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Etaneno
Etaneno ist eine Rinderfarm mitten im Buschland Namibias, bewirtschaftet von dem aus Freiburg stammenden Architekten Erwin Gebert. 1989 beschlossen Erwin Gebert und sein Freund Alfonso Hüppi, in Freiburg geborener Künstler und langjähriger Professor an der Kunstakademie Düsseldorf, dass Etaneno auch ein Ort für Kunst werden sollte. Ein Jahr später war die Ausstellungshalle errichtet. Seitdem ziehen jährlich ein oder zwei Gruppen von Künstlerinnen und Künstlern, vorwiegend aus Deutschland und der Schweiz, für vier Wochen in den Busch, um fern vom Kunstbetrieb zu arbeiten und dort, in dieser unwirtlichen und zugleich überwältigenden Landschaft, über den Sinn ihres Tuns nachzudenken. Exhibition: Museum für Neue Kunst, Freiburg (28.5-25.9.2011).
Jürgen Brodwolf
Mit Texten von Christiane Grathwohl Scheffel, Jochen Ludwig, Astrid Guderian-Driesen, Volkhard Knigge, Barbara Strieder, Peter Bürger und Gabriele Uelsberg. Die Publikation erscheint zu den Ausstellungen im Museum für Neue Kunst Freiburg, 16.10.04 - 09.01.05; Kunsthalle Weimar Harry Graf Kessler, 15.05.-10.07.05; Museum Schloss Moyland, Bedburg-Hau, 04.09. - 29.01.05; Kunstmuseum in der Alten Post, Mülheim a.d. Ruhr, 19.01. - 12.03.06
Barbara and Katharina Grosse: Installations and Works on Paper
Renowned German painter and installation artist Katharina Grosse is joined by her mother, the printmaker Barbara Grosse, for their first joint catalogue. Barbara Grosse's etchings keep company with Katharina Grosse's fluorescent-coloured spray painted sculptures and panel paintings.
Thomas Ruff
Thomas Ruff's work is among the most important in contemporary fine-art photography. Since the end of the 1980s when he became famous for his portrait series he has in his work explored the conditions of the medium he uses to produce his art. The results were the series Nächte, Häuser, Sterne, Stereoskopien, Substrate and Nudes. The most recent works are called Jpegs and Cassini. The exhibition and the catalogue feature the Black Forest as a starting point and as an ever recurring motif in Ruff's work - a multifarious landscape theme in his complex pictorial cosmos. Published to accompany the exhibition at Museum für Neue Kunst, Städtische Museen Freiburg, June - September 2009. German text.
Photography and Place
As a recording device, photography plays a unique role in how we remember places and events that happened there. This includes recording events as they happen, or recording places where something occurred before the photograph was taken, commonly referred to as aftermath photography. This book presents a theoretical and historical analysis of German photography of place after 1945. It analyses how major historical ruptures in twentieth-century Germany and associated places of trauma, memory and history affected the visual field and the circumstances of looking. These ruptures are used to generate a new reading of postwar German photography of place. The analysis includes original research on world-renowned German photographers such as Thomas Struth, Thomas Demand, Michael Schmidt, Boris Becker and Thomas Ruff as well as photographers largely unknown in the Anglophone world.
Noise Matters
Everyone knows what noise is. Or do they? Can we in fact say that one man's noise is another teenager's music? Is noise in fact only an auditory phenomenon or does it extend far beyond this realm? If our common definitions of noise are necessarily subjective and noise is not just unpleasant sound, then it merits a closer look (or listen). Greg Hainge sets out to define noise in this way, to find within it a series of operations common across its multiple manifestations that allow us to apprehend it as something other than a highly subjective term that tells us very little. Examining a wide range of texts, including Sartre's novel Nausea and David Lynch's iconic films Eraserhead and Inland Empire, Hainge investigates some of the Twentieth Century's most infamous noisemongers to suggest that they're not that noisy after all; and it finds true noise in some surprising places. The result is a thrilling and illuminating study of sound and culture.
Alexej Jawlensky
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BERLIN AM MEER.
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Hommage à la peinture
"This publication is a Catalogue Raisonné of the Every day is a good day series [Tag um Tag guter Tag] and has been created in celebration of the extensive donation made by Peter Dreher and to complement the exhibition Peter Dreher - Homage to painting."--Colophon.
