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America and the Armenian Genocide of 1915
Before Rwanda and Bosnia, and before the Holocaust, the first genocide of the twentieth century happened in Turkish Armenia in 1915, when approximately one million people were killed. This volume is an account of the American response to this atrocity. The first part sets up the framework for understanding the genocide: Sir Martin Gilbert, Vahakn Dadrian and Jay Winter provide an analytical setting for nine scholarly essays examining how Americans learned of this catastrophe and how they tried to help its victims. Knowledge and compassion, though, were not enough to stop the killings. A terrible precedent was born in 1915, one which has come to haunt the United States and other Western countries throughout the twentieth century and beyond. To read the essays in this volume is chastening: the dilemmas Americans faced when confronting evil on an unprecedented scale are not very different from the dilemmas we face today.
Translation Review
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A Summer Without Dawn
"A Summer Without Dawn is an epic family saga that unfolds against the true story of the Armenians deported from the Ottoman Empire and massacred during the First World War. In the summer of 1915, days after the government orders the deportation of the Armenians, the charismatic Armenian journalist Vartan Balian is separated from his family and imprisoned by politicians hoping to silence him. After a daring escape, he becomes a fugitive and embarks on an odyssey across the vast empire. Not only is he running for his life; he is also searching for his wife, Maro, and their young son, Tomas. Forced into one of the deportee convoys headed for the Syrian desert, their numbers thinning every day,...
The Jewish Quarterly
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Music in the Holocaust
In Music in the Holocaust Shirli Gilbert provides the first large-scale, critical account of the role of music amongst communities imprisoned under Nazism. She documents a wide scope of musical activities, ranging from orchestras and chamber groups to choirs, theatres, communal sing-songs, and cabarets, in some of the most important internment centres in Nazi-occupied Europe, including Auschwitz and the Warsaw and Vilna ghettos. Gilbert is also concerned with exploring theways in which music - particularly the many songs that were preserved - contribute to our broader understanding of the Holocaust and the experiences of its victims. Music in the Holocaust is, at its core, a social history, taking as its focus the lives of individuals and communities imprisoned under Nazism.Music opens a unique window on to the internal world of those communities, offering insight into how they understood, interpreted, and responded to their experiences at the time.
Ժամանակակից Իսթանպուլահայ գրողներ
Contemporary Armenian writers of Istanpul, Turkey.
