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A young man arrives in England in the 1930s, knowing few words of the English language. Yet, two years later he writes a successful English book on Chinese art, and within the following decade publishes more than a dozen others. This is the true story of Chiang Yee, a renowned writer, artist, and worldwide traveler, best known for the Silent Traveller series--stories of England, the United States, Ireland, France, Japan, and Australia--all written in his humorous, delightfully refreshing, and enlightening literary style. This biography is more than a recounting of extraordinary accomplishments. It also embraces the transatlantic life experience of Yee who traveled from China to England and t...
Chiang Yee's account of London, first published in 1938, is original in more ways than one. Not only one of the first widely available books written by a Chinese author in English, it also reverses the conventions of travel writing. For here the "exotic" subject matter is none other than London and its people, quizzically observed as an alien culture by a foreign writer.
In 1940 the Chinese writer Chiang Yee arrived in Oxford as a refugee from the London Blitz, his lodgings having been bombed. He came to Oxford, he writes, in rather a turmoil. What was meant to be a brief escape turned into a five-year stay, an affectionate relationship with the city, and the fifth in the hugely successful Silent Traveller series. Looking at the city and its historic university with the curiosity and openness of a complete stranger, Chiang Yee paints a revealing picture of Oxford's particular atmosphere, its rituals and traditions. He mixes with undergraduates and dons, visits pubs and restaurants, witnesses Union debates and punting on the river, all with a gentle astonishment and perceptive eye for detail. Chiang Yee explores the colleges and other student haunts, but also the city and its surrounds, from Port Meadow to Headington and Hinksey. First published in 1944, The Silent Traveller in Oxford evokes a wartime city of shortages and blackouts. It also captures an earlier age of university life, when students drank sherry and scaled college walls to escape prowling Bulldogs. Throughout Chiang Yee draws parallels between Oxford and his native China, compari
This book, Chiang Yee and His Circle: Chinese Artistic and Intellectual Life in Britain, 1930-1950, celebrates the life and work of Chiang Yee (1903-1977), a Chinese writer, poet, and painter who made his home in London, England during the 1930s and 1940s. It examines Chiang's relationship with his circle of friends and colleagues in the English capital, and assesses the work he produced during his sojourn there. This edited volume, with contributions from ele.
This is the classic introduction to Chinese calligraphy. In nine richly illustrated chapters Chang explores the aesthetics and the technique of this art in which rhythm, line, and structure are perfectly embodied.
Chiang Yee was exiled from his homeland of China for over 40 years, during which time he wrote and illustrated a number of travel classics. 'The Silent Traveller' series, which also includes titles on London and Edinburgh, began with this book about the Lake District.
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Chiang Yee’s Chinese Calligraphy: An Introduction to Its Aesthetic and Technique remains the classic introduction to Chinese calligraphy. In eleven richly illustrated chapters, Chiang explores the aesthetics and the technique of this art in which rhythm, line, and structure are perfectly embodied. He measures the slow change from pictograph to stroke to the style and shape of written characters by the great calligraphers. In addition to aesthetic considerations, the text deals with more practical subjects such as the origin and construction of the Chinese characters, styles, technique, strokes, composition, training, and the relations between calligraphy and other forms of Chinese art. Chinese Calligraphy is a superb appreciation of beauty in the movement of strokes and in the patterns of structure—and an inspiration to amateurs as well as professionals interested in the decorative arts.
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