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Singing for Equality
Before the American Civil War, men and women who imagined a multiracial American society (social visionaries) included Protestant sacred music in their speeches and writings. Music affirmed the humanity and equality of Indians, whites and blacks and validated blacks and Indians as Americans. In contrast to dominant voices of white racial privilege, social visionaries criticized republican hypocrisy and Christian hypocrisy. Many social visionaries wrote hymns, transcending racial lines and creating a sense of equality among singers and their audience. Singing and reading Protestant sacred music encouraged community formation that led to American human rights activism in the 19th and 20th centuries.
Theology, Music, and Modernity
Theology, Music, and Modernity addresses the question: how can the study of music contribute to a theological reading of modernity? It has grown out of the conviction that music has often been ignored in narrations of modernity's theological struggles. Featuring contributions from an international team of distinguished theologians, musicologists, and music theorists, the volume shows how music--and discourse about music--has remarkable powers to bring to light the theological currents that have shaped modern culture. It focuses on the concept of freedom, concentrating on the years 1740-1850, a period when freedom--especially religious and political freedom-became a burning matter of concern ...
Servanthood of Song
Servanthood of Song is a history of American church music from the colonial era to the present. Its focus is on the institutional and societal pressures that have shaped church song and have led us directly to where we are today. The gulf which separates advocates of traditional and contemporary worship—Black and White, Protestant and Catholic—is not new. History repeatedly shows us that ministry, to be effective, must meet the needs of the entire worshiping community, not just one segment, age group, or class. Servanthood of Song provides a historical context for trends in contemporary worship in the United States and suggests that the current polemical divisions between advocates of co...
Sanctuary Cinema
Sanctuary Cinema provides the first history of the origins of the Christian film industry. Focusing on the early days of film during the silent era, it traces the ways in which the Church came to adopt film making as a way of conveying the Christian message to adherents. Surprisingly, rather than separating themselves from Hollywood or the American entertainment culture, early Christian film makers embraced Hollywood cinematic techniques and often populated their films with attractive actors and actresses. But they communicated their sectarian message effectively to believers, and helped to shape subsequent understandings of the Gospel message, which had historically been almost exclusively verbal, not communicated through visual media. -- Publisher's Description.
Freedom in the Wilds
Harold Weston's Freedom in the Wilds brings an informal history of the rugged Adirondack wilderness together with Weston’s own adventures there as an artist. The vivid and spirited stories he gathered from guides, lumbermen, and visionaries continue to make the case for preserving the wild lands of the region. First published in 1971, the book became a classic of Adirondack literature notable for its exploration of the dynamic relationship between wilderness and creativity and its ever more relevant appeal to protect an area within ourselves forever wild. In this third edition, Rebecca Foster brings Weston’s fascinating personal story to the foreground. A new section of the book with excerpts from Weston’s rich storehouse of letters and diaries will be a revelation to fans of Weston’s work or for anyone interested in the growth of an impassioned, artistic mind. Here too are new illustrations, explanatory notes, and an introduction tracing the irrepressible energy behind Weston’s accomplishments, including the writings in this book.
My Old Kentucky Home
"The sun shines bright in the old Kentucky home." So begins an American standard, first published as a minstrel song, that became dear to the hearts of millions and ultimately was enshrined as the Kentucky Derby's sonic centerpiece—a popular selling point for Kentucky tourism. Emily Bingham's masterful decoding of Stephen Foster's 1853 ballad reveals that the song was always about slavery and how white Americans wanted to remember it. Acknowledging her own entanglement in this legacy, Bingham takes readers on the journey of a melody, from its inception by a white northerner, to its enormous success on the blackface circuit, in recordings by Al Jolson and Bing Crosby, and on the pages of Ma...
Church and Worship Music
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Watching Yute
Leftenent Cassidy Stanton just wanted a new start after her girlfriend dumped her. At her new desert post, she didn't look for a new love, but it found her. Unfortunately a microscopic invader and men with dark agendas result in a devastating loss, and send Cassidy into a downward spiral, armed prerogative over life and death.
2013
Every year, the Bibliography catalogues the most important new publications, historiographical monographs, and journal articles throughout the world, extending from prehistory and ancient history to the most recent contemporary historical studies. Within the systematic classification according to epoch, region, and historical discipline, works are also listed according to author’s name and characteristic keywords in their title.
Wild
'One of the best books I've read in the last five or ten years... Wild is angry, brave, sad, self-knowing, redemptive, raw, compelling, and brilliantly written, and I think it's destined to be loved by a lot of people, men and women, for a very long time.' Nick Hornby
