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Out Here
A remarkable anthology of queer New Zealand voices. We became teenagers in the nineties when New Zealand felt a lot less cool about queerness and gender felt much more rigid. We knew instinctively that hiding was the safest strategy. But how to find your community if you're hidden? Aotearoa is a land of extraordinary queer writers, many of whom have contributed to our rich literary history. But you wouldn't know it. Decades of erasure and homophobia have rendered some of our most powerful writing invisible. Out Here will change that. This landmark book brings together and celebrates queer New Zealand writers from across the gender and LGBTQIA+ spectrum with a generous selection of poetry, fiction, creative nonfiction, and much, much more. From established names to electrifying newcomers, the cacophony of voices brought together in Out Here sing out loud and proud, ensuring that future generations of queers are afforded the space to tell their stories and be themselves without fear of retribution or harm.
How to Be Dead in a Year of Snakes
In 1905, white supremacist Lionel Terry murdered the Cantonese gold prospector Joe Kum Yung to draw attention to his crusade to rid New Zealand of Chinese and other east Asian immigrants. Author Chris Tse uses this story—and its reenactment for a documentary a hundred years later—to reflect on the experiences of Chinese migrants of the period, their wishes and hopes, their estrangement and alienation, their ghostly reverberation through a white-majority culture. Along the way readers visit the gold fields of the south; a shipwreck in the Hokianga that left the spirits of 500 Chinese gold miners in an unmemorialized limbo for a hundred years; and the streets of Newtown, Wellington, where Lionel Terry went out one night "looking for a Chinaman." Chris Tse's flickering use of imagery, resonant language, and flexible pronouns are particularly suited to the historic events he describes and the viewpoints he shifts through. How to be Dead in a Year of Snakes is a welcome poetic addition to New Zealand literature.
Super Model Minority
It's the end of the world and Chris Tse has lost his chill. In Super Model Minority he completes a loose trilogy of books &– from the historical racism of How to be Dead in a Year of Snakes to a queer coming of age in HE'S SO MASC &– by looking to a future where &‘it's enough to look up at a sky blushing red and see possibility'. From making boys cry with the power of poetry to hitting back against microaggressions and sucker punches, these irreverent and tender poems dive head first into race and sexuality with rage and wit, while embracing everyday moments of joy to fortify the soul.Super Model Minority is a riotous walk through the highs and lows of modern life with one of New Zealand's most audacious contemporary poets.
The Friday Poem
An anthology of new New Zealand verse, which first appeared in the popular Friday Poem slot in The Spinoff website. It features some of the most well-known and established names in New Zealand poetry as well as new, exciting writers. It is a showcase of New Zealand poetry.
AUP New Poets 3
The latest in the series, this third volume showcases Janice Freegard, Reihana Robinson, and Katherine Liddy, three poets with vastly different yet complementary styles. Freegard writes quirky and often surreal poems about a Wellington inhabited by strange animals, art, and people. Robinson's poems are tropical but gritty, with many set on Pitcairn Island and interspersed with touching lyrics about family and identity in fractured English. Liddy is a promising young poet who has an unusual interest in and an ear for rhyme and rhythm; while some of her poems are texturally dense, she has an impressive range and a pleasing variety.
Tinderbox
Megan Dunn had lost the plot—in her life and in her art. Her attempt to write a fictional tribute to Fahrenheit 451 wasn’t going well. Her employer, the bookseller Borders, was going bust. Her marriage was failing. Her prospects were narrowing. The world wasn’t quite against her – but it wasn’t with her either. Riffing on Ray Bradbury’s classic novel about the end of reading, Tinderbox is one of the most interesting books in decades about literary culture and its place in the world. More than that, it’s about how every one of us fits into that bigger picture – and the struggle to make sense of life in the twenty-first century. Ironically enough for a book about failures in ar...
He's So MASC
This is my blood oath with myself: the onlydead Chinese person I'll write about from now onis me. &‘Punctum'In How to be Dead in a Year of Snakes, Chris Tse took readers back to a shocking 1905 murder. Now he brings the reader much closer to home. He's So MASC confronts a contemporary world of self-loathing poets and compulsive liars, of youth and sexual identity, and of the author as character — pop star, actor, hitman, and much more. These are poems that delve into worlds of hyper-masculine romanticism and dancing alone in night clubs. With its many modes and influences, He's So MASC is an acerbic, acid-bright, yet unapologetically sentimental and personal reflection on what it means to perform and dissect identity, as a poet and a person.
A Clear Dawn
A landmark anthology of creative work - poetry, fiction and essays - by emerging Asian New Zealand writers.This landmark collection of poetry, fiction and essays by emerging writers is the first-ever anthology of Asian New Zealand creative writing.A Clear Dawn presents an extraordinary new wave of creative talent. With roots stretching from Indonesia to Japan, from China to the Philippines to the Indian subcontinent, the authors in this anthology range from high school students to retirees, from recent immigrants to writers whose families have lived in New Zealand for generations.Some of the writers - including Gregory Kan, Sharon Lam, Rose Lu and Chris Tse - have published books; some, like...
He’s So MASC
In How to be Dead in a Year of Snakes, Chris Tse took readers back to a shocking 1905 murder. Now he brings the reader much closer to home. He’s So MASC confronts a contemporary world of self-loathing poets and compulsive liars, of youth and sexual identity, and of the author as character — pop star, actor, hitman, and much more. These are poems that delve into worlds of hyper-masculine romanticism and dancing alone in night clubs. With its many modes and influences, He’s So MASC is an acerbic, acid-bright, yet unapologetically sentimental and personal reflection on what it means to perform and dissect identity, as a poet and a person.
Ghosts
Far from dead, our ghosts live within us always ... Poet Siobhan Harvey's latest collection is about migration, outcasts, the search for home, and the ghosts we live with, including the ones who occupy our memories, ancestries and stories. It begins in a contemporary inner-city suburb where a poet starts to chart the regeneration she witnesses, its difficulties and opportunities. Along the way, the collection moves across time-zones, oceans and continents, breaking down personal and political walls, and unleashing ghosts everywhere. Ultimately, Ghosts is a work concerned with dislocation, rejection, homelessness, family trauma and how we can give voice to the lost souls inside us all.
