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A White Rose at Midnight
On the cusp of independence, cultures collide in a bedroom in Singapore. As the Vietnam War rages on, the English-educated scholar Lee Hua Min—“the finest product of the University”—finds himself hopelessly disillusioned. Enter Wong Ching Mei, a Chinese-educated former nightclub singer seeking to enrol in Nanyang University. Mirroring the intense tussles between the English- and Chinese-speaking during Singapore’s formative years, Hua Min and Ching Mei trade ferocious barbs even as they are inexplicably drawn to each other. When Su-Ling, Hua Min’s ex-classmate, returns from London, Hua Min is torn between their advances and the extremely different worlds they inhabit. Humorous, witty and prescient, A White Rose At Midnight is a pithy portrait of a soul—and nation—divided. A White Rose At Midnight was first staged to critical acclaim by the Experimental Theatre Club in 1964. It was pioneer playwright Lim Chor Pee’s second and final play after the landmark Mimi Fan (1962). In 2014, Centre 42 mounted a partial dramatised reading of the play.
Mimi Fan
Selected by The Straits Times as a Classic Singapore Play in 2014 The swinging 1960s. A nightclub in Singapore. A one night stand that turns into true love. Or not? In Mimi Fan, Singapore playwright Lim Chor Pee weaves together a haunting tale about love, escapism and broken hearts searching for healing. Through the story of a teenage bar girl, Mimi Fan, whose destiny clashes with Chan Fei-Loong, an English-educated overseas Singaporean who has returned home to work, Lim brings to the fore some undeniable and searing truths: true love requires courage, it can be painful, and it can haunt you, despite your best efforts to ignore it. Written by Singapore’s pioneer playwright Lim Chor Pee in 1962, Mimi Fan is considered Singapore’s first English-language play written by a local. It was first staged by the Experimental Theatre Club in 1962 and then restaged by Theatreworks in 1990.
Mimi Fan
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An Unexpected Journey
This engrossing and engaging book tells the story of Singapore¿s President S.R. Nathan in his own words. It takes readers on a journey from Nathan¿s modest beginnings and his life as a runaway in Singapore and Malaya, through his experiences of the Japanese occupation, the birth of Singapore¿s modern trade union movement, and his time as Permanent Secretary, Executive Chairman of the Straits Times newspaper for a number of years, Singapore¿s High Commissioner in Malaysia, and as Ambassador to the United States, to the Presidential elections in 1999 and his tenure as Singapore¿s longest-serving President.
Denationalizing Identities
Denationalizing Identities explores the relationship between performance and ideology in the global Sinosphere. Wah Guan Lim's study of four important diasporic director-playwrights—Gao Xingjian, Stan Lai Sheng-chuan, Danny Yung Ning Tsun, and Kuo Pao Kun—shows the impact of theater on ideas of "Chineseness" across China, Taiwan, Hong Kong, and Singapore. At the height of the Cold War, the "Bamboo Curtain" divided the "two Chinas" across the Taiwan Strait. Meanwhile, Hong Kong prepared for its handover to the People's Republic of China and Singapore rethought Chinese education. As geopolitical tensions imposed ethno-nationalist identities across the region, these four dramatists wove together local, foreign, and Chinese elements in their art, challenging mainland China's narrative of an inevitable communist outcome. By performing cultural identities alternative to the ones sanctioned by their own states, they debunked notions of a unified Chineseness. Denationalizing Identities highlights the key role theater and performance played in circulating people and ideas across the Chinese-speaking world, well before cross-strait relations began to thaw.
The World Encyclopedia of Contemporary Theatre
This volume featrues over 250,000 words and more than 125 photographs identifying and defining theatre in more than 30 countries from India to Uzbekistan, from Thailand to New Zealand and featuring extensive documentation on contemporary Chinese, Japanese, Indian and Australian theatre.
The American Bar
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Sisters & Senang
The Sisters Islands and Pulau Senang: two satellite islands off the coast of Singapore, small but rich in story. This volume brings together two remarkable plays by Jean Tay, Sisters and Senang, which explore these two islands through turbulent events in the 1960s. Sisters: The Untold Stories of the Sisters Islands blends a real-life murder with creation myth. The play alternates between two stories: one of Mina and Lina, the two sisters upon which the myth of the Sisters Islands is supposedly based; and the other of the shocking case in 1965 of Jenny Cheok, killed by her boyfriend Sunny Ang, which also involved her half-sister Irene. Senang covers the prison riots on Pulau Senang in 1963. The island was used for a bold experiment, led by Superintendent Daniel Dutton, an Irishman who believed he could reform the inmates through labour, and abolished the use of arms to police them. This is one man’s attempt to create a utopian penal colony, which tragically led to his violent end. “Jean Tay is one of the most gifted playwrights I have come across in years.” —Gaurav Kripalani, Artistic Director, Singapore Repertory Theatre
The Routledge Concise History of Southeast Asian Writing in English
The Routledge Concise History of Southeast Asian Writing in English traces the development of literature in the region within its historical and cultural contexts, establishing connections from the colonial activity of the early modern period through to contemporary writing across nations such as Thailand, China, Malaya, Singapore and Hong Kong.
