Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
MACAU
This dissertation, "Macau: a Cultural Janus in Colonial Vicissitudes" by 鄭妙冰, Christina Miu Bing, Cheng, was obtained from The University of Hong Kong (Pokfulam, Hong Kong) and is being sold pursuant to Creative Commons: Attribution 3.0 Hong Kong License. The content of this dissertation has not been altered in any way. We have altered the formatting in order to facilitate the ease of printing and reading of the dissertation. All rights not granted by the above license are retained by the author. DOI: 10.5353/th_b3123469 Subjects: Portugual - Colony - China - Macau (Special Administrative Region) Macau (China: Special Administrative Region) - Civilization
Macau
Macau, on the threshold of the twentieth-first century, is perhaps a harbinger of a new urban culture. Having been nurtured by the sharply constrasting legacies of China and Portugal, this unique city manages to meld cultural differences and avoid the destructiveness of ethnic clashes. It is thus likened here to the Roman deity Janus, who is usually depicted with two faces looking in opposite directions. By concentrating on the ambivalent history of Macau, the author reveals the historical reality of cultural vacillation between two political entities and the emergence of a creole minority - the Macanese. With a judicious use of English, Chinese, and Portuguese sources, she has provided a pathbreaking, multi-focal perspective of the last Portuguese outpost in Asia. In light of the 'decolonization' of Macau in December 1999, the author's analysis challenges the easy assumptions of the causal sequence: colonialism/postcolonialism, and opens up an interdisciplinary purview of a local instance in cross-cultural studies.
Postmodernism
This dissertation, "Postmodernism: Art and Architecture in Hong Kong" by Christina Miu Bing, Cheng, 鄭妙冰, was obtained from The University of Hong Kong (Pokfulam, Hong Kong) and is being sold pursuant to Creative Commons: Attribution 3.0 Hong Kong License. The content of this dissertation has not been altered in any way. We have altered the formatting in order to facilitate the ease of printing and reading of the dissertation. All rights not granted by the above license are retained by the author. DOI: 10.5353/th_b3194986 Subjects: Art, Chinese - China - Hong Kong - 20th century Architecture - China - Hong Kong - History - 20th century Postmodernism - China - Hong Kong Art, Modern - 20th century Architecture
Macau
None
This House Is Not a Home: European Everyday Life in Canton and Macao 1730–1830
Lisa Hellman offers the first study of European everyday life in Canton and Macao. How foreigners could live, communicate, move around – even whom they could interaction with – were all things strictly regulated by the Chinese authorities. The Europeans sometimes adapted to, and sometimes subverted, these rules. Focusing on this conditional domesticity shows the importance of gender relations, especially the construction of masculinity. Using the Swedish East India Company, a minor European actor in an expanding Asian empire, as a point of entry highlights the multiplicity of actors taking part in local negotiations of power. The European attempts at making a home in China contributes to a global turn in everyday history, but also to an everyday turn in global history.
Walking Macao, Reading the Baroque
This volume brings to the reader the art and architecture of Macao, and the baroque treasures that make the territory so attractive. As the authors consider the special nature of Macao's baroque, they discuss whether its Chinese architecture are also baroque; and what is the importance of the new casino architecture.
Globalization and the Chinese City
Introducing readers to the far-reaching global orientation that is now taking place in urban China, an international team of contributors examine the impact of globalization on Chinese cities, including the economic, cultural and political impact.
Narratives of Free Trade
Nine essays discuss the first commercial encounters between a China on the verge of systemic social change and a United States struggling to assert itself globally as a distinct nation after the Revolutionary War, from the arrival in Canton of the first American ship in the 1870s, to the 1844 Treaty of Wangxia in Macao after the First Opium War, to Secretary of State John Hay's forging of the Open Door policy in 1899. Broad in scope, the essays are attuned to the activities of competing European traders, especially the British, in Canton, Macao, and the Pearl River Delta. Kendall Johnsonis director of the American Studies Program and associate professor at the University of Hong Kong.
Macao - The Formation of a Global City
Macao, the former Portuguese colony in southeast China, has a long and very interesting history of cultural interaction between China and the West. Held by the Portuguese from the 1550s until its return to China in 1999, Macao was up to the emergence of Hong Kong in the later nineteenth century the principal point of entry into China for all Westerners - Dutch, British and others, as well as Portuguese. The relatively relaxed nature of Portuguese colonial rule, intermarriage, the mixing of Chinese and Western cultures, and the fact that Macao served as a safe haven for many Chinese reformers at odds with the Chinese authorities, including Sun Yat-sen, all combined to make Macao a very different and special place. This book explores how Macao was formed over the centuries. It puts forward substantial new research findings and new thinking, and covers a wide range of issues. It is a companion volume to Macao - Cultural Interaction and Literary Representations.
