In a time of intensifying anti-Jewish rhetoric and policies, German Jews documented their lives and their environment in tens of thousands of photographs. German Jews of considerably diverse backgrounds took and preserved these photographs: professional and amateurs, of different ages, gender, and classes. The book argues that their previously overlooked photographs convey otherwise unuttered views, emotions, and self-perceptions. Based on a database of more than fi...