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The Critical Nexus
The Critical Nexus is the first book to trace the development of the notational matrix of Western music from Antiquity to the fourteenth century. It shows how principles of ancient Greek theory were grafted onto medieval practice, leading to a theory of both tone-system and mode, and a concomitant system of musical notation, that is uniquely Western.
Hispania Vetus
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Various Sermons
This last small group of Bernard's sermons to be published in translation by Cistercian Publications rightly goes by the title De varii in the critical edition. While most of them treat feasts on the church calendar, they do so in a somewhat hit-or-miss fashion. Three sermons also deal with God's will, God's mercies, and the gifts of the Holy Spirit. Two sermons for the feast of Saint Victor are a response to a request to Bernard from the monks of Montiéramey; the Bollandist Life of Saint Victor appears here as a complement to those sermons. Besides the nine sermons normally assigned to the De varii, this volume also includes a sermon on the feast of Saint Benedict that was recently added t...
Renaissance and Renewal in the Twelfth Century
Twenty-seven authors approach the diverse areas of the cultural, religious, and social life of the twelfth century. These essays form a basic resource for all interested in this pivotal century. A reprint of the first edition first published in 1982.
The Advent Project
In his final accomplishment of an extraordinarily distinguished career, James W. McKinnon considers the musical practices of the early Church in this incisive examination of the history of Christian chant from the years a.d. 200 to 800. The result is an important book that is certain to have a long-lasting impact on musicology, religious studies, and history.
A Garland of Faith
A collection of medieval materials that complement the Revised Common Lectionary readings. Useful as an extra liturgical resource, for homily material, or for personal devotion.
Between Creativity and Norm-Making
The time of the transition from the Middle Ages to the onset of early modernity (c. 1400-1550) is a very complex one. It brought what on first sight appear to be contradictory developments. Human creativity and freedom became much more important; yet, at the same time, the foundations were laid for systems that allowed control to be exercised over virtually every aspect of human social life. How can we put these two phenomena together? Which tendency is the stronger one? The contributions in this volume focus on the tension between creativity and norm-making from the perspective of different academic disciplines, so as to shed light on this fascinating period in our history.
The Music of the Troubadours
"The Music of the Troubadours is the first comprehensive critical study of the extant melodies of the troubadours of Occitania. It begins with an overview of their social and political milieu in the twelfth and thirteenth centuries, then provides brief biographies of the troubadours whose music survives. The four manuscripts that transmit this music are described in detail, with attention to their genesis in the overlapping roles of composers, singers, and scribes"--Back cover
