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Music and Visual Culture in Renaissance Italy
The chapters in this volume explore the relationship between music and art in Italy across the long sixteenth century, considering an era when music-making was both a subject of Italian painting and a central metaphor in treatises on the arts. Beginning in the fifteenth century, transformations emerge in the depiction of music within visual arts, the conceptualization of music in ethics and poetics, and in the practice of musical harmony. This book brings together contributors from across musicology and art history to consider the trajectories of these changes and the connections between them, both in theory and in the practices of everyday life. In sixteen chapters, the contributors blend i...
The New World in Early Modern Italy, 1492-1750
This volume considers Italy's history and examines how Italians became fascinated with the New World in the early modern period.
City of Echoes
From a bold new historian comes a vibrant history of Rome as seen through its most influential persona throughout the centuries: the pope. Rome is a city of echoes, where the voice of the people has chimed and clashed with the words of princes, emperors, and insurgents across the centuries. In this authoritative new history, Jessica Wärnberg tells the story of Rome’s longest standing figurehead and interlocutor—the pope—revealing how his presence over the centuries has transformed the fate of the city of Rome. Emerging as the anonymous leader of a marginal cult in the humblest quarters of the city, the pope began as the pastor of a maligned and largely foreign flock. Less than 300 yea...
New Worlds and the Italian Renaissance
This volume aims to assess the longstanding debate over the role played by the Italian Renaissance in shaping the modern Western worldview.
Crossing Traditions: Essays on the Reformation and Intellectual History
English Irena Backus' scholarship has been characterised by profound historical learning and philological acumen, extraordinary mastery of a wide range of languages, and broad-ranging interests. From the history of historiography to the story of Biblical exegesis and the reception of the Church Fathers, her research on the long sixteenth century stands as a point of reference for both historians of ideas and church historians alike. She also explored late medieval theology before turning her attention to the interplay of religion and philosophy in the seventeenth century, the focus of her late research. This volume assembles contributions from 35 international specialists that reflect the br...
Dante's Volume from Alpha to Omega, Volume 577
Dante's Volume from Alpha to Omega brings together essays written by internationally recognized scholars to explore the poet's encyclopedic impulse in light of our own frenzied information age. This comprehensive collection of essays, coedited by Carol Chiodo and Christiana Purdy Moudarres, examines how Dante's spiritual quest is powered by an encyclopedic one, which has for more than seven centuries drawn a readership as diverse as the knowledge his work contains. The essays investigate both the intellectual and spiritual pleasures that Dante's Commedia affords, underscoring how, through the sheer breadth of its knowledge, the poem demands collective and collaborative inquiry. Rather than isolating the poetic or theological strands of the Commedia, the book acts as a bridge across disciplines, braiding together the well-worn strands of poetry and theology with those of philosophy, the sciences, and the arts. The wide range of entries within Dante's poetic summa yield multiple opportunities to reflect on their points of intersection, and the urgency of the convergence of the poem's aesthetic, intellectual, and affective aims.
Emulating Antiquity
A revelatory account of the complex and evolving relationship of Renaissance architects to classical antiquity Focusing on the work of architects such as Brunelleschi, Bramante, Raphael, and Michelangelo, this extensively illustrated volume explores how the understanding of the antique changed over the course of the Renaissance. David Hemsoll reveals the ways in which significant differences in imitative strategy distinguished the period's leading architects from each other and argues for a more nuanced understanding of the widely accepted trope--first articulated by Giorgio Vasari in the 16th century--that Renaissance architecture evolved through a linear step-by-step assimilation of antiquity. Offering an in-depth examination of the complex, sometimes contradictory, and often contentious ways that Renaissance architects approached the antique, this meticulously researched study brings to life a cacophony of voices and opinions that have been lost in the simplified Vasarian narrative and presents a fresh and comprehensive account of Renaissance architecture in both Florence and Rome.
Policing Pregnant Bodies
"A history of the old medical and philosophical traditions that influence the politics of women's health and reproductive autonomy today"--
Giannozzo Manetti
An introduction to one of the premier humanists of the Italian Renaissance, whose extraordinary work in biography, politics, religion, and philosophy has been largely unknown to Anglophone readers. A celebrated orator, historian, philosopher, and statesman, Giannozzo Manetti (1396–1459) was one of the most remarkable figures of the Italian Renaissance. The son of a wealthy Florentine merchant, he was active in the public life of the Florentine republic and embraced the new humanist scholarship of the Quattrocento. Among his many contributions, Manetti translated from classical Latin, Greek, and Hebrew, bringing attention to great works of the ancient world that were previously unknown. He ...
From Mythos to Logos
From Mythos to Logos: Andrea Palladio, Freemasonry and the Triumph of Minerva explores how myth was used to encode architecture and frescoed interiors with insights that promote peace, freedom and kindness as ways of being in the world. The author, Michael Trevor Coughlin argues that Freemasonry took root in the Italian city of Vicenza as early as 1546, and that its precepts, conveyed through the intersection of myth and philosophy, were disseminated widely in buildings and images, as well as texts, prescribing tolerance and an understanding of the divine that exists in each and everyone.
